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Petra Matić

@petramatic.bsky.social

Balkan girl uncovering Non-Aligned histories. Dreamer and doer in a world where the funding is the curator. Educated by ruangrupa, New Art School Modality, Bureau d'Études, and BLOK. 2024 fellow of TheMuseumsLab and Global Cultural Relations.

1,739 Followers  |  6,299 Following  |  30 Posts  |  Joined: 20.08.2024  |  2.0729

Latest posts by petramatic.bsky.social on Bluesky

I would love to spend more time on Bluesky, but the endless stream of the U.S. politics is so draining. I'd prefer to learn about other countries.

26.06.2025 19:17 — 👍 4    🔁 0    💬 1    📌 0
NONALIGNED MOVEMENT: AFTER YUGOSLAVIA*

NONALIGNED MOVEMENT: AFTER YUGOSLAVIA*

Glad to speak with Peter Korchnak on Remembering Yugoslavia about the legacy of non-alignment, erased Global South student histories, and the urgency behind the Nonaligned Archive.
🎧 yugoblok.com/nonaligned-m...
🌍 www.arhivnesvrstanih.org
#nonalignedarchive #Zagreb

25.06.2025 10:18 — 👍 5    🔁 2    💬 0    📌 0
Two things poems
Teach:

Death of the body-
Best accept it.

Death of the heart-
Better not.

Two things poems Teach: Death of the body- Best accept it. Death of the heart- Better not.

Gregory Orr

15.12.2024 15:00 — 👍 8    🔁 0    💬 0    📌 0

Heritage at its best

08.12.2024 11:45 — 👍 2    🔁 0    💬 0    📌 0

I really really wanna see this!

08.12.2024 11:22 — 👍 2    🔁 0    💬 0    📌 0
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It’s a good day for Mahmoud Darwish — “The Prison Cell”

08.12.2024 04:32 — 👍 142    🔁 61    💬 1    📌 2
Panel on racism and culture: Oladayo and Abbey from PADUH - Panafričko društvo u Hrvatskoj - HRFF
YouTube video by Petra Matic Panel on racism and culture: Oladayo and Abbey from PADUH - Panafričko društvo u Hrvatskoj - HRFF

Privileged to hear the brilliant Panafrican Society in Croatia yesterday at the Human Rights Film Festival. The # of Africans in Croatia ranges from a few hundred to thousands—listen to the realities of living in a small peripheral country desperately trying to prove its whiteness.

08.12.2024 06:28 — 👍 2    🔁 1    💬 0    📌 0
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A photo I posted of graffiti in Syria in 2014.
"One day the war will be over and I will return to my poem"
I hope they will return to their poem

08.12.2024 02:51 — 👍 8232    🔁 1792    💬 48    📌 45
Forgetting to Remember, Toplocentrala Gallery - Cube, Exhibition, Authors: Simina Neagu, Voin de Voin, Petra Matic, Anca Benera and Arnold Estefan, Curators: Simina Neagu, 06-15 December 2024, Opening 6.12.2024., 18:00 hour

Forgetting to Remember, Toplocentrala Gallery - Cube, Exhibition, Authors: Simina Neagu, Voin de Voin, Petra Matic, Anca Benera and Arnold Estefan, Curators: Simina Neagu, 06-15 December 2024, Opening 6.12.2024., 18:00 hour


Toplocentrala Toplocentrala
Toplocentrala Toplocentrala

Center for Contemporary Arts
Map

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    Home Programme Visual Arts Forgetting to Remember 

06-15 December 2024

Toplocentrala Gallery - Cube

Opening

06.12.2024., 18:00 hour

Visiting hours

Tuesday - Friday 14:00 - 20:00 | Saturday - Sunday 12:00 - 21:00 | Monday - Not open
Forgetting to Remember

Exhibition Screening

The screening brings together four moving image works dealing with questions of preserving histories and uncovering the latent traces of the past: "23 August" (2023) by Simina Neagu, "The City That Has Peace" (2023) by Petra Matic, "The Ghost of Culture" (2023) by Voin de Voin, and “Citrus Tristeza” (2018) by Anca Benera and Arnold Estefan. The title, "Forgetting to Remember", alludes to the dangers of forgetting one's history, erasing one's archive and as a result, potentially repeating old errors, which all four works echo in some way.

