Did Copyright Fail Music Artists?
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Music soundtracks our lives, supports over two million domestic jobs annually, and is beingΒ <span>listened to more than ever before. The record indu
(2/2) In Did Copyright Fail Music Artists? (forthcoming in the @bulaw.bsky.social LR), I discuss how contract, not copyright, has depressed artist income by unpacking the interplay between artists' individual record deals and labels' blanket streaming licenses. papers.ssrn.com/sol3/papers....
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Swiping Rights
While many legal regimes have undergone fundamental shifts to account for the online economy, one lags behind: industry-specific mandatory contract rules. These
(1/2) Sharing two new projects: In Swiping Rights (forthcoming in the @ucdavislaw.bsky.social LR), I show how highly technical, industry-specific mandatory contract rules can impair startup growth, using laws governing dating apps as a case study. papers.ssrn.com/sol3/papers....
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1855 Professor of the Law of Democracy at Michigan State. Contributor to The Downballot. I teach, write, and post about state constitutional law, institutional development, and criminal law. I write (infrequently) at guaranteedrepublics.substack.com.
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Law prof at Cardozo Law. Former U.S. State Dept a few times over. Writes on international law, war powers and national security, presidential power and bureaucracy.
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David M. Barse Professor at Brooklyn Law School. I write and teach about bankruptcy, commercial law, consumer protection, contracts, and torts.
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Director, Program on Law & Public Policy, Princeton University School of Public and International Affairs. Charles & Marie Robertson Visiting Professor of Law & Public Affairs. Still teaching Con law, still aiming to get out of the new social media market.
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William H. Neukom Professor, Stanford Law School. Partner, Lex Lumina LLP. I teach and write in IP, antitrust, internet, and video game law
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