CFP: Stanford-Leuphana Summer Academy on Humanities and Media 2026: Periodization
After a one-year hiatus, the Stanford-Leuphana Summer Academy on Humanities and Media is back! The theme for 2026 is Periodization, and we'll meet for the week of June 22-26 in Berlin. How, why, and with what epistemic implications is history divided into temporal segments? Periodizations—whether in the form of epochs, ages, turning points, or more heroic “eras”—belong to the most fundamental and at the same time most frequently contested historiographical operations in literary, art, and media studies.
CFP: Stanford-Leuphana Summer Academy on Humanities and Media 2026: Periodization
After a one-year hiatus, the Stanford-Leuphana Summer Academy on Humanities and Media is back! The theme for 2026 is Periodization, and we'll meet for the week of June 22-26 in Berlin. How, why, and with what…
10.02.2026 02:07 — 👍 10 🔁 5 💬 0 📌 0
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Winter Olympics 2026 Opening Ceremony Parade ❄️ | Official Winter Olympic Games Opening Event (FULL)
Here you go: www.youtube.com/watch?v=J9C-...
07.02.2026 05:05 — 👍 1 🔁 0 💬 1 📌 0
“Processing Pleasure” — Patrick Keilty at Digital Aesthetics Workshop, Feb. 3, 2026
Please join us in welcoming Patrick Keilty, our next guest of the year, who will present “Processing Pleasure” on Tuesday, February 3, from 5-6:30PM PT. This event will take place in the Board Room at the Humanities Center; refreshments will be served. Zoom link for those unable to join in person: This talk examines the early history of electronic payment processing, as told by the engineers who developed the technology in the 1980s.
“Processing Pleasure” — Patrick Keilty at Digital Aesthetics Workshop, Feb. 3, 2026
Please join us in welcoming Patrick Keilty, our next guest of the year, who will present “Processing Pleasure” on Tuesday, February 3, from 5-6:30PM PT. This event will take place in the Board Room at the…
28.01.2026 06:29 — 👍 1 🔁 0 💬 0 📌 0
27.01.2026 05:03 — 👍 2 🔁 0 💬 0 📌 0
EXTRA/PHENOMENALITIES — Images and remarks from the exhibition opening, January 22, 2026
EXTRA/PHENOMENALITIES opened last Thursday, January 22, and will be up until March 13, 2026 at the Stanford Art Gallery. Here are some impressions, along with my remarks, from the opening (courtesy of Anja Ulfeldt).
EXTRA/PHENOMENALITIES — Images and remarks from the exhibition opening, January 22, 2026
EXTRA/PHENOMENALITIES opened last Thursday, January 22, and will be up until March 13, 2026 at the Stanford Art Gallery. Here are some impressions, along with my remarks, from the opening (courtesy of Anja…
27.01.2026 04:52 — 👍 2 🔁 0 💬 0 📌 1
Methods Cafe: “Race, Repetition, and Seriality in Games and Contemporary Media” — Austin Anderson and Shane Denson in Conversation, Feb. 11, 2026
"Race, Repetition, and Seriality in Games and Contemporary Media." Videogames and race have intermingled since the earliest days of the medium, yet game studies has yet to develop a sustained methodology to contend with the racial logics and aesthetic practices embedded within game texts. How do videogames function as racial projects? Does race function as a structuring force within game design?
Methods Cafe: “Race, Repetition, and Seriality in Games and Contemporary Media” — Austin Anderson and Shane Denson in Conversation, Feb. 11, 2026
"Race, Repetition, and Seriality in Games and Contemporary Media." Videogames and race have intermingled since the earliest days of the medium, yet game…
27.01.2026 03:40 — 👍 3 🔁 0 💬 0 📌 0
12.01.2026 03:58 — 👍 5 🔁 1 💬 0 📌 0
EXTRA/PHENOMENALITIES — Stanford Art Gallery — Opening Jan. 22, 2026
EXTRA/PHENOMENALITIESJanuary 22–March 13, 2026Stanford Art Gallery OPENING RECEPTION: Thursday, January 22, 5-7pm What are the limits of experience? This exhibition explores forms of appearance that press against the edges of perception—phenomena that are felt only indirectly, sensed as traces, intensities, or disturbances rather than as stable objects. “Extra/phenomenality” refers to this ambiguous zone of surplus and slippage: where aspects of the world exceed or elude our usual modes of noticing, while still shaping how we see, feel, and understand.
EXTRA/PHENOMENALITIES — Stanford Art Gallery — Opening Jan. 22, 2026
EXTRA/PHENOMENALITIESJanuary 22–March 13, 2026Stanford Art Gallery OPENING RECEPTION: Thursday, January 22, 5-7pm What are the limits of experience? This exhibition explores forms of appearance that press against the edges of…
12.01.2026 03:55 — 👍 2 🔁 1 💬 0 📌 1
12.01.2026 03:45 — 👍 1 🔁 0 💬 0 📌 0
*'Designed for Masochists: Spectacles of Electrotactile Endurance--another thing on the OWO, this time looking at the way vloggers help make the device & its sensations intelligible through gameplay videos. Part of a book on "Endurance Media" w/Neta Alexander, Shane Denson & Rachel Plotnick.
