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Bluszcz

@bluszcz.bsky.social

πŸ”žπŸ‡΅πŸ‡±πŸ‡¬πŸ‡§πŸ‡ͺπŸ‡Έ #Film #Photography #FineArt Photography Portfolio - idoru.pl vernissage.photos/@bluszcz instagram.com/betaidoru666

276 Followers  |  406 Following  |  298 Posts  |  Joined: 12.11.2024  |  1.5941

Latest posts by bluszcz.bsky.social on Bluesky

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#Flower #Photography #Fuji #Acros #Film #Sim #BW #BlackAndWhite #Monochrome

28.08.2025 12:57 β€” πŸ‘ 18    πŸ” 5    πŸ’¬ 0    πŸ“Œ 0
Black and white night scene: A lone figure in a long coat walks down a snow - dusted street. Soft glow of streetlights, parked cars blanketed in snowβ€”quiet urban winter ambiance evokes solitude and the calm of a snowy night.

Black and white night scene: A lone figure in a long coat walks down a snow - dusted street. Soft glow of streetlights, parked cars blanketed in snowβ€”quiet urban winter ambiance evokes solitude and the calm of a snowy night.

Vintage winter is still here, in Warsaw. This has been taken today at 5pm. Carl Zeiss Jena Flektogon 35mm.

πŸ“· Sony A7II
πŸ‘©πŸΌ @zizianka.bsky.social

#Photography #SilentSunday #BlackAndWhite #Conceptual #FineArt #BlueSkyArtShow #Portrait #PortraitPhotography #LongExposure #Bemowo #Warsaw #Warszawa

25.01.2026 17:31 β€” πŸ‘ 22    πŸ” 2    πŸ’¬ 0    πŸ“Œ 0
Black and white image of a person gracefully tucked behind a branch

Black and white image of a person gracefully tucked behind a branch

Black and white image of a person gracefully tucked behind a branch

Black and white image of a person gracefully tucked behind a branch

Film Washi F + Nikon FM2 #believeinfilm #shootfilm #photography

19.01.2026 02:34 β€” πŸ‘ 19    πŸ” 2    πŸ’¬ 0    πŸ“Œ 0
Black and white photo of hands in large leaves

Black and white photo of hands in large leaves

Film Washi F + Nikon FM2 #doubleexposure #xrayfilm #bwfilm #believeinfilm

20.01.2026 04:08 β€” πŸ‘ 36    πŸ” 4    πŸ’¬ 2    πŸ“Œ 0
A person behind a branch with a light trail covering their face almost like an extension of the branch

A person behind a branch with a light trail covering their face almost like an extension of the branch

Film Washi F + Nikon FM2 #believeinfilm #filmisnotdead #blackandwhite #photographers #35mm

20.01.2026 12:01 β€” πŸ‘ 13    πŸ” 1    πŸ’¬ 0    πŸ“Œ 0
A person stands behind a gnarly branch

A person stands behind a gnarly branch

Canon sure shot af35 II + Kodak gold #kodak #believeinfilm #canon

24.01.2026 18:15 β€” πŸ‘ 14    πŸ” 1    πŸ’¬ 2    πŸ“Œ 0
View of a foggy ocean horizon with an oil platform in the distance, seen past the red structural cables of a crane; photographed on Kodak Portra 160 film with an Olympus Pen F and 38mm f/1.8 lens.

View of a foggy ocean horizon with an oil platform in the distance, seen past the red structural cables of a crane; photographed on Kodak Portra 160 film with an Olympus Pen F and 38mm f/1.8 lens.

Melancholia with Angles

Olympus Pen F
Olympus F.Zuiko Auto-S 38mm f/1.8 lens
Kodak Portra 160 film
flic.kr/p/2rTi5yv

#FilmPhotography #Photography 🎞️ πŸ“· #BelieveInFilm #FilmIsNotDead #Kodak #Portra #Olympus #PenF #HalfFrame #CA #PacificSurfliner

24.01.2026 04:11 β€” πŸ‘ 24    πŸ” 4    πŸ’¬ 0    πŸ“Œ 0
A cinematic and evocative vertical film photograph that captures a moment of quiet contemplation within the vast, minimalist architecture of the Museum of Modern Art (MSN) in Warsaw. The composition is a masterclass in the use of negative space and geometric symmetry.
In the center of the frame, a woman is positioned within a towering, narrow rectangular opening in a massive, neutral-toned wall. She is perfectly framed by this architectural "window," which creates a secondary frame within the photograph itself. She stands behind a thin, vertical metal railing that runs across the lower third of the image, adding a rhythmic, grid-like texture to the foreground. The woman has long brown hair and is dressed in a dark, knee-length coat or dress paired with dark boots. She is leaning slightly, with one hand raised to her chin in a pensive, "Thinker"-like pose, looking toward the camera with a soft, calm expression.
The scale of the architecture is immense; the cream-colored walls extend far above and to the sides of the woman, emphasizing the "negative space" of the museum. The lighting is soft and diffused, casting gentle shadows that define the clean lines of the museum’s geometry.
Technically, the image carries the unmistakable soul of analog photography. Shot on Kodak Gold 200, the entire scene is bathed in a warm, golden-amber hue that softens the modern edges of the building. There is a beautiful, organic film grain visible throughout, especially in the large expanses of the walls, giving the image a tactile, nostalgic quality. A subtle natural vignette darkens the