"Garland showed exactly what the UK new music scene could achieve if funding matched ambition." My review of Oliver Leith's Garland is out via @bachtrack.com.
bachtrack.com/review-leith...
@maratingeldeev.bsky.social
+ music journalist, critic, researcher & performer + texts & projects in the link below https://linktr.ee/maratingeldeev
"Garland showed exactly what the UK new music scene could achieve if funding matched ambition." My review of Oliver Leith's Garland is out via @bachtrack.com.
bachtrack.com/review-leith...
On Friday, I will present my paper ‘The British School of Emotionalism and Metamodernism: Towards a New Expressive Paradigm in Contemporary Music’ at @royalmusical.bsky.social Conference 2025. See you there!
10.09.2025 23:43 — 👍 3 🔁 1 💬 0 📌 0My Darmstadt 25 review is in @vanmusicmag.bsky.social. 'Situations' are audience agency, censorship, David Tudor, distracted listening, Hannes Seidl, healing sounds, hybrid formats, immediacy, instagrammable art, Maryanne Amacher, neoliberalism, spatial arrangements van-magazine.com/mag/darmstad...
21.08.2025 17:15 — 👍 7 🔁 2 💬 0 📌 1Marat Ingeldeev reports from Musik Installationen Nürnberg, where he eats a very good shawarma, gets pedalled around a lake in a hot pink flamingo pedalo by two retirees, and ponders nonlinearity — and much more at @vanmusicmag.bsky.social
van-magazine.com/mag/musik-in...
Great conversation, Marianna — just like your book, which I’ve been recommending a lot lately. Also nice to see @annakornbluh.bsky.social's ideas included – so much potential there!
13.05.2025 14:40 — 👍 3 🔁 0 💬 1 📌 0If you're into Linda Catlin Smith, you might enjoy my review of 'Flowers of Emptiness' (@anothertimbre.bsky.social), featuring @apartment-house.bsky.social's beautiful playing. It's in TEMPO—so you'll need academic access (or an academic friend).
www.cambridge.org/core/journal...
‘The performance was simply thrilling. In a way, I found this hyper-dynamic dancing to be even bigger than the music itself, which was unexpected.’ My review of London Sinfonietta and Sasha Waltz & Guests at @southbankcentre.bsky.social is now live on @bachtrack.com.
bachtrack.com/review-riley...
The new CD batch from @anothertimbre.bsky.social is out now, featuring 'Homestead' by @koryreeder.bsky.social. I had the pleasure of speaking with him about the piece, the Homestead Acts, his favourite string quartets and how he names pieces. Read here:
www.anothertimbre.com/reederhomest...
It was a pleasure to chat with Elaine Mitchener about Julius Eastman, art activism, that salty Cage incident, and decolonising music canons ahead of "Moving Eastman" at the Barbican. Read our conversation in @vanmusicmag.bsky.social
van-magazine.com/mag/julius-e...
Sofia Gubaidulina passed away today in Germany, aged 93. RIP.
13.03.2025 10:55 — 👍 27 🔁 9 💬 2 📌 0With Another Timbre's new CDs imminent, I invite you to read my interview with Bryn Harrison. We discussed 'Towards a slowing of the past', disorientation in music, immersive listening and the most important lesson he learnt from pianist @philipthomas.bsky.social.
anothertimbre.com/harrisontowa...
'We simply need more quirky curation-as-art and art-as-curation.' My review of last Friday's highly compelling 'Refracted Sound' event at Southbank is now available via @bachtrack.com.
bachtrack.com/review-refra...
Delve into the British new music scene post-Brexit, with insights from Juliet Fraser, Elaine Mitchener, Mimi Doulton, Aaron Holloway-Nahum, and @mshlom.bsky.social —gathered at the 2023 Darmstadt Summer Course. Read the full piece here! wordsonmusicdarmstadt.wordpress.com/2023/08/31/b...
29.11.2024 15:26 — 👍 4 🔁 0 💬 0 📌 0'British School of Emotionalism' (written in Russian, 2023) delves into how composers Oliver Leith, @robinhaigh.bsky.social and Alex Paxton convey melancholy, nostalgia and playfulness in their music—and what romanticism and sadbois have to do with it. muzlifemagazine.ru/britanskaya-...
27.11.2024 16:46 — 👍 2 🔁 1 💬 1 📌 0Back in May, via @vanmusicmag.bsky.social, I had a lovely chat with @mshlom.bsky.social about co-composition, the role of artistic voice, and his allergic reaction to Romanticism and its values. Enjoy!
van-magazine.com/mag/matthew-...
Back to metamodernism and collaborators! Last month, I had the pleasure of writing the programme note for @robinhaigh.bsky.social's 'Concerto for Orchestra,' premiered in the UK by the RLPO. A fascinating piece that's well worth exploring—listen and read more here: robinhaigh.com/Concerto-for...
22.11.2024 15:37 — 👍 2 🔁 2 💬 0 📌 0