30.12.2025 21:50 — 👍 3 🔁 1 💬 1 📌 0
1: Victorian floral black grey background with a closeup of the face of the Creature from Frankenstein (2025, Double Dare You, Demilo Films & Bluegrass 7) in the centre (text reads: Grim Reader's syllabus; Frankenstein (logo from 2025 film).
2: Victorian floral grey background with black bands containing text at top (Reading List Preview) and bottom (20+ more...). Six covers in the middle (clockwise): Frankenstein in Theory: A Critical Anatomy (Orrin N. C. Wang); Adapting Frankenstein: The Monster's Eternal Lives in Popular Culture (Dennis R. Cutchins & Dennis R. Perry, eds.); Bride of Frankenstein (Shane Denson); Gothic Science: The Era of Ingenuity & the Making of Frankenstein (Joel Levy); Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft & Mary Shelley (Charlotte Gordon); Frankenstein: The First Two Hundred Years (Christopher Fraylin).
3: Victorian floral grey background with black bands containing HoL logo at top and text at bottom [holpublishing.com/grimreader]. Grim Reader bookworm (designed by Jessica Rose) in centre and finger pointing at bottom text.
Our book club is changing! Each month, we’ll be sharing reading lists curated around a specific subject... November's: Frankenstein!
Read the full list - containing 30 books: holpublishing.com/grimreader!
#frankenstein #readinglist #horror #nonfiction #books #maryshelley #art #sciencefiction
30.11.2025 20:33 — 👍 1 🔁 2 💬 0 📌 0
2. Ten Statements on Technics
André Brock, Dominique Chateau, Beth Coleman, Shane
Denson, Amanda Egbe, Yuriko Furuhata, Tom Gunning,
Jeffrey West Kirkwood, Laura Mulvey, and Jean-Christophe
Plantin
eprints.lse.ac.uk/130469/1/Ten...
13.12.2025 16:32 — 👍 2 🔁 2 💬 0 📌 0
29.11.2025 03:58 — 👍 7 🔁 0 💬 0 📌 0
Norms in the Age of Intelligent Machines: Bodies, Knowledge, Governmentality — Dec. 4 & 5 at Stanford
Norms in the Age of Intelligent Machines -- a two-day conference organized by Shane Denson, Armen Khatchatourov, and Johan Fredrikzon and sponsored by the France-Stanford Center for Interdisciplinary Studies, Villa Albertine, and the Stanford Department of Art & Art History -- will take place at Stanford on December 4-5, 2025. SpeakersMorehshin Allahyari (Stanford)Hannes Bajohr (UC Berkeley)David Bates (UC Berkeley)
Norms in the Age of Intelligent Machines: Bodies, Knowledge, Governmentality — Dec. 4 & 5 at Stanford
Norms in the Age of Intelligent Machines -- a two-day conference organized by Shane Denson, Armen Khatchatourov, and Johan Fredrikzon and sponsored by the France-Stanford Center for…
29.11.2025 03:54 — 👍 3 🔁 0 💬 0 📌 1
24.11.2025 01:32 — 👍 1 🔁 0 💬 0 📌 0
Bride of Frankenstein
<i>Part of the <a href="https://www.leverpress.org/filmminutes/">film|minutes</a> series</i>. Reactivating the familiar classic for contemporary audiences The inaugural volume in the film|minutes book...
The book will be published by @leverpress.bsky.social in print and Diamond Open Access as part of their new Film|Minutes series. The brilliant @shanedenson.bsky.social wrote the first volume for the series on BRIDE OF FRANKENSTEIN, available here: www.fulcrum.org/concern/mono...
19.11.2025 10:48 — 👍 10 🔁 3 💬 1 📌 0
Can’t wait to read this, Dan!!!
19.11.2025 14:40 — 👍 1 🔁 0 💬 0 📌 0
Next volume in the film|minutes series: @danhf.bsky.social on Texas Chain Saw Massacre!!!
19.11.2025 14:39 — 👍 10 🔁 2 💬 0 📌 0
Woah! An actually good and insightful review of my book on Amazon!
10.11.2025 14:33 — 👍 3 🔁 0 💬 0 📌 0
This looks great!
10.11.2025 12:47 — 👍 1 🔁 0 💬 0 📌 0
“Non/phenomenalities: A Hodological Laboratory for Unstable Times” — Artist Talk with Karin Denson at Western Film & Art Festival, London, Ontario, Nov. 9, 2025
On Nov. 9, 2025, Karin Denson and I will give an artist talk, titled "Non/phenomenalities: A Hodological Laboratory for Unstable Times," at the Western Film & Art Festival. In line with the festival theme of "Emerging Visions of AI, Art, and Environment," we will be discussing our recent artistic and curatorial collaborations around AI and environments, both natural and computational. Selected pieces from our ongoing series GlitchesAreLikeWildAnimalsInLatentSpace! will also be screening throughout the festival.