Whether we're delving deeper into forgotten moments of solidarity still encapsulated in the architecture of Bucharest and Zagreb, revisiting utopian ideals in the National Palace of Culture or NDK in Sofia, or meditating on the latency of the "fascist virus" as understood by Hungarian anthropologist Karl Polanyi at the beginning of the 20th century, the works move us between the past and the potential of perhaps, a different future. What is there to be uncovered? What lies dormant beneath the pavement, as we go about our daily lives? What needs to be remembered? These are some of the questions that we are left with to answer or to continue grappling with in perpetuity.

- Simina Neagu, curator of the screenings

Toplocentrala Toplocentrala Toplocentrala Toplocentrala Center for Contemporary Arts Map → Home Programme Visual Arts Forgetting to Remember 06-15 December 2024 Toplocentrala Gallery - Cube Opening 06.12.2024., 18:00 hour Visiting hours Tuesday - Friday 14:00 - 20:00 | Saturday - Sunday 12:00 - 21:00 | Monday - Not open Forgetting to Remember Exhibition Screening The screening brings together four moving image works dealing with questions of preserving histories and uncovering the latent traces of the past: "23 August" (2023) by Simina Neagu, "The City That Has Peace" (2023) by Petra Matic, "The Ghost of Culture" (2023) by Voin de Voin, and “Citrus Tristeza” (2018) by Anca Benera and Arnold Estefan. The title, "Forgetting to Remember", alludes to the dangers of forgetting one's history, erasing one's archive and as a result, potentially repeating old errors, which all four works echo in some way. Whether we're delving deeper into forgotten moments of solidarity still encapsulated in the architecture of Bucharest and Zagreb, revisiting utopian ideals in the National Palace of Culture or NDK in Sofia, or meditating on the latency of the "fascist virus" as understood by Hungarian anthropologist Karl Polanyi at the beginning of the 20th century, the works move us between the past and the potential of perhaps, a different future. What is there to be uncovered? What lies dormant beneath the pavement, as we go about our daily lives? What needs to be remembered? These are some of the questions that we are left with to answer or to continue grappling with in perpetuity. - Simina Neagu, curator of the screenings

„23 August” (2023), Simina Neagu, 25’ 24”
'23 August' focuses on the 4th World Festival of Youth and Students that took place in Bucharest, Romania in 1953. In the spirit of recuperating a hopeful, partly utopian story of transnational solidarity for future generations, the story is told through the perspective of two activists – John La Rose, from Trinidad, and Paul Joseph, from South Africa, who forged a life-long friendship after meeting at this anti-colonial and anti-imperialist festival. The film includes archival materials from the John La Rose Estate and George Padmore Institute, fiction and a new interview with Paul Joseph and his daughter Nadia Joseph, as well as archival images from the Senate House Library.
„The Ghost of Culture” (2023), Voin de Voin, 11’ 32”
The film “The Ghost of Culture” drifts between the utopian idea of a universal palace of Culture where different art forms/disciplines merge in order to meet the needs of a larger audience. The film uses archive footage from the construction site dating back to 1977 combined with the actual opening of the palace. Buzzing actions and movement of people draw a picture of prosperity and national Socialist pride, in large.
The year is 2023 — The National Palace of Culture aka NDK — a ghost building – semi private semi public, where entering becomes an obstacle. The second part of the film exposes the power structure dynamics at present, when it becomes apparent that hierarchical and authoritarian principles are still in place and they serve as an active tool and treatment to both citizens and workers by the ones in supreme positions.
The documentary style of the camera captures the present state of affairs and digs into the complex narrative or redirection, or the inability to access or unmask. The movie leaves us with the shadow of both – the benefit and the doubt, of what is there to be uncovered?

