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Weston Morrow

@wmorrow.bsky.social

Author of Cloud Builder, winner of the National Poetry Series. I teach writing at Ohio State. Westonmorrow.com

154 Followers  |  23 Following  |  17 Posts  |  Joined: 03.07.2023  |  1.8913

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Check out these incredible poems by Liz Harms (@lizharms.bsky.social) at MQR
sites.lsa.umich.edu/mqr/2023/10/...

10.09.2025 23:09 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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Please go buy their journal! It's a really tremendous literary magazine
behrend.psu.edu/school-of-hu...

10.09.2025 22:47 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0

I’m immensely grateful to George Looney and Celine Gauge at Lake Effect for supporting this work. Not only did they publish this poem, but they also published the very first poem I wrote for this manuscript back in 2021.

10.09.2025 22:47 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0

In an ironic twist of fate, Constable would finally be recognized for his contributions to British art and elected to the Royal Academy the very next year.

10.09.2025 22:47 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0

A year and a half after the completion of "The Cornfield," following Maria's years-long struggle with tuberculosis, she passed away.

10.09.2025 22:47 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0

Despite these additions, and Constable’s hopes, the painting would not sell during Constable's lifetime.

10.09.2025 22:47 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0
quoted text, "Constable remarked to his friend Fisher: "I do hope to sell this present picture--as it has certainly got a little more eye-salve than I usually give them." By "eye-salve" he probably meant picturesque details such as the drinking boy, the donkey's grazing the bank dotted with poppies and cow parsley, the flock of sheep, distant village and meandering river."

quoted text, "Constable remarked to his friend Fisher: "I do hope to sell this present picture--as it has certainly got a little more eye-salve than I usually give them." By "eye-salve" he probably meant picturesque details such as the drinking boy, the donkey's grazing the bank dotted with poppies and cow parsley, the flock of sheep, distant village and meandering river."

No one wanted to buy his paintings, and he was struggling to cover the family’s expenses. Perhaps in a kind of desperate response, he added elements to this painting that he thought might entice buyers.

10.09.2025 22:47 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0

Though today Constable is considered by manyβ€”along with JMW Turnerβ€”to be one of the most important landscape painters in the history of Western art, his career to this point had not gone well.

10.09.2025 22:47 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0
quoted text from the National Gallery, "The lane still exists but the countryside shown beyond it was largely conjured up in Constable's studio. The church tower and cluster of red-roofed houses 'never existed,' as the artist's son Charles Constable was later to point out--Constable invented the village."

quoted text from the National Gallery, "The lane still exists but the countryside shown beyond it was largely conjured up in Constable's studio. The church tower and cluster of red-roofed houses 'never existed,' as the artist's son Charles Constable was later to point out--Constable invented the village."

As the National Gallery notes, this β€œwooded lane leading to a more sunlit landscape” was a common theme in Constable’s work. And, though the path depicted in β€œThe Cornfield” is a real one, the village to which it leads was invented by Constable.

10.09.2025 22:47 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0

Maria had contracted tuberculosis several years prior, and her health had deteriorated significantly in the ensuing time.

10.09.2025 22:47 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0

The painting depicts a real path from Constable’s childhood home in Dedham Vale, though he painted it from Londonβ€”mid-winterβ€”from memory and old sketches, as the health of his wife, Maria, was deteriorating.

10.09.2025 22:47 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0
"The Cornfield," by John Constable, 1826

"The Cornfield," by John Constable, 1826

The Cornfield, John Constable, 1826
It opens on the countryside, a boy
who from a distance seems dead,
head tipped forward in the stream
as if drowned. Or is he looking
down, through the silt,
for something beneath
the surface? Surely,
there is nothing there 
to see. No,
drawing closer it seems
he's only drinking
the dark water, slaking his thirst
before crossing Dedham Vale. 
You think

The Cornfield, John Constable, 1826 It opens on the countryside, a boy who from a distance seems dead, head tipped forward in the stream as if drowned. Or is he looking down, through the silt, for something beneath the surface? Surely, there is nothing there to see. No, drawing closer it seems he's only drinking the dark water, slaking his thirst before crossing Dedham Vale. You think

this child might bring the scene to life;
meanwhile, in a bed, tucked between
Brighton and Hove, your wife is dying.
No one will buy this painting. To them
it is lifeless, even with the addition of the boy
and his dog, the little poppies blooming 
on the hillside undisturbed
by loss. The sheep march onward
to be shorn. The farmer hangs, in his corn,
a warning to the sparrows, a corpse
of cloth and stuffed straw.
But the birds know
what the man won't admitβ€”
the body is a frail imitation
of its god, betrayed by every cough
of wind. Its small truths
riddled with fraud. What now 
remains? The road persists, 
but the village you claimed 
you saw, beyond the lane, 
never existed.

this child might bring the scene to life; meanwhile, in a bed, tucked between Brighton and Hove, your wife is dying. No one will buy this painting. To them it is lifeless, even with the addition of the boy and his dog, the little poppies blooming on the hillside undisturbed by loss. The sheep march onward to be shorn. The farmer hangs, in his corn, a warning to the sparrows, a corpse of cloth and stuffed straw. But the birds know what the man won't admitβ€” the body is a frail imitation of its god, betrayed by every cough of wind. Its small truths riddled with fraud. What now remains? The road persists, but the village you claimed you saw, beyond the lane, never existed.

I’m thrilled to have a poem in Lake Effect about John Constable’s 1826 painting β€œThe Cornfield,” a painting that’s dear to me, with its own fascinating and tragic story that I’d like to tell here.

10.09.2025 22:47 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0

I should be able to burn calories by charging my phone with myself

win/win if you ask me

02.09.2025 18:12 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0

Alfred Lord Tennis-shoe

25.07.2025 23:04 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0

Yes! That's the one. Thank you! Love J Robert Lennon, so will definitely check those other two out as well.

24.07.2025 17:30 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0

@tmcallister.bsky.social Tom, on a couple of the recent Bookfight eps you've mentioned good crime novels you've been reading, but I can't for the life of me find where in the episodes you mentioned them. Do you remember what they were?

24.07.2025 17:10 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0

I'm just happy to be here!

14.12.2024 01:04 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0

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