“Non/phenomenalities: A Hodological Laboratory for Unstable Times” — Artist Talk with Karin Denson at Western Film & Art Festival, London, Ontario, Nov. 9, 2025
On Nov. 9, 2025, Karin Denson and I will give an artist talk, titled "Non/phenomenalities: A Hodological Laboratory for Unstable Times,"…
04.11.2025 15:14 — 👍 2 🔁 0 💬 0 📌 0
Happy Halloween! My book on BRIDE OF FRANKENSTEIN--which is FREE for Kindle--is currently #1 in Movie & Video History & Criticism on Amazon!
31.10.2025 22:07 — 👍 2 🔁 0 💬 0 📌 0
👻 Happy Halloween!
What better time to discover the inaugural volume in Lever Press's film|minutes book series?:
'Bride of Frankenstein' by @shanedenson.bsky.social dissects the 1935 classic through sound, technology, and time itself minute-by-minute.🎃 🍿
bit.ly/3JzEdPr
@leverpress.bsky.social
31.10.2025 14:16 — 👍 10 🔁 9 💬 0 📌 0
deeply existential
30.10.2025 18:23 — 👍 1 🔁 0 💬 0 📌 0
Celebrate Halloween at Gray Area with a screening of The Bride of Frankenstein and the launch of Shane Denson's (@shanedenson.bsky.social) new book on the Bride of Frankenstein!
📅 October 30 | 6:30 PM
🎟Tix: grayarea.org/event/bride-...
29.10.2025 17:44 — 👍 6 🔁 2 💬 0 📌 0
Assistant Professor in Digital Sociology, University of Warsaw • Critical Data Studies | Environmental & Climate Sociology | Contentious Politics • He/him/his
PhD in Black British media |film studies| cultural studies |memory studies and postcolonial studies)| Lecturer @uib.cat
📍everywhere and nowhere
https://linktr.ee/mariapiquerasperez
Penn professor & faculty director of the Price Lab for Digital Humanities. Author, CUT/COPY/PASTE (2021). Weird old books & technologies, thinking about data, craftwork, feminist media histories. Creative/critical. Libraries are dope. Still a punk.
PhD student in Film Studies @concordia | Follow me if you care about the thoughts my brain has about stuff
Communist Manifesting
writing Planetary Idealism (Stanford UP) & Stiegler (EUP)
VAP @Haverford; Frmr SOF @Stanford
bylines @Aeon @LAReviewofBooks @TheBrooklynRail
New Media Artist. Digital Transformation. Accessibility Advocate. Live in Norway but my heart is in Algiers.
#NewMediaArt #DigitalTransformation #Accessibility #CulturalHeritage #CreativeTech #DigitalArt
Professor of English and Co-Director of the AI Institute, University of Nebraska. Digital humanities, critical AI, contemporary tech studies, world literatures in Englishes, 19th-century British literature, and archival and cultural heritage studies.
Design is a problem, not a problem-solving method economic development and modern design
Assistant Professor of Art History and Visual Studies at UC Irvine
Dr Maurizio Cinquegrani (he/him)
University of Kent
Senior Lecturer in Film and Media
EDI Lead (School of Arts and Architecture)
Exhibitions, Arts, Media and Books Editor (The London Journal)
Publishing on the study of periodicals and newspapers in Europe from the seventeenth century to the present; the flagship journal of ESPRit, published bi-annually by Ghent University.
PhD candidate at YorkU in Humanities, working on "Cultural Translation in Latin American Digital Art". PhD in philosophy (20th century German philosophy history: phenomenology, hermeneutics, neokantianism). Lecturer, sometimes artist, translator, writer.
writer and reader, art historian (ish), toronto 🍉
desanader.com
Association internationale pour la recherche en Littératures Populaires et Cultures Médiatiques (LPCM)
International Research Association in Popular Literature and Media Culture (PLMC)
📝 Writer, editor and researcher interested in photography and the cultural life of technology — past, present, and future.
📸 Author of 𝘐𝘯𝘷𝘦𝘯𝘵𝘪𝘯𝘨 𝘕𝘢𝘥𝘢𝘳: 𝘈 𝘏𝘪𝘴𝘵𝘰𝘳𝘺 𝘰𝘧 𝘗𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩𝘪𝘤 𝘍𝘪𝘳𝘴𝘵𝘴 (Duke, 2026).
🗄️ https://linktr.ee/emilydoucet
committed to publishing and championing interdisciplinary research in gender & sexuality studies; unabashedly feminist; feministstudies.org
anti-imperialist | geographer | film-maker | radio maker at éist.radio
A better world is possible, together.
Instructional design, humanities/Cultural Studies, pedagogy, open ed (OER/OA), library work, accessibility, ADHD.
https://www.ryanpatrickrandall.com/
https://hcommons.social/@ryanrandall