„23 August” (2023), Simina Neagu, 25’ 24” '23 August' focuses on the 4th World Festival of Youth and Students that took place in Bucharest, Romania in 1953. In the spirit of recuperating a hopeful, partly utopian story of transnational solidarity for future generations, the story is told through the perspective of two activists – John La Rose, from Trinidad, and Paul Joseph, from South Africa, who forged a life-long friendship after meeting at this anti-colonial and anti-imperialist festival. The film includes archival materials from the John La Rose Estate and George Padmore Institute, fiction and a new interview with Paul Joseph and his daughter Nadia Joseph, as well as archival images from the Senate House Library. „The Ghost of Culture” (2023), Voin de Voin, 11’ 32” The film “The Ghost of Culture” drifts between the utopian idea of a universal palace of Culture where different art forms/disciplines merge in order to meet the needs of a larger audience. The film uses archive footage from the construction site dating back to 1977 combined with the actual opening of the palace. Buzzing actions and movement of people draw a picture of prosperity and national Socialist pride, in large. The year is 2023 — The National Palace of Culture aka NDK — a ghost building – semi private semi public, where entering becomes an obstacle. The second part of the film exposes the power structure dynamics at present, when it becomes apparent that hierarchical and authoritarian principles are still in place and they serve as an active tool and treatment to both citizens and workers by the ones in supreme positions. The documentary style of the camera captures the present state of affairs and digs into the complex narrative or redirection, or the inability to access or unmask. The movie leaves us with the shadow of both – the benefit and the doubt, of what is there to be uncovered?

„The City That Has Peace” (2023), Petra Matic, 8’ 41”
"The City That Has Peace" is a documentary film following the rise and fall of Zagreb's International Student Friendship Club. Exploring topics of solidarity, war, and community, Sam Bushara and Mohamed Al Younis lead us through the largely forgotten history of Non-Aligned Zagreb. The film follows their arrival to an unknown place as young students from former colonies, through the height of the city's multicultural youth centre concentrated in the International Student Friendship Club, ending with the Club's eviction and arson in the wartime 1990s, symbolised by the flawed, lonely statue of Croatia's first president Franjo Tuđman. Looking back on their journeys, they reflect on the tenderness and unity they encountered in Zagreb but which are no longer there.
‘Citrus Tristeza’,(2018) Anca Benera and Arnold Estefan, 15’14”
Citrus Tristeza is a virus that has led to the death of millions of citrus trees all over the world and has rendered millions of others useless for production. Farmers gave it the name tristeza (sadness), referring to the devastation produced by the disease.
The citrus virus appeared after the First World War and historically coincides with the rise of fascism in Europe.
Benera and Estefan reflect on this historic coincidence, inspired by the unpublished text by Karl Polanyi, The fascist virus (1934). Polanyi identifies fascism with a virus that is always present in society but stays invisible, in a latent state, becoming virulent in times of systemic crisis.
The artists are writing on the city walls by using the juice of squeezed lemons. While the lemon juice slowly evaporates, the text disappears before it can be read.

„The City That Has Peace” (2023), Petra Matic, 8’ 41” "The City That Has Peace" is a documentary film following the rise and fall of Zagreb's International Student Friendship Club. Exploring topics of solidarity, war, and community, Sam Bushara and Mohamed Al Younis lead us through the largely forgotten history of Non-Aligned Zagreb. The film follows their arrival to an unknown place as young students from former colonies, through the height of the city's multicultural youth centre concentrated in the International Student Friendship Club, ending with the Club's eviction and arson in the wartime 1990s, symbolised by the flawed, lonely statue of Croatia's first president Franjo Tuđman. Looking back on their journeys, they reflect on the tenderness and unity they encountered in Zagreb but which are no longer there. ‘Citrus Tristeza’,(2018) Anca Benera and Arnold Estefan, 15’14” Citrus Tristeza is a virus that has led to the death of millions of citrus trees all over the world and has rendered millions of others useless for production. Farmers gave it the name tristeza (sadness), referring to the devastation produced by the disease. The citrus virus appeared after the First World War and historically coincides with the rise of fascism in Europe. Benera and Estefan reflect on this historic coincidence, inspired by the unpublished text by Karl Polanyi, The fascist virus (1934). Polanyi identifies fascism with a virus that is always present in society but stays invisible, in a latent state, becoming virulent in times of systemic crisis. The artists are writing on the city walls by using the juice of squeezed lemons. While the lemon juice slowly evaporates, the text disappears before it can be read.

In case you find yourself in Sofia this weekend, my short film The City That Has Peace will be playing at Toplocentrala as part of the Forgetting to Remember exhibition, curated by Simina Neagu, along with works of Voin de Voin, Simina Neagu, and Anca Benera and Arnold Estefan.

02.12.2024 20:36 — 👍 6    🔁 1    💬 0    📌 0

Ever wanted to see the world through someone else’s eyes?

28.11.2024 18:47 — 👍 2921    🔁 300    💬 109    📌 35

I have started teaching Sara Ahmed’s the organization of hate routinely as I deal with a decidedly more right wing student body post Covid and nothing has been more effective. To explain that love- of a sovereign community abstract, unreal and narrowly defined- is the beginning of hate is effective.

29.11.2024 02:16 — 👍 100    🔁 20    💬 5    📌 3
A suitcase made of aluminum printing plates and coppervire stitches with an engraved Louis Vuitton logo and the words "NATIONAL BUDGET" on it

A suitcase made of aluminum printing plates and coppervire stitches with an engraved Louis Vuitton logo and the words "NATIONAL BUDGET" on it

Odur Ronald is one of my favorite contemporary artists. He just represented Uganda at the Venice Bienniale. This is his work "National Budget"

21.11.2024 10:50 — 👍 2    🔁 0    💬 1    📌 0

Introduce yourself with some jobs you've done apart from what you do now

1. Hostel cleaner
2. Guest manager in nautical tourism (living on the yacht)
3. Ceramic souvenir painter
4. Gold buyer
5. Band/tour manager
6. Language tutor
7. Bicycle courier
8. Train stewardess (one I despised the most)

21.11.2024 08:57 — 👍 2    🔁 0    💬 0    📌 0

Please consider boosting Li's call for support and send her as many good vibes as you can. Words can't describe what she must be going through right now after over a decade of being stealth...

Below is a Twitter screenshot of Li's latest post in English.

21.11.2024 06:48 — 👍 330    🔁 225    💬 3    📌 2

I was massively attacked when I last said this (including on instagram and linked in because some folks are batshit) so naturally I say it again: the word “terrorist” is a racialized slur that people of conscience should stop using all together.

19.11.2024 16:37 — 👍 180    🔁 38    💬 4    📌 4

Thank you ✨️

20.11.2024 01:03 — 👍 1    🔁 0    💬 0    📌 0
Map of Africa with "African voices" names on it: Onyekachi Wambu, Njoki Ngumi, Afolasade Adewumi, Flower Manase, Prince Folarin Shyllon, Chimamanda Ngozi, Bernard Alexander Montgomery Grant, Nana Oforiatta Ayim, Wazi Apoh, Nosmot Gbadamosi, Mobutu Sese Seko, Sylvie Njobati, Florence Mulagula, Toussaint Kafarhire Murhula, Faustin Linyekula, Achille Mbembe, Vicensia Shule Amadou-Mahtar M'Bow, Salome Kiwara-Wilson, Donald Deya, Eromo Egbejule, Kwame Opoku, Molemo Moiloa, Bonaventure Ndikung, George Okello Abungu, Frezer Getachew Haile, El Hadje Malik Ndiaye, Ekpo Eyo, Peju Layiwola, Kodzo Gavua, Princess Marilyn Douala Bell, Felwine Sarr, Ngaire Blankenberg, Sylvie Njobati, Toussaint Kafarhire Murhula, Onyekachi Wambu, Ciraj Rassool, Zacharys Anger Gundu, Rudo Sithole, Afolasade Adewumi, Chief Ne Kuko, Amadou-Mahtar M'Bow, Ore Disu, Aba Mansah Efiya-Dzidzienyo

