Andy Weaver's Avatar

Andy Weaver

@weaverandy.bsky.social

Poet, professor of English and Creative Writing. Latest book, The Loom https://press.ucalgary.ca/books/9781773855837/.

115 Followers  |  123 Following  |  16 Posts  |  Joined: 26.12.2024  |  1.6729

Latest posts by weaverandy.bsky.social on Bluesky

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This one was hard to write. Many thanks to Bren Simmers for accepting my poem for the July issue of The Buzz PEI, A Gift of Island Poetry.

#poem #poems #poetry #PEI #PEIpoetry

27.07.2025 14:18 β€” πŸ‘ 10    πŸ” 2    πŸ’¬ 0    πŸ“Œ 0
Every art needs two - one who makes it, and one who needs it," Ernst Barlach, the German sculp. tor and playwright, is reported to have said. If this is taken to mean someone out there who needs it-an audience-the working artist is in immediate danger of externalizing his activity, of distorting his vision to accommodate it to what he knows, or supposes he knows, his audience requires, or to what he thinks it ought to hear. Writing to a student in 1965, I put it this way:

... you will find yourself not saying all you have to say-you will limit yourself according to your sense of his, or her, or their, capacity. In order to do all that one can in any given instance (and nothing less than all is good enough, though the artist, not being of a complacent nature, will never feel sure he has done all) one must develop objec-tivity: at some stage in the writing of a poem you must dismiss from your mind all special knowledge (of what you were intending to say, of private allusions, etc.) and read it with the innocence you bring to a poem by someone unknown to you. If you satisfy yourself as reader (not just as "self-expressive" writer) you have a reasonable expectation of reaching others too.

This "reader within one" is identical with Barlach's "one who needs" the work of art. To become aware of him sateguards the artist both from the superficialities resulting from overadaptation to the external, and from miasmic sub-jectivities. My reference above to "self-expression" is closely related to what I believe Ibsen must have meant by "to make clear to himself." A self-expressive act is one which makes the doer feel liberated, "clear" in the act itself.

A scream, a shout, a leaping into the air, a clapping of handsor an effusion of words associated for their writer at that moment with an emotionβ€”all these are self-expres-sive. They satisfy their performer momentarily.

Every art needs two - one who makes it, and one who needs it," Ernst Barlach, the German sculp. tor and playwright, is reported to have said. If this is taken to mean someone out there who needs it-an audience-the working artist is in immediate danger of externalizing his activity, of distorting his vision to accommodate it to what he knows, or supposes he knows, his audience requires, or to what he thinks it ought to hear. Writing to a student in 1965, I put it this way: ... you will find yourself not saying all you have to say-you will limit yourself according to your sense of his, or her, or their, capacity. In order to do all that one can in any given instance (and nothing less than all is good enough, though the artist, not being of a complacent nature, will never feel sure he has done all) one must develop objec-tivity: at some stage in the writing of a poem you must dismiss from your mind all special knowledge (of what you were intending to say, of private allusions, etc.) and read it with the innocence you bring to a poem by someone unknown to you. If you satisfy yourself as reader (not just as "self-expressive" writer) you have a reasonable expectation of reaching others too. This "reader within one" is identical with Barlach's "one who needs" the work of art. To become aware of him sateguards the artist both from the superficialities resulting from overadaptation to the external, and from miasmic sub-jectivities. My reference above to "self-expression" is closely related to what I believe Ibsen must have meant by "to make clear to himself." A self-expressive act is one which makes the doer feel liberated, "clear" in the act itself. A scream, a shout, a leaping into the air, a clapping of handsor an effusion of words associated for their writer at that moment with an emotionβ€”all these are self-expres-sive. They satisfy their performer momentarily.

the poet in the world
DENISE LEVERTOV

Starting my week off right // book held up in front of living room interior, philodendron revolution rising in the background above hardwood floor

the poet in the world DENISE LEVERTOV Starting my week off right // book held up in front of living room interior, philodendron revolution rising in the background above hardwood floor

If you satisfy yourself as reader (not just as "self-expressive" writer) you have a reasonable expectation of reaching others too.

