Author Marni Mann

That’s such a powerful lens to write through, what’s unsaid shaping what is said. I’d love to hear more about how that shows up in your longer work. I’ve followed you, feel free to check your inbox so we can continue the conversation there.

I love that perspective, Edward St. James. What’s left unsaid can carry just as much weight as what’s written. Do you find that idea influencing your longer pieces too, or does it feel most powerful in poetry?

You’re so right, Clara, those small, thoughtful details really do matter. Have you been working with a specific charity that inspired you to share this?

Marieke, I love that shift; listening can open up stories in such a different way. Do you find it changes how you approach your own writing, too?

Geoff, I love the imagery here; the idea of nature shaping its own cathedrals is beautiful. Do you often draw inspiration from landscapes when you write your haiku?

I love how much emotion you tucked into so few lines, Edward St. James, it lingers in the quiet spaces. What inspired this particular haiku?

I love characters who hide depth behind a playful edge. What’s Murabaa’s reaction when Penelope drops the teasing and gets serious?

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It's the annual Valentine's Dinner at Charred with a delectable menu curated by Chef Walker Weston.
Tell me: Which Marni Mann hero would you take as your date?

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I love that, fair play mysteries are such a gift to readers. No rabbits in a hat is a rule I can absolutely respect 😊 In a cozy Cotswolds village like yours, what’s been the most fun recurring character to deepen in this installment?

That’s such a great way to look at it, Ellie. Anything that gets the pen moving is a win. I love how prompts can unlock ideas we didn’t even know were there. I’d love to hear more about how you turn those first inklings into full stories. Feel free to follow me so we can continue chatting in inbox 😊

Thanks for sharing this, Ellie! I love seeing how different creatives document their process. Do photos play a big role in inspiring your writing, or are they more of a behind-the-scenes glimpse into your world?

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I’d love to hear more about the series and how you’ve grown it across three books. Feel free to follow me so we can continue chatting in the inbox.

That title alone makes me smile. Death & Sourdough is such a perfect cozy blend. ☕🍞 What’s the central mystery in book three, and are we revisiting familiar faces or meeting new suspects this time around?

I’d really love to hear more about how that dynamic unfolds. I’ve followed you. If you’re open to it, feel free to follow back so we can continue this conversation in your inbox.

I love that tension, Alexandra, someone shaped by trauma who believes cruelty is protection, yet isn’t truly cruel at heart. That inner conflict makes a character feel so real. And the way her relationship with Thadis evolves alongside her growth sounds beautifully layered.

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I’d still love to pick your brain a bit more one-on-one about how you approach value when working with different genres. If you’re open to it, feel free to follow me so we can continue the conversation in inbox.

That’s awesome, Remy. I love that you’re creating a space specifically for authors to learn design fundamentals. I’ll definitely check out the Author Design Academy.

A Rulebook for Ghosts” sounds fascinating, Ausiàs! I’ll definitely check out your Substack in the meantime. What inspired this particular story?

That’s so interesting, Django! Dark Lord sounds like it struck a chord in a way you didn’t expect. I’d love to hear more about what made it “weird” and why you think it resonated with readers. Feel free to follow me back so we can continue this chat in your inbox!

It really does feel random sometimes! When you look back at those ten other projects, is there one that surprised you the most with how it was received?

That sounds incredible, Jacob! I’d love to hear more about your weird fiction artifacts and how you’re planning the collections. Can we continue this chat in your inbox? It’d be great to dive deeper into your process.

Hi Remy, I really love our discussion about cover value and contrast! I’d love to continue chatting in your inbox if that works for you, it feels like there’s so much more I could learn from your process.

Rami, that sounds amazing! Nine terrifying stories all in one collection, definitely a spring read for horror fans. I’d love to hear more about what inspired Symphony for Walpurgis. Are you open to continuing this chat in your inbox?

That sounds fascinating, Jacob! Thanks for sharing your Tumblr link. Are you posting original stories there, or is it more of a worldbuilding/document archive style? I’d love to continue this chat in your inbox if you’re up for it.

Hi Ausiàs! I’m really intrigued by your Mediterranean Gothic style. Your work appearing in Flash Fiction Magazine, Pithead Chapel, and Flash Phantoms sounds amazing. I’d love to hear more about your upcoming story in Black Sheep.

Wow, JL, that’s hauntingly vivid. The way you describe the “frozen beauty” really lingers, it makes me feel the tension and the loss in that moment. I’d love to hear more about the scene and how it fits into your story.

Frankie, I love that you created a space for your query and WIPs; that’s such a smart move. I just followed you and sent a message as well. Feel free to check your inbox so we can chat more there!