Pablo Martín

@sergiomguti.bsky.social ¿Ahora el premio del break máximo sigue siendo 50-50 entre Thepchaiya y Ronnie o ahora el porcentaje de Ronnie es mayor al conseguir un segundo 147?

Resultados votaciones grupos de críticos en el Festival de #Cannes2025.

He recopilado sus notas y sacado una media de las 22 películas a competición.

‘Dossier 137’ Review: Léa Drucker Carries an Ambling Police Procedural About Institutional Corruption The Yellow Vests police brutality drama 'Dossier 137' premiered at the 2025 Cannes Film Festival. Read our review.

The Yellow Vests police brutality drama 'Dossier 137' premiered at the 2025 Cannes Film Festival. Read our review.

The Girl in the Snow: Cannes Film Review In The Girl in the Snow, a young teacher fights superstitions in the snow-covered Alps, but when men start disappearing, suspicions arise.

A young teacher fights the superstitions of a small hamlet in the snow-covered Alps, but when men start disappearing, suspicions arise.

Read @nairon.bsky.social's review of Louise Hemon's THE GIRL IN THE SNOW (L'ENGLOUTIE), now at #Cannes2025 's Quinzaine!

loudandclearreviews.com/the-girl-in-...

Il y a quelque chose de fascinant à voir se dérouler toute la machine totalitaire soviétique dans Deux procureurs de Sergueï Loznitsa. Mais le film est tellement verbeux qu'il finit par diluer tous ses effets. C'est pourtant implacable dans la démonstration. #Cannes2025

Cannes 2025 : L’ENGLOUTIE - Cinemateaser Influencée par son travail de documentariste, Louise Hémon fait surgir le sensuel et l’étrange dans une chronique pastorale et montagnarde de la toute fin du XIXe siècle.

#Cannes2025 L’ENGLOUTIE de Louise Hemon est très puissant sur ce qu’il raconte du désir d’uniformisation des sociétés.

Notre critique :

Avec Dossier 137, Dominik Moll dresse un constat sans appel et d’une grande précision sur l’état de la police française. Et le portrait est autant glaçant que celui du stalinisme dans Les Deux Procureurs… #cannes2025

Kore-eda in the house for A Pale View of Hills. Might tell him I love him.

A PALE VIEW OF HILLS (Ishikawa) : rote melodrama about dealing with your past mistakes and the need to change after having been dealt the worst blow. Great production design, but some of the worst green screen work in a while. 2/5

THE MYSTERIOUS GAZE OF THE FLAMINGO tells a touching child’s eye view story of the AIDS epidemic. Found families are the oldest trope in gay stories but this one has a delicate touch that recontextualizes a lot of familiar story beats into something very special. #Cannes2025

TWO PROSECUTORS (Loznitsa) : strong and precise. The kafkaesque stranglehold of a totalitarian state in eerily perfect frames. 4/5

Sergei Loznitsa’s Two Prosecutors—as in, “Did you hear the one about the …?”—is a Kafkaesque shaggy-dog story that ends up right where it started, which is pretty much the joke we’re all living in #Cannes2025

Marc van de Klashorst spends a century on an East German farm in Mascha Schilinksi's spectacular SOUND OF FALLING, a formally strong film in which death and female despair loom large #Cannes2025 #FestivaldeCannes buff.ly/NVaJ5HQ

A still of actress Lena Urzendowsky from Mascha Schilinski's SOUND OF FALLING.

SOUND OF FALLING: Maybe life isn't only understood backwards. Maybe it can also be understood interwoven with the lives that came before and after ours. Mascha Schilinski's century-spanning film encompasses everything: death, love, ghosts, war, strawberry popsicles. A monumental work. #Cannes

My review of Sound of Falling, in Cannes competition. A substantial, consequential work by a visionary director. Mascha Schilinski is a formidable talent. www.screendaily.com/reviews/soun...

First competition film Mascha Schilinski’s SOUND OF FALLING is a dense magical realist novel of a film. Spanning generations of a German farm from the First World War to the present day, haymaking to iPhones everything changes. Nothing changes.

Festival de Cannes 2025: crítica de “Sound of Falling”, película de la alemana Mascha Schilinski (Competencia Oficial) Festival de Cannes 2025: crítica de “Sound of Falling”, película de la alemana Mascha Schilinski (Competencia Oficial) Ocho años después de su debut en el largometraje con Dark Blue Girl...

Festival de Cannes 2025: crítica de “Sound of Falling”, película de la alemana Mascha Schilinski (Competencia Oficial).
#Cannes2025
www.otroscines.com/post/festiva...

Premier grand film de la sélection : The Sound of Falling #cannes2025

SOUND OF FALLING: the overlapping, porous corridors of time. Radical, austere, drenched in death, harsh yet sumptuous with flashes of understated lyricism… a challenging, fascinating film and my new arthouse obsession #Cannes2025

CANNES 2025 · « Sound of Falling » de Mascha Schilinski, douleurs fantômes C’est le premier choc de la compétition cannoise. L’Allemande Mascha Schilinski déploie une fresque impressionnante, sur un siècle, centrée sur l’expérience de jeunes filles, à quatre époques différentes mais dans un lieu unique – une ferme de l’Allemagne rurale, la rivière et les champs alentour. Un chef d’œuvre glaçant, mêlant réalisme historique, symbolisme macabre et vertige existentiel.

Premier choc de la compétition cannoise, « Sound of Falling » déploie une fresque glaçante et impressionnante centrée sur l’expérience de jeunes filles, à quatre époques différentes.

SOUND OF FALLING is the first major work of this year's Cannes, a movie that leaves you breathless by the end.

We May Have Already Seen the Best Film at Cannes This Year We may have already seen the best film at Cannes this year. The ambitious ‘Sound of Falling’ kicks off the competition by setting a high water mark that will be hard for another film to reach.

We may have already seen the best film at Cannes this year. The ambitious ‘Sound of Falling’ kicks off the competition by setting a high water mark that will be hard for another film to reach.

Cannes 2025 : REEDLAND - Cinemateaser Ce premier film hollandais, intrigant dans un premier temps, révèle vite ses faiblesses, celles de toute œuvre qui se revendique d’abord comme une note d’intention.

#Cannes2025 REEDLAND intrigue puis révèle vite ses faiblesses...

Notre critique, par @emmact.bsky.social :
tinyurl.com/bddhwn6u

ENZO: an understated but rich and terribly affecting sun-drenched coming of age film about social expectations, teenage naivety/confusion and a sensual gay awakening. A very beautiful film with a fabulous ensemble cast and an ending for the ages #Cannes2025

Image du film Enzo : le jeune Enzo au téléphone, adossé sur un mur en pierres

Enzo : le portrait d'un ado de la classe bourgeoise qui traverse la période des grandes remises en cause en s’éprenant d'un de ses collègues de chantier ukrainien. Sur le papier c'est super casse-gueule mais l'ensemble tient brillamment grâce au mariage des visions de Cantet et Campillo #Cannes2025

So interesting to see Elodie Bouchez in ENZO because the film has some real THE WILD REEDS vibes. She’s brilliant as usual #Cannes2025

Enzo (Campillo & Cantet) : lovely and gentle film about finding your identity and your place in the world at the tender age of 16, with a bit of Ukraine thrown in there for good measure 3.5/5

Becoming a man is rough, and young ENZO is learning that the hard way. Robin Campillo sensitively directs Laurent Cantet’s coming of age film, a more pragmatic Call Me By Your Name that acknowledges that young love can have a lasting impact even if it isn’t reciprocated. #Cannes

Review: Enzo 14/05/2025 - CANNES 2025: In directing the last film by the late Laurent Cantet, Robin Campillo weaves a subtle tale of a teenager in search of his place in the world

Review: Enzo
#Cannes2025 Directors’ Fortnight
In directing the last film by the late Laurent Cantet, Robin Campillo weaves a subtle tale of a teenager in search of his place in the world
@quinzaine.bsky.social
cineuropa.org/en/newsdetai...

Se inaugurarán también las secciones paralelas del festival, en la Quincena tendremos ENZO(8:45, 19:00 y 22:00) y FACTORY CEARÁ BRASIL(11:45). En la Semana de la crítica inauguramos con la cinta de Wandel L’INTÉRÊT D’ADAM(9:00 y 15:00) y RIETLAND(11:30 y 17:45) #Cannes2025