Denise Levertov

03.03.2025 12:41 β€” πŸ‘ 30    πŸ” 7    πŸ’¬ 2    πŸ“Œ 1
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Touch the Donkey : forty-sixth issue, The forty-sixth issue is now available, with new poems by Kirstin Allio, Kemeny Babineau, Joseph Donato, Beatriz Hausner, Matthew Walsh, N...

Touch the Donkey [a small poetry journal] : forty-sixth issue, / @linarvitvideopoet.bsky.social ;
touchthedonkey.blogspot.com/2025/07/touc...

15.07.2025 14:14 β€” πŸ‘ 10    πŸ” 8    πŸ’¬ 0    πŸ“Œ 0
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rob mclennan's clever substack | Substack new fiction + musings on literature, poetry, reading, etcetera ; recent works-in-progress include "the green notebook," "reading in the margins: a writing diary," and "the genealogy book," http://robm...

i can't believe i'm only 9,530 away from 10,000 subscribers to my clever substack! robmclennan.substack.com
and you know above/ground press has a substack now also, yes? free updates! abovegroundpress.substack.com

18.07.2025 12:32 β€” πŸ‘ 10    πŸ” 4    πŸ’¬ 1    πŸ“Œ 0

Probably Breath Takes, or Story for a Saskatchewan Night. The two he co-wrote with Sheila E.Murphy are strong, too. Highly recommended!

16.07.2025 23:54 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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The Enthusiast - Harvard Review for Douglas Barbour (1940-2021) You are not here. There is no reproving the dark hand that has touched you and no need to prove your strange new cellular shift. There are changes because we are change...

A new poem published! Thanks to the Harvard Review Online for publishing this poem in honour of Douglas Barbour, my friend and mentor (and a very noteworthy poet and critic):
www.harvardreview.org/content/the-...

16.07.2025 19:06 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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John Furnival, 3D Noughts and Crosses, 1963

15.07.2025 17:00 β€” πŸ‘ 37    πŸ” 4    πŸ’¬ 0    πŸ“Œ 0
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"Darmok and Jalad at Tanagra"

Slow Reading Project 2025-07-10 paulpearson.ca/the-blog/

Today’s striking line comes to us from @robmclennan.bsky.social

#poem #poetry #poetrysky πŸ’™πŸ“š

10.07.2025 12:14 β€” πŸ‘ 4    πŸ” 2    πŸ’¬ 0    πŸ“Œ 0
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today is the thirty-second anniversary of above/ground press, happy 32nd anniversary to above/ground press! with nearly (so close) fourteen hundred publications to date! i've been making an absolute ton...

today is the thirty-second anniversary of above/ground press,
abovegroundpress.blogspot.com/2025/07/toda...

09.07.2025 14:11 β€” πŸ‘ 52    πŸ” 19    πŸ’¬ 5    πŸ“Œ 3
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Slow Reading Poetry Project 2025, Week Twenty-Four, β€œPoetry Magazine” July/AugustΒ 2023 Sometimes if you're lucky, you'll run across a poem that is so engaging, challenging, novel, mesmerizing, that you will spend days thinking about it. Kim Hyesoon's poem "Inside-Bird and Outside-Bird" is for me one of those poems. I really wish I knew how to read Korean so I could follow the translation first-hand and see the magic of both the original and the translation by Don Mee Choi.

You're not you when you're reading poetry in translation.

In this issue of "Poetry" for the first time, I came across poetry translated from a language that should have been a large part of my life but that wasn't.

08.07.2025 14:42 β€” πŸ‘ 1    πŸ” 1    πŸ’¬ 0    πŸ“Œ 0
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We live, as punctuation.

