CINEMANIA a film by ANGELA CHRISTLIEB & STEPHEN KIJAK
Five movie-obsessed individuals in New York detail their compulsive watching habits and moviegoing rituals.
"Mordant and confounding, this one-of-a-kind portrait of five individuals who attend two-to-five film screenings per day has achieved cult success for its brazen exploration of cinephiles’ most compulsive tendencies."
Screening free for the week @ Le Cinéma Club
13.06.2025 17:50 — 👍 6 🔁 3 💬 0 📌 0
© Cindy Sherman / Courtesy Thames and Hudson
© Cindy Sherman / Courtesy Thames and Hudson
Cindy Sherman: Retrospective. Cindy Sherman (American, b. 1954) is widely recognized as one of the most important and influential artists in contemporary art.
photoblog1965.wordpress.com/2025/05/26/c...
#photobooks #photography #photo #fotografie #blog #portraitphotography 📷 📸 #cindysherman
09.06.2025 16:25 — 👍 11 🔁 2 💬 0 📌 0
Ephemera
Letterform Archive’s collection of ephemera aims to outlast its impermanent nature and provide endless design inspiration.
A collection of the Letterform Archive's ephemera — from chopstick wrappers to transit tickets to product labels to punk flyers to calendars
30.05.2025 01:06 — 👍 57 🔁 14 💬 1 📌 0
Paul Lukas shared a nice write-up about the show:
22.04.2025 12:51 — 👍 22 🔁 5 💬 0 📌 0
In Thread Memory, photography of Palestinian tatreez resists forgetting - 1854 Photography
Making use of the Palestine Museum’s large digitised collection, Rachel Dedman curates photographic context to visual heritage not “limited to colonial collections”
The legacy of visual symbolism carries through Thread Memory, where archival material isn’t neutral; it’s radically local. Images are drawn not from state institutions or foreign-held collections “like the Library of Congress”, notes the curator but from families.”Palestine through Palestinian eyes”
20.04.2025 18:33 — 👍 2 🔁 1 💬 0 📌 0
film strips from “Broadway by Light,”
William Klein's first cinematic project in 1958.
19.04.2025 16:43 — 👍 53 🔁 10 💬 0 📌 0
‘Too original for just one medium’: Agnès Varda’s Paris photographs - The esteemed film director began as a photographer, capturing the postwar freedom of Paris – a exhibition at the Musée Carnavalet now presents her as a part of the city’s creative history www.theguardian.com/film/2025/ap...
11.04.2025 19:21 — 👍 46 🔁 12 💬 0 📌 1
This exhibition looks wonderful.
(In the '70s I lived one street away from Varda's atelier & shopped at the rue Daguerre market, but never knew she was there, alas.)
11.04.2025 20:28 — 👍 15 🔁 1 💬 1 📌 0
A conversation with Mitch Anzuoni, editor of Inpatient Press
We speak with Mitch Anzuoni of Inpatient Press, which joins the MIT Press this month as a distributed partner.
We are excited to announce that Inpatient Press has joined the MIT Press as a distributed partner! To celebrate this news, we sat down with founding editor Mitch Anzuoni to discuss his work and publishing philosophy: https://buff.ly/49nuK6h #publishingnews
06.12.2024 12:16 — 👍 16 🔁 4 💬 0 📌 1
A league of their own: Girl’s baseball team, coached by Tlingit photographer George Johnston. Photographed by Johnston at Nisutlin River, Yukon in 1941.
From ‘Unter Der Mitternachts Sonne.’ BlanketToss Under Midnight Sun (German edition)
03.12.2024 16:50 — 👍 114 🔁 22 💬 3 📌 2
Appreciation: Jean-Luc Godard, a master of cinema who changed the medium forever
In a six-decade career that included "Breathless," "Week-end" and "Goodbye to Language," the unaccountably great and inventive artist always managed to tick off all the right people.
BOTD Jean Luc Godard!
We remain in awe of his 15 feature run, 1960-7
More:
@tnyfrontrow.bsky.social: www.newyorker.com/culture/post...
@szacharek.bsky.social: time.com/6212979/jean...
@samadams.bsky.social: slate.com/culture/2022...
@justincchang.bsky.social: www.latimes.com/entertainmen...
03.12.2024 14:49 — 👍 28 🔁 8 💬 1 📌 2
date inscribed
Presented by the artist 2002
Tacita Dean, La Bataille d’Arras, 2001
https://botfrens.com/collections/14375/contents/1121113
02.12.2024 09:24 — 👍 12 🔁 3 💬 0 📌 0
Còmic sobre Varda dibuixat per Chris Marker (circa 1955).
26.11.2024 19:18 — 👍 17 🔁 10 💬 0 📌 0
Agnès Varda
Cléo de 5 à 7 – feat. Rainer Maria Rilke, Denis Diderot, Gustave Flaubert, Hans Baldung Grien, Cléo de Mérode, and Leonor Fini
Wonderful episode on Cléo from 5 to 7! I loved your discussion about Varda’s use of mirrors and reflections. It resonates so well with the literary influences of Rilke and Diderot, which I touched on here if you're interested: chunkingbooks.substack.com/p/agnes-varda
28.11.2024 09:05 — 👍 3 🔁 1 💬 2 📌 0
Those opening lines set a powerful tone for the film.
25.11.2024 13:58 — 👍 1 🔁 0 💬 0 📌 0
A really gorgeously illustrated piece (or two) from @chunkingbooks.bsky.social here of great interest to #skystorians and those working on 20th century #bookhistory, I think! chunkingbooks.com/chris-marker...
24.11.2024 22:55 — 👍 11 🔁 1 💬 1 📌 1
Really thankful for your kind words. So glad they resonate with you.
25.11.2024 09:06 — 👍 1 🔁 0 💬 0 📌 0
independent writer of citationneeded.news and @web3isgoinggreat.com • tech researcher and cryptocurrency industry critic • software engineer • wikipedian
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I am an artist, author, curator and Director of Museum of Contemporary Art (MOCA) London
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art & architectural historian / visual, material & religious culture • 17th and 18th century studies • assistant professor • mountain lover #nelbetancur
Philosopher & Mathematician. Professor of the Ethics and Critical Theories of AI, Osnabrück University, Germany. Associated at ECDF Berlin & Weizenbaum Institut, Berlin.
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Philosophy, Technology, and the Body—Toward Justice
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Defining the world of contemporary art since 1962.
Editor of FilmInt Online and Retreats from Oblivion: Journal of NoirCon / Film Studies Lecturer, Rutgers-Camden / Cerebral Palsy Parent / Becoming Nosferatu: Stories Inspired by Silent German Horror, now available from BearManor Media
In a past life, I was a film teacher, photographer, theatre director and film editor. Now a psychogeographer and Jungian explorer searching for my Anima, and some purpose.
Archives, DH, Museums, African American studies, C19 and early C20. I am, ashamedly, a curator now too
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