Rob Williams

This year has been my year battle testing DaVinci Resolve. It's been great. As a trailer editor - I alway always do a paper script after selects breakdown. Resolve being able to transcribe selects timelines so I can paper edit the first cut - Chef's Kiss*

There we go - @blender.org ADHD Edition.

Solid own goal by Adobe, seen here selling their AI bullshit with unintentional honesty.

Sennheiser 600 series. I like open back phones because they’ve got a more honest sound, flatter, less bass build up, I mostly do trailer/spot work so getting a good read on bass is very important.

Open back mastering headphones changed my life.

At work I cut mostly on Premiere, but at home I've made the switch to DaVinci Resolve and love it! It's a total plus that Fusion is node based. My editing, mixing, and nuke comp skills translate really well into it. Got the finish on two ads 6 hours after downloading it for the first time.

go.bsky.app/SEKHaWM @wwsm.bsky.social

YouTube video by Cut to Reveal Podcast Tricks to PUNCH UP your action edits

Here's our new video, where we discuss action editing with a heathy dose of clips from famous movies - and not so famous short movies !
We talk cutting out frames to make a punch POP, the importance of a rich sound design to emphasize fight moves, and more ! Enjoy ! #ActionEditing #Postchat #PostSky

Hi! I wrote a book about being a First Assistant Editor. It's called "Every Frame Counts: An Assistant Editor's Reference Book" and it's being published by Routledge on April 2nd. Written BY an assistant FOR assistants. #PostChat #PostSky

A few weeks ago I started teaching a trailer editing workshop at local colleges. They come in not having used an NLE and leave with a :15 teaser to start their reels. It’s interesting when they see just how outlandish the sound design gets. Next ones in February.