Slow Reading Project 2025-07-08 paulpearson.ca/the-blog/

Today’s striking line comes to us from @robmclennan.bsky.social

#poem #poetry #poetrysky πŸ’™πŸ“š

08.07.2025 13:59 β€” πŸ‘ 4    πŸ” 2    πŸ’¬ 0    πŸ“Œ 0
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For the holiday weekend, a little something from the archives. Read the rest of this Kathleen Graber classic here: loom.ly/ay9W8lY

03.07.2025 17:20 β€” πŸ‘ 4    πŸ” 1    πŸ’¬ 0    πŸ“Œ 0

β€œListen, you money-plated bastards. When I shout love, I mean your destruction.”
- Milton Acorn

26.06.2025 01:26 β€” πŸ‘ 25    πŸ” 6    πŸ’¬ 1    πŸ“Œ 0
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rob mclennan : 2025 Trillium Book Award shortlist interviews: Jake Byrne DADDY , Jake Byrne Brick Books, 2024 2025 Trillium Book Awards β€’ Poetry Shortlist interviewed by rob mclennan The 2025 Trillium Book Awar...

congratulations to Jake Byrne for winning the Trillium Book Award! here's the interview we did, back when Jake was newly shortlisted:
periodicityjournal.blogspot.com/2025/05/rob-...

19.06.2025 14:30 β€” πŸ‘ 6    πŸ” 3    πŸ’¬ 0    πŸ“Œ 0
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24 Canadian books that represent fatherhood for Father's Day 2025 | CBC Books This Father’s Day (June 15), check out 24 Canadian books of fiction, nonfiction, poetry and more that share the stories of fathers and father-like figures.

Nice to have my latest book included in this fatherhood/Father's Day list:
www.cbc.ca/books/24-can...

(Appropriately, I was too busy parenting to post this yesterday)

16.06.2025 17:10 β€” πŸ‘ 2    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
Paul Dutton reads Reminiscence, a found poem
YouTube video by WordsAloud Paul Dutton reads Reminiscence, a found poem

I covered a Paul Dutton poem. After his recent passing, I wanted to acknowledge his influence, and introducing his work to a new audience seemed fitting.

youtu.be/QnoLp70AvJE?...

11.06.2025 11:26 β€” πŸ‘ 1    πŸ” 1    πŸ’¬ 0    πŸ“Œ 0
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Updating my CV and just realized that my dissertation (and my PhD and the computer I wrote it on) is 35 years old.

You can listen to it here (it's a musical composition), thanks to Pennsound.

media.sas.upenn.edu/pennsound/au...

11.06.2025 15:13 β€” πŸ‘ 9    πŸ” 1    πŸ’¬ 0    πŸ“Œ 0
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#booksky

11.06.2025 19:11 β€” πŸ‘ 5061    πŸ” 585    πŸ’¬ 46    πŸ“Œ 28
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two poems β€” Blood+Honey by rob mclennan β€œSleep, into. The objects one might soothe. Emerge, if you can. If you will. Irregular, a single centre.”

hey! i have two new poems up at blood+honey! / @bloodhoneylit.bsky.social ;
www.bloodhoneylit.com/poetry/mclen...

11.06.2025 13:53 β€” πŸ‘ 20    πŸ” 8    πŸ’¬ 1    πŸ“Œ 0
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β€œCapacity” by Nathan Fako for David You slap me after the kiss, and two soundsring up around the steeple:the rippled hush-clap of rock dovestaking sudden, startled flightβ€”it is August, eightishβ€” and the clear ping of the ba…

You slap me after the kiss, and two sounds
ring up around the steeple […]

β€”Nathan Fako @nfako.bsky.social

09.06.2025 12:36 β€” πŸ‘ 8    πŸ” 3    πŸ’¬ 1    πŸ“Œ 1
Revolutionary Letter #96, poem at dawn

Empire is its own undoing

Diane di Prima

Revolutionary Letter #96, poem at dawn Empire is its own undoing Diane di Prima

09.06.2025 01:50 β€” πŸ‘ 627    πŸ” 168    πŸ’¬ 1    πŸ“Œ 0
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Came home to find the latest issue of @canadianlit.bsky.social, in which my poem β€œWitnessing Names” (excerpted here) appears. You can also find this poem in Bonememory @ucalgarypress.bsky.social. With many thanks to both publishers πŸ™

06.06.2025 04:44 β€” πŸ‘ 11    πŸ” 2    πŸ’¬ 0    πŸ“Œ 0

Say Hi!

