Lillian

Lillian

@hingleytheory.bsky.social

Tutor and Researcher in English Literature, University of Oxford. PhD on Adorno and Anglophone Modernist Lit. Snoopy, Charli XCX and Kafka Stan. lillianhingleydphil.wordpress.com

306 Followers 403 Following 22 Posts Joined Jan 2025
3 days ago
Preview
Selective Affinities Rita Felski’s new work brings literary studies into conversation with more affirmative and democratic forms of critical theory.Literary critics associate the phrase “Frankfurt School” with early twent...

critical theory in a different key...
press.uchicago.edu/ucp/books/bo...

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1 week ago
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The novel that changed my mind – ten experts share a perspective‑shifting read For World Book Day, we asked ten academic experts to share a work of fiction that has challenged their assumptions and changed their thinking in a lasting way.

In anticipation of World Book Day, I was asked by The Conversation to write about a book that changed my opinion on something. I chose Sayaka Murata’s Convenience Store Woman:

theconversation.com/the-novel-th...

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2 weeks ago
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Charli XCX turned Wuthering Heights into a sonic gothic masterpiece This album stands as a musical adaptation of Emily Brontë’s novel in its own right.

Excited to hear that over 12 thousand people have read my review of Charli XCX’s wonderfully Gothic album, Wuthering Heights. You can read my article for The Conversation here:

theconversation.com/charli-xcx-t...

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3 weeks ago

Just saw Wuthering Heights and it really moved me. I think adaptations should be inventive in their unfaithfulness, and it hit that mark for me.

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1 month ago

Charli X-Cixous (this post came to me in a dream)

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5 months ago

The last course is very much reminding me of my first ever undergraduate course at Warwick: 'Modern World Literatures'

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5 months ago

Teaching wonderful courses this term, including: 'Jane Austen', 'Creative Writing' (focusing on Romance!), and 'Short Fiction Literature' (feat. Franz Kafka, Katherine Mansfield, Jorge Luis Borges, Clarice Lispector, Chinua Achebe, Natsume Sōseki, and Han Kang).

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8 months ago

I wrote about Lorde's new album Virgin - great to work with you again, @annalouwalker.bsky.social

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8 months ago

I wrote about Lorde's new album Virgin - great to work with you again, @annalouwalker.bsky.social

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9 months ago
YouTube
Charli xcx - party 4 u (official video) YouTube video by Charli xcx

Charli XCX has released a video for 'Party 4 U', 5 years after the song's release. Wondering if the billboard is a reference to the famous billboard in The Great Gatsby. One of the best love/yearning songs ever written.

www.youtube.com/watch?v=agu2...

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10 months ago
Wisteria in Worcester College Wisteria through a corridor Wisteria across an Oxford quad

It’s wisteria season at Worcester College.

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10 months ago
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The Limits of Critique? Reading the Wild Psychoanalyst in Djuna Barnes’ <i>Nightwood</i> | Modernist Cultures Since its publication, literary critics have commonly read Djuna Barnes’ Nightwood as a novel that resists interpretation. Even where scholars have applied, for example, psychoanalytic theory to the t...

My article “The Limits of Critique? Reading the Wild Psychoanalyst in Djuna Barnes’ Nightwood" is the featured article in the new issue of Modernist Cultures journal ☺️ euppublishing.com/doi/abs/10.3...

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10 months ago
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Rewriting Nora: Ibsen, Gender, and the Struggle for Self-Determination — Caesura “I’m not fit to be a mother. There’s something else I’d have to do first — to change myself from a doll to a real human being.” With these words, Nora Helmer (Sarah Wharton) leaves her husband Torvald...

Just noticed my Telos article 'The Feminine Character: The Allegory of Ibsen’s Women in Adorno’s Modernist Literary Theory' is cited in @leonieettinger.bsky.social's great article 'Rewriting Nora: Ibsen, Gender, and the Struggle for Self-Determination’ caesuramag.org/posts/rewrit...

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10 months ago

Many thanks Marie! I'm very glad it's out in the world now :)

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10 months ago

My article on Nightwood, (post)critique and wild psychoanalysis is now out! If you're interested, you can find it in the most recent issue of Modernist Cultures: www.euppublishing.com/doi/abs/10.3...

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11 months ago
Creative Writing: Or, Writing with Virginia Woolf 

Course Synopsis: 

In this 8-week course, we will be reading works by the modernist writer Virginia Woolf - as well as works by figures such as Loy, Stein, Cixous, Sontag and Ozick - to inspire creative writing assignments in fiction and creative nonfiction. The aim is not to emulate Woolf exactly in the assignments (although writing in a Woolfian mode may be part of the student’s approach in some assignments). Instead, the aim is to inspire creative writing by a) critically analysing and unpacking a specific writer’s approach to fiction and creative nonfiction, and by b) responding to prompts inspired by moves that Woolf and other critical-creative writers have made in their work. Woolf has been chosen because of her flexible approach to both fiction and nonfiction, often melding the two to create: self-reflective diaries and letters, nonfiction essays employing literary technique, fiction inspired by autobiography, biographies that treat the subject as a character, and literary criticism that is itself literary.

Currently drafting a syllabus for a new course that I'm really excited about - 'Creative Writing: Or, Writing with Virginia Woolf'

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11 months ago
Preview
The Limits of Critique? Reading the Wild Psychoanalyst in Djuna Barnes’ <i>Nightwood</i> | Modernist Cultures Since its publication, literary critics have commonly read Djuna Barnes’ Nightwood as a novel that resists interpretation. Even where scholars have applied, for example, psychoanalytic theory to the t...

Pleased that my article “The Limits of Critique? Reading the Wild Psychoanalyst in Djuna Barnes’ Nightwood” is out now in Modernist Cultures journal:

www.euppublishing.com/doi/abs/10.3...

@modernistudies.bsky.social

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11 months ago
Charli XCX unofficial fan pack magazine

Treating myself to some avant-garde literature

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1 year ago
Preview
Brat by Charli XCX is a work of contemporary imagist poetry – and a reclamation of ‘bratty’ women’s art Charli XCX’s Brat can be seen as part of a multimedia tradition of women’s writing that is honest and no longer afraid of being labelled ‘bratty’.

With her BRIT award for Songwriter of the Year, there's been a lot of discourse on Charli XCX's lyricism recently. Here's my piece on why I think Charli can be read as an imagist poet (also featured, the argument that Party 4 U = The Great Gatsby): theconversation.com/brat-by-char...

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1 year ago

I would love to! I supervised a dissertation student who read it as a part of research, but that's the only instance in my teaching to date. If I get to teach Modernist Theatre again I would definitely include it on the syllabus.

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1 year ago

Thank you! My students are always surprised more isn't written on her, especially once you get beyond Nightwood. I love teaching 'From Fifth Avenue Up' to get them into the groove of her writing before we tackle the prose. And what a fabulous dissertation topic!!!

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1 year ago

Thank you Sean! I hope you are well :)

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1 year ago
Post image Post image

9 years ago today, Charli xcx released ‘Vroom Vroom.’

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1 year ago

Excited that my next journal article, "The Limits of Critique? Reading the Wild Psychoanalyst in Djuna Barnes’ Nightwood" will be out in the next issue of Modernist Cultures. Expect discussions of (post)critique, interpreting 'difficult' texts, and 'wild-analysis'. @modernistudies.bsky.social

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1 year ago

Trying this out. Expect English Literature, Theory, and Snoopy content (perhaps all at once).

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