Map of Africa with "African voices" names on it: Onyekachi Wambu, Njoki Ngumi, Afolasade Adewumi, Flower Manase, Prince Folarin Shyllon, Chimamanda Ngozi, Bernard Alexander Montgomery Grant, Nana Oforiatta Ayim, Wazi Apoh, Nosmot Gbadamosi, Mobutu Sese Seko, Sylvie Njobati, Florence Mulagula, Toussaint Kafarhire Murhula, Faustin Linyekula, Achille Mbembe, Vicensia Shule Amadou-Mahtar M'Bow, Salome Kiwara-Wilson, Donald Deya, Eromo Egbejule, Kwame Opoku, Molemo Moiloa, Bonaventure Ndikung, George Okello Abungu, Frezer Getachew Haile, El Hadje Malik Ndiaye, Ekpo Eyo, Peju Layiwola, Kodzo Gavua, Princess Marilyn Douala Bell, Felwine Sarr, Ngaire Blankenberg, Sylvie Njobati, Toussaint Kafarhire Murhula, Onyekachi Wambu, Ciraj Rassool, Zacharys Anger Gundu, Rudo Sithole, Afolasade Adewumi, Chief Ne Kuko, Amadou-Mahtar M'Bow, Ore Disu, Aba Mansah Efiya-Dzidzienyo

Museum of Archaeology, University of Ghana

19.11.2024 17:53 — 👍 5    🔁 0    💬 0    📌 0
Alternative Economies of Collectivity I met members of the Indonesian art collective ruangrupa for the first time in the summer of 2021 when I ...

My 2023 interview with ruangrupa. We talked property, collectivism, visa inequality, culture financing, rest, and using one's own languages. kulturpunkt.hr/rubrike/alte...

19.11.2024 17:13 — 👍 2    🔁 0    💬 1    📌 0

Would love to be added 🙌

19.11.2024 06:59 — 👍 1    🔁 0    💬 1    📌 0

We're attending a meetup of African and European museum professionals. I've spent the last two days in my hotel room recovering from a cold, and just woke up to a bunch of messages from my colleagues checking in on me 🥹🥹🥹. I feel so grateful. Community is EVERYTHING. Relationships are EVERYTHING

19.11.2024 06:29 — 👍 3    🔁 0    💬 0    📌 0
Preview
Climate crisis costing $16m an hour in extreme weather damage, study estimates Analysis shows at least $2.8tn in damage from 2000 to 2019 through worsened storms, floods and heatwaves

"Yes, but we can't 'afford' to address the climate issue right now. It will have to wait until better times."
www.theguardian.com/environment/...

10.10.2023 05:53 — 👍 46    🔁 17    💬 4    📌 0

Have not seen much on here on Sudan, so I'm amplifying this horrific report that shows the number who are killed is higher than previously estimated.

Adding here other writing to read to understand this war that has displaced over 11 million people; the highest displacement crisis globally. 🧵

18.11.2024 17:32 — 👍 608    🔁 512    💬 6    📌 6

@suryabowyer.com could you please add me? I work with the Museum of Contemporary Art Zagreb on L'Internationale Museum of the Commons project 🙌

18.11.2024 10:48 — 👍 0    🔁 0    💬 0    📌 0
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The Philippines have now been hit by four typhoons in the span of just 10 days.

Can't say I recall ever seeing this before.

17.11.2024 11:35 — 👍 2149    🔁 957    💬 68    📌 158

Thank you. I am familiar with the story of Ulcinj. My article focuses on the Croatian links to Africa, using available sources, as there are no texts on the topic in English.

18.11.2024 07:36 — 👍 2    🔁 0    💬 1    📌 0
Preview
Briefly on Africa in Croatia Although there is no evidence of an African presence on Croatian territory before the 19th century, Croatia's proximity to Africa makes it possible to envision these connections going back a long way.

Africans officially made it to Croatia in the 20th century. At the Sorbonne in Paris in 1934, the Croatian linguist Petar Guberina met Aimé Césaire, and the two students soon became the best of friends.
open.substack.com/pub/petramat...

18.11.2024 07:09 — 👍 12    🔁 4    💬 1    📌 0

uh oh

18.11.2024 04:52 — 👍 2    🔁 0    💬 0    📌 0

Same, and seeing you on here just confirmed it. Thanks for my education ♡

17.11.2024 18:47 — 👍 2    🔁 0    💬 0    📌 0

@petramatic is following 19 prominent accounts