Isaac Feldberg

What a filmography on Bas Rutten

Printable door sign reading: NOTICE TO LAW ENFORCEMENT AND IMMIGRATION AGENTS [STOP sign symbol] NO ICE ENTRY • Private Property - Entry Restricted by Law In this Business Without a Judicial Warrant Signed by a Judge • This is a private business - You are not permitted to enter non-public areas. • You may not search the premises or question employees without proper legal authorization. • Any persons on this property have the right to remain silent and the right to an attorney. • An ICE administration warrant - Form I-200 or I-205 - does not authorize entry into private areas. [Lower bar] In compliance with The Constitution of the United States of America, 4th amendment and The Immigrant Worker Protection Act AB 450

#Chicago restaurant and business owners: Please print, post, and share these door signs. Let Homan’s bounty hunters know they’re 𝘯𝘰𝘵 welcome to invade your establishment.

NOTE: You have the right to refuse service to anyone carrying a weapon or creating a threatening atmosphere for your patrons.

Walking out of ONE BATTLE AFTER ANOTHER ready to run a marathon

Magnificent Andersons: Wes Anderson on 25 years of filmmaking craft and collaboration—and his new Criterion set • Journal • A Letterboxd Magazine As a major new Criterion box set of his work hits shelves, Wes Anderson tells Isaac Feldberg about a quarter-century of filmmaking: via Rushmore, Moonrise Kingdom, The Grand Budapest Hotel and more.

Pinch-me moment: I asked the one and only Wes Anderson about his first ten films, on the occasion of a new boxset from @criterion.bsky.social, for @letterboxd.social. A dream, as ever, to spend time with his intrepid and stylistically singular body of work; one of my very favorite filmmakers.

The Ice Tower movie review & film summary (2025) | Roger Ebert This is not so much a film you watch as one you wake up from, shivering.

Color me dazzled by Lucile Hadžihalilović's THE ICE TOWER, an unsettling hall-of-mirrors meditation on enchantment in the blinding lights of idolatry, cinema, and fantasy. One of the most dreamily arresting films you will see this year. My four-star review for @ebertvoices.bsky.social:

Federal Judge Declares Kendrick Lamar’s “Not Like Us” Too Awesome to Be Defamatory Apparently, Drake decided that losing in the court of public opinion was not humiliating enough.

Took a break from the Supreme Court's ongoing horrorshow to focus on what really matters: how funny it is for a federal judge to decide, as a matter of law, that Drake lost the Kendrick Lamar beef

Absolutely stellar career interview with Wes Anderson here from @isaacfeldberg.bsky.social on the occasion of the new @criterion.bsky.social box set. Read the full interview on Letterboxd Journal: boxd.it/2Lc

As a major new @criterion.bsky.social box set of his work hits shelves, Wes Anderson tells Isaac Feldberg about a quarter-century of filmmaking: via Rushmore, Moonrise Kingdom, The Grand Budapest Hotel and more. boxd.it/2Lc

Endless gratitude to all who made this one possible.

Magnificent Andersons: Wes Anderson on 25 years of filmmaking craft and collaboration—and his new Criterion set • Journal • A Letterboxd Magazine As a major new Criterion box set of his work hits shelves, Wes Anderson tells Isaac Feldberg about a quarter-century of filmmaking: via Rushmore, Moonrise Kingdom, The Grand Budapest Hotel and more.

Pinch-me moment: I asked the one and only Wes Anderson about his first ten films, on the occasion of a new boxset from @criterion.bsky.social, for @letterboxd.social. A dream, as ever, to spend time with his intrepid and stylistically singular body of work; one of my very favorite filmmakers.

Was completely on purpose

Memo to Bari Weiss Re: CBS News: You’re doomed Bari Weiss has sold her company, The Free Press, to manage the decline of broadcast news at CBS. How many ways can it go wrong?

please read my memo www.theverge.com/business/793...

THE SMASHING MACHINE is an indie Oscar vehicle, not a franchise tentpole, and the idea that Johnson needs to come out and explain why it didn't have a massive opening weekend is a sign that both celebrity culture and entertainment journalism have reached new levels of delusion.

BREAKING: The 1st Circuit Court of Appeals, in a 100-page opinion -- says it is unequivocally, lopsidedly easy to determine that the Trump administration's view of birthright citizenship is wrong.

www.documentcloud.org/documents/26...

I’m horrified by Trump’s order to send 300 National Guard troops to Chicago. We’re only nine months into a four year term and already the president is trying to invade an American city. If you’re in the Guard, you can and should refuse these orders.

Struggle cinema David Roth on 'One Battle After Another'

Damn, so our best writer on Trump & the nightmare we're all living through is _also_ superb at writing on movies? It's fine, I'm not jealous at all. David Roth on OBAA, 1970s paranoid political thrillers, & how revolution, by its very nature, is always a work in progress. flaminghydra.com/issue-416/

PUT YOUR SOUL ON YOUR HAND AND WALK deserves to be seen widely — all credit to Kino Lorber for giving it a threatrical release. I stand by every word of the review quoted on this poster, from Cannes earlier this year.

(h/t @marshallshaffer.bsky.social for spotting and sending)

Oh. Oh my. This sounds like a “maybe not for everyone but definitely for me” film, particularly because THE SNOW QUEEN is my favorite H.C. Andersen story. What a compelling review.

The Nocturnal Masterwork “Toute Une Nuit” Comes to Light Chantal Akerman’s rarely screened, dance-like drama of lovers’ encounters, separations, and reunions is newly available to stream.

Essentials 1: Chantal Akerman's Toute Une Nuit, one of the few movies that reconceives the very nature of narrative and does so exquisitely—extensively, intensively, romantically; at 4 at @moma.bsky.social, introduced by Aurore Clément: www.newyorker.com/culture/the-...

Best actor, to me: a two-person race between Benicio del Toro in THE PHOENICIAN SCHEME and Benicio del Toro in ONE BATTLE AFTER ANOTHER

My morning read about Lucile Hadžihalilović’s “The Ice Tower” leaves me unsettled, intrigued, and wanting to see this movie. Great review @isaacfeldberg.bsky.social

Sounds like four-for-four, happy to hear Lucile Hadžihalilović continues to make my favourite films...

Anthony Boyle Always Loved to 'Split the G.' 'House of Guinness' Made Him Dive Way Deeper. The star of Netflix's new hit historical drama talks fitting into Irish history, making the call for his own full-frontal nude scene, and the key to rocking a perfect Arthur Guinness mustache.

As Netflix's new historical drama HOUSE OF GUINNESS makes its surprisingly compelling case as the heir apparent to PEAKY BLINDERS, I chatted with breakout star Anthony Boyle about playing another iconic son of Ireland after SAY NOTHING, physicality, mustaches, and more, for Men's Health Magazine.

Excited to share that @kinolorber.com has reprinted my interview with Yorgos Lanthimos (first for @letterboxd.social) in a print booklet accompanying its 4K UHD release of DOGTOOTH. Among the most exciting films of its decade, a defining one in Lanthimos' career — an honor to be included in this.

He’s so great!

An excellent convo with a fave

The Ice Tower movie review & film summary (2025) | Roger Ebert This is not so much a film you watch as one you wake up from, shivering.

"This is not so much a film you watch as one you wake up from, shivering,” writes @isaacfeldberg.bsky.social in his 4/4 star review of Lucile Hadžihalilović’s THE ICE TOWER. www.rogerebert.com/reviews/the-...

Our long international nightmare (a serious dearth of Lads) is finally over

this guy's a fucking baller