xile

back words

i should make an album

screaming through the oubliette

linkedin park

feels like the halloween of love

not to create the thing-in-itself, or noumenon, which is not possible, but the thing-surrounding-the-thing, or the stage as the structure for the thing to happen, as a mediation relative to our experience of things, or phenomena

you will reach a time when poetry cannot be afforded

reality eludes me

thinking about david lynch

the sad thing about ai is that it’s never mattered if the public accepted something because they liked it, more so because it’s been shoved down their throats. so there’s nothing to stop ai’s dominance as long as it’s convenient, no matter what we think. we’ve transcended ourselves

filthy locker room bathroom dream

fashion is but a vehicle to authenticate or inauthenticate corporeality

it must be hard to be a mirror

just started liking bach unironically

you can no longer trust aesthetics in music (or anywhere for that matter). it is usually a sheen with no cultural attachment on top of the commonplace, or lipstick on a farm of pigs

i wanna be the yohji yamamoto of lutherie

your footage doesn’t matter nearly as much as what you do with it. it might take time and lots of trial and error to discover what it can be. editing is the ultimate test for the poet working in cinema

the camera was a mistake

me and who?

fashion photography often displaces itself from real life through one-dimensional backdrops. it asserts itself as a convention without the context that a three-dimensional set would provide