02.06.2025 23:15 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0

Wherever you are, let out a primal scream for Paul Dutton today:

youtu.be/th-pbiwcipI?...

27.05.2025 21:14 β€” πŸ‘ 12    πŸ” 4    πŸ’¬ 2    πŸ“Œ 0
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Coach House 60th Anniversary Celebration Join us in celebrating 60 years at Coach House Books and Press.

friends in toronto! make sure to attend the celebration of 60 YEARS OF COACH HOUSE BOOKS on June 12!: www.eventbrite.ca/e/coach-hous... (@coachhousebooks.bsky.social )

22.05.2025 16:24 β€” πŸ‘ 5    πŸ” 1    πŸ’¬ 0    πŸ“Œ 0

fuck this, all of this;

22.05.2025 17:18 β€” πŸ‘ 14    πŸ” 2    πŸ’¬ 1    πŸ“Œ 0
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Cameron Anstee on small press culture

20.05.2025 00:07 β€” πŸ‘ 14    πŸ” 4    πŸ’¬ 2    πŸ“Œ 0
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above/ground press zoom launch! Tierney, Quartermain, Houglum, Doller + Jenks, May 28 2025 Check out the above/ground press ZOOM launch we’re doing on Wednesday, May 28, 7pm EDT, with myself reading alongside: Orchid Tierney (OH) M...

above/ground press zoom launch! Tierney, Quartermain, Houglum, Doller + Jenks, May 28 2025 / @tomjenksuk.bsky.social @orchidtierney.bsky.social ;
abovegroundpress.blogspot.com/2025/05/abov...

19.05.2025 13:54 β€” πŸ‘ 17    πŸ” 4    πŸ’¬ 0    πŸ“Œ 2
The Lily Crucifix (ca. 1450)

Godshill Parish Church, Isle of Wight

Christ crucified on 
his mother's flower.

What is with you 
until the end?

The crown of thorns 
still visible.

The nimbus
slim as a stamen.

A flower holds Christ there.
Something holds you here.

The full moon rising.
The warm petal of your 
dog's tongue.

The pull of the waves.
Your child's feet in them.

The flounder your love breads 
and fries, apologizes over.

71

from LARKS (Ohio University Press, 2025)

The Lily Crucifix (ca. 1450) Godshill Parish Church, Isle of Wight Christ crucified on his mother's flower. What is with you until the end? The crown of thorns still visible. The nimbus slim as a stamen. A flower holds Christ there. Something holds you here. The full moon rising. The warm petal of your dog's tongue. The pull of the waves. Your child's feet in them. The flounder your love breads and fries, apologizes over. 71 from LARKS (Ohio University Press, 2025)

The lilies, the petals green 
blades around you.

Mary's flower is the most 
dramatic in death,
staining the countertop gold.

You have not brought enough 
days of Lexapro.

Your head hurts from the light.

Yellow jessamine threads 
the yard's live oaks.

The lilies, the petals green blades around you. Mary's flower is the most dramatic in death, staining the countertop gold. You have not brought enough days of Lexapro. Your head hurts from the light. Yellow jessamine threads the yard's live oaks.

Something holds you here.

The full moon rising.
The warm petal of your
dog's tongue.

The pull of the waves.
Your child's feet in them.

The flounder your love breads
and fries, apologizes over.

β€”Han VanderHart

18.05.2025 11:58 β€” πŸ‘ 26    πŸ” 7    πŸ’¬ 1    πŸ“Œ 0
photo of text poem:

the poet

i beg my bones to be good but
they keep clicking music and
i spin in the center of myself
a foolish frightful woman
moving my skin against the wind and
tap dancing for my life.

photo of text poem: the poet i beg my bones to be good but they keep clicking music and i spin in the center of myself a foolish frightful woman moving my skin against the wind and tap dancing for my life.

good morning, fam

lucille clifton
THE POET

17.05.2025 13:07 β€” πŸ‘ 71    πŸ” 18    πŸ’¬ 0    πŸ“Œ 0

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