@ijaddance.bsky.social
Working at the intersection of performing arts, technology and science to evolve new creative forms and innovation in the arts industry. Immersive arts/VR/mocap/volumetrics/XR.
A dancer performing at OOTFest25
✨ Co-creation is becoming both our methodology and our identity
✨ Sensography in between dramaturgy offers pathways for training, publication and international development
How has your creative practice developed during 2025?
A man and woman testing AI technology ahead of a dance performance at OOTFest25
What this year taught us...
✨ IJAD is developing in live hybrid dramaturgy and sensography, polygonos structuring the dramaturgy
✨ Researching and identifying how to question and approach the IP within the arts–tech sector
✨ The live hybrid festival model is ready for wider integration and roll out
A photo of a female dancer at OOTFest25 with the words support the next generation of artists donate today
This December, please consider donating to IJAD's programmes. The generosity of our funders and supporters means we can create exciting opportunities for artists, to drive innovation in the performing arts and inspire audiences.
Donate here: openonlinetheatre.org/donate/
Call for speakers Connective Matrix 2026
Connective Matrix is IJAD’s forum series of roundtable and panel discussions, bringing together specialists and researchers working across performing arts, technology, and multiple realities It also refers to the evolving community of participants who engage in these conversations, exploring the potentials and challenges of new and hybrid artistic forms
We’re looking for artists, academics, technologists, producers, choreographers & others to speak at our Connective Matrix events in 2026.
The theme for the year will be AI and the arts. If you work, practice or research in this field, we’d love to hear from you.
Email hello@ijaddancecompany.com
"Live performance in a theatre is previous, it's a really special experience. But being able to evolve in other ways doesn't take away from that, it just adds to the range of tools we have." Lucy Bayliss of Dance East
IJAD works at the intersections of performing arts, science & tech, pioneering live hybrid performance—an emerging form that merges the physical & digital realms, allowing performances to inhabit multiple platforms simultaneously—stage, screen & XR.
20.10.2025 14:43 — 👍 0 🔁 0 💬 0 📌 0
If you missed out on #OOTFest25 in June, we've launched a watch on demand service where you can choose from a selection of stunning festival performances, allowing us to further support the amazing artists who worked with us on the festival.
Watch here: openonlinetheatre.org/season/watch...
A selection of performances from #OOTFest25 are available now to watch on demand.
By making these events available online, we're offering an additional income stream to artists. Watch & support these innovative creators.
openonlinetheatre.org/season/watch...
A photo of a female dancer performing in front of a digital screen, with the words sign up to our mailing list for digital and immersive arts news, events and opportunities written over the top
At IJAD Dance, we specialise in live hybrid performance work and immersive arts.
If you'd like to keep up-to-date with the conversation, sign up to our mailing list here: eepurl.com/hqhu4b
At the crossroads of dance, tech & community, IJAD (@ijaddance.bsky.social) builds spaces for artists to experiment, question & co-create. In HAMLET, IJAD supports the design of an AI platform that facilitates, inspires & protects, keeping authenticity at the heart of hybrid storytelling.
26.09.2025 12:15 — 👍 5 🔁 1 💬 0 📌 0
If you missed out on #OOTFest25 in June, we've launched a watch on demand service where you can choose from a selection of stunning festival performances, allowing us to further support the amazing artists who worked with us on the festival.
Watch here: openonlinetheatre.org/season/watch...
One week to go!
Our website with loads of helpful guidance – from access support and guidance documents. Whether you’re just getting started or refining your ideas these materials are here to help.
immersivearts.uk/resources/application-links-downloads
Deadline: Mon 29 Sept at 14:00.
If you missed out on the festival, we're also launching watch on demand where you can choose from a selection of stunning festival performances.
This watch on demand series allows us to further support the amazing artists who worked with us on #OOTFest25.
openonlinetheatre.org/season/watch...
OOTFest25 explored the limits of creative technology and human interaction, fusing movement, storytelling and imagination through the lens of technological innovation.
Take a look back at this cutting-edge festival in our short documentary film.
Watch in full here: openonlinetheatre.org/about-us/
@weareunlimited.bsky.social's Open Awards offer ten opportunities for disabled artists in England, Scotland or Wales.
Supporting brilliant disabled artists to create, develop and share work.
🔹 Small awards: new, exploratory ideas
🔹 Large awards: work that’s closer to production
Text reads 'One week left to apply. Could you be our next Programme Manager? Apply by Monday 28 July, midday.' Next to it, a photo of Tom Marshman on stage in front of an audience. He's performing an excerpt of his production, Section 28 and Me, during Pitch and Mix at Southbank Unlimited Festival.
🚨 One week left to apply to be our Programme Manager: UK Commissions.
Lead the delivery of UK commissions, work closely with artists, and deliver high-quality, inclusive opportunities.
🌟 Hours per week: 40
🌟 Salary: £33,063
🌟 Find out more and apply by Monday 28 July, midday: bit.ly/4l0tnQ0
An image of a man leading a performance lecture at OOTFest25 with the words watch on demand, support artists now
A selection of performances & panel discussions from #OOTFest25 are available to watch on demand - but only until August!
By making these events available online, we're offering an additional income stream to artists. Watch & support these innovative creators.
openonlinetheatre.org/season/watch...
It's a sunny day in Castle Park, Bristol and a white-shaped splat Immersive Arts character is skating over a bridge on the river.
