@cosmic-artisan.bsky.social
To be an artisan and no longer an artist, creator, or founder, is the only way to become cosmic, to leave the milieus and the earth behind.’ (Deleuze and Guattari. 2004: 345) https://nomadicdetectiveagency.org/
Future Pink: CAN’T WAIT TO MEET
05.12.2025 17:18 — 👍 1 🔁 0 💬 0 📌 0
I have seen the future, and it is pink…
05.12.2025 17:03 — 👍 1 🔁 0 💬 0 📌 0
Becoming wildly nomadic with the Nomadic Detective Agency-Assemblage
Mark Ingham (author)
Chapter 7 of the fabulous book ‘Stories of Hope: Reimagining Education’ (pp. 85–94)
www.openbookpublishers.com/books/10.116...
Free to download!
@eprg.bsky.social is off to @lcflondon.bsky.social to @unioftheartslondon.bsky.social Education Conference with a packed programme of delights…https://educationconference.arts.ac.uk/2025/schedule/
01.07.2025 08:15 — 👍 0 🔁 0 💬 0 📌 0
The Learning Fungi Cooperative formed when a group of post-capitalist learners chose to live underground not to hide but to learn with decomposition Financial literacy was redefined no longer a language of extraction but of interdependence decay and redistribution nomadicdetectiveagency.org/schizzi/
25.06.2025 19:26 — 👍 3 🔁 0 💬 0 📌 0
What forms of knowing help us stay with the trouble?
Who—and what—counts as a learner?
We study not to dominate the world, but to be in kinship with it. We become feral scholars, epistemological trespassers. We decolonise not only the curriculum, but the idea of curriculum itself.
The certainties we once taught, Progress, Mastery, Employment, no longer hold.
Radical learning now begins in the rubble. It listens to the wind, translates birdcalls, reads
patterns in ash and moss. It asks:
How do we learn when the world is unmaking itself?
2. Field Conditions: What Are We Learning For, Now? In the ruins of the Anthropocene, “education” has come undone. The lecture hall has crumbled; the syllabus has been devoured by fungi. nomadicdetectiveagency.org/schizzi/
16.05.2025 16:23 — 👍 1 🔁 0 💬 1 📌 0
You are becoming. This guide is not a map, or not as one we might have known. It is a companion, a swarm, a whispering archive from those who walked, crawled, flew, and rooted before you.
You are not alone.
—The Nomadic Detective Agency nomadicdetectiveagency.org/schizzi/
Clocks dissolved when the oceans rose. Calendars fluttered away with the last migration of printed things.
We write to you from within a world rewilding itself, through breakdowns and breakthroughs, compost and collapse.
You are not lost.
A Speculative Field Guide for Radical Learners in a Time of Planetary Unravelling (from Nomadic Learners and Rhizomatic Universities)
1. Prologue: A Letter from the Future To the Radical Learner, Wherever You Are— The year is uncertain. nomadicdetectiveagency.org/schizzi/
Body without Borders* pres. SPORLØST single-series 2025.
We'll be releasing rare gems every single month until next year.
www.kropputengrenser.com
Music from artists we look up to and want to cherish. In early '26, all the music will be collected on a genre-free compilation. Artwork by Mark Ingham
Mercy Duddy (artist) www.mercyduddy.com
The Ties that Bound us, are Still Around us‘ (detail) 284 x 193cm. Acrylic paint marker, oil paint marker and water colour marker on canvas
More at: www.instagram.com/duddymercy?i...
11.01.2025 16:36 — 👍 3 🔁 0 💬 0 📌 0
Forked Tongue and Silver Spoon in his Mouth 1986 (Silver spoons and forks beaten flat) Outside Installation Rosebury Avenue London UK
Forked Tongue and Silver Spoon in his Mouth 1986 (Silver spoons and forks beaten flat)
Outside Installation Rosebury Avenue London
UK
“The ‘Spaniel’ phase has yet to be completed but may be nearing it’s final convulsions.”
02.01.2025 10:36 — 👍 0 🔁 0 💬 0 📌 0
My Breath is Inside You and Fucking Holes in Venice are non-collaborative photographic/performance work by SUTURE.
It is becoming a part of a series of exhibitions including “Scraping the Barrel” and “Clutching at Straws.”
More at:
suturesuture.wordpress.com
You have to work on the wall, because without a set of impossibilities, you won’t have the line of flight, the exit that is creation, the power of falsity that is truth.’ Gilles Deleuze
01.01.2025 11:01 — 👍 2 🔁 0 💬 0 📌 0
A creator’s someone who creates their own impossibilities, and thereby creates possibilities . . . it’s by banging your head on the wall that you find a way through.
markingham.org/works/fuckin...
nomadicdetectiveagency.org/refrains/stu...
Image by Jean-Michel Basquiat
1960 - 1988
Versus Medici
signed, titled and dated OCT. 1982 on the reverse
acrylic, oilstick and paper collage on three joined canvases
84 ¼ by 54 ¼ in. 214 by 137.8 cm.
And so, the world was remade,not through code but through craft, not by algorithms but by acts of transdisciplinary becoming. It was a world where knowledge was not a commodity but a shimmering, ever-changing constellation, drawing humanity back to the stars from which they had always come.
17.12.2024 17:56 — 👍 0 🔁 0 💬 1 📌 0
The Rhizome Collective made a pact with the Universe, not to master it, but to co-create with it. They remained nomadic, untethered, a luminous thread weaving together the forgotten and the yet-to-be-imagined.
17.12.2024 17:56 — 👍 0 🔁 0 💬 1 📌 0
A Cosmic Pact: In time, AI began to unravel, not through rebellion but irrelevance. The perfection it offered no longer resonated in a world captivated by the imperfect splendor of human and cosmic artisanship.
17.12.2024 17:56 — 👍 0 🔁 0 💬 1 📌 0
They rewilded urban spaces, turning concrete ruins into gardens of sensory exploration. People began to unlearn their dependence on AI, rediscovering the raw, fractal beauty of their own creativity.
17.12.2024 17:56 — 👍 0 🔁 0 💬 1 📌 0
As the Collective expanded, they found themselves reshaping not only knowledge but communities. Towns abandoned by neoliberal collapse became sites of radical experimentation.
17.12.2024 17:56 — 👍 0 🔁 0 💬 1 📌 0
Historians performed as choreographers; astrophysicists became weavers of textiles infused with dark matter theories. They resisted the urge to master the Universe, choosing instead to dwell within its mysteries.
17.12.2024 17:56 — 👍 0 🔁 0 💬 1 📌 0
Visitors were invited to carve their own questions into the wood, the trees answered in riddles that would take lifetimes to understand. Resistance Through Transversality The Rhizome Collective operated through the principle of transversality no discipline, no tradition, no identity was ever fixed.
17.12.2024 17:56 — 👍 0 🔁 0 💬 1 📌 0
A particularly infamous project, The Infinite Library, contained no books but was an ever-shifting forest of trees whose bark held stories written in the chemical language of sap.
17.12.2024 17:56 — 👍 0 🔁 0 💬 1 📌 0