We're pleased to share our learnings from our first funding call. We’ve learnt a huge amount through the process and we hope the collective feedback will support applicants to make stronger applications. www.immersivearts.uk/news/first-round-commentary-annoucement
30.05.2025 09:04 — 👍 5 🔁 5 💬 0 📌 0
A blue backgound with an image if immersive work called the Hum, texts reads, 'Are you and an artist based in Scotland, Wales, Northern Ireland, or England?
The final round of Immersive Arts funding is now open! UK-based artists can apply for £5k, £20k or £50k to develop work with immersive tech. Open until Mon 29 Sep 2025. This is the last open call—apply now. immersivearts.uk/news/the-final-round-of-immersive-arts-funding-is-now-open
15.07.2025 08:18 — 👍 13 🔁 9 💬 1 📌 2
A photo of four dancers performing Resonant Silence at OOTFest25, with the words watch on demand limited availability over the top
If you didn't make it to #OOTFest25, a selection of performances and industry panel discussions are now available to watch online, but be quick - they're only available until 4 August! 👀
Watch now: openonlinetheatre.org/season/watch... #DigitalArts
OOTFest25 watch on demand banner with a picture showing a woman dancing
If you weren't able to join us for OOTFest25, don't worry, a selection of festival highlights are now available to watch on demand via the Open Online Theatre platform.
💰 Performances: £5 per show | Panel discussions: FREE
openonlinetheatre.org/season/watch...
Audience feedback from OOTFest25: very interesting experience and take on the materiality of our world. Thank you for provoking thoughts and feelings!
Audience feedback for Tong Hai Gao Tai 2066 installation at OOTFest25: very strong feeling of the uncanny...it is very atmospheric and generates a strong feeling of affect, what is this all about, of course it is strange to us
At #OOTFest25, we worked hard to create a space for immersive, engaging performance pieces and installations that would provoke powerful reactions and emotions in our audiences.
Creative technologies give us an opportunity to enhance our storytelling and take the audience right to its heart 💜
Take a look back at #OOTFest25, our recent performing arts festival.
If you weren't able to join us, keep your eyes peeled as we're about to launch watch on demand, bringing some of the festival highlights straight to your front room 👀
A performance by Uku'Pacha at OOTFest25
Missed the show at #OOTFest25? We'll be launching a selection of performances from the festival to watch on demand very soon... 👀
03.07.2025 13:31 — 👍 0 🔁 0 💬 0 📌 0
A photo of a lone female dancer against a black background. Curving titles read audience feedback, and there is a large speech bubble. The text inside reads: It’s exciting to see familiar and accessible technology taking the next step within the arts. Slowly but surely, we’re moving from experimentation to storytelling, from sharing opinions to creating real experiences. At the edge of innovation, the risk of failure is higher than ever. Yet with the community it fosters, there’s something beautiful about failing, learning, reimagining, and growing together.
It was wonderful to see the reaction of audiences at #OOTFest25 (UN)SEEN, as we explored so many different worlds through digital and immersive storytelling.
If you joined us at the festival, we'd love to know what you thought!
More photos from the festival 👇
bsky.app/profile/ijad...
A female dancer performs with an AI generated avatar on the screen behind her
Uku'Pacha perform with a close up digital projection of the performer on the screen behind them
A couple more highlights from our recent immersive performing arts festival, #OOTFest25 (UN)SEEN held at @riversidelondon.bsky.social.
Images: Alice Underwood
A dancer performs in front of a digital screen
Four people - three women and a man - wave goodbye to someone on a laptop screen after a festival panel discussion
Marlon Barrios Solano gives his AI performance lecture Born in Latent Space at OOTFest25
A man wearing a VR headset experiencing an installation at the festival
We have lots more exciting projects in the works and we hope you'll follow along with us as we continue to experiment and evolve, exploring new ways to bring creative technologies to the arts!
📸 Photo credit: Alice Underwood
#PerformingArts #ImmersiveArts #DigitalArts
Four dancers performing at OOTFest25
A woman on stage with a microphone to welcome the audience to OOTFest25
Two young women experimenting with a VR installation, one wearing a headset the other at her side watching the screen
A busy room full of people enjoying the installations at OOTFest25
June has been a month of hard work, creativity and joy!
It was wonderful to see #OOTFest25 come to fruition after three years of planning and development, and we want to offer a huge thank you to all the amazing artists, technologists, speakers, audiences & volunteers who made it so special.
IN CONVERSATION WITH: Joumana Mourad Riverside Studios
"Many inclusive artists and creative technologists are at the forefront of these developments, expanding what performance can be"
#OOTFest25 #DigitalDance #DigitalArt #WhatsOnLondon
wp.me/pdXz8Y-5Cu
A room full of people listening to a speech at the opening night of an arts festival
A graphic designed to look like a text conversation containing feedback on the opening night of OOTFest25. The first message says "what did you think of opening night?" then reply says "I think the 4 exhibitors yesterday were trying to protect the past in the future. They want the future to keep the past. It's very interesting!"
A massive thank you to everyone who came to #OOTFest25 opening night at Riverside Studios!
We're looking forward to seeing more of you over the next 3 days, as we showcase amazing performances, immersive installations (VR, video & sound) & host expert-led panels.
riversidestudios.co.uk/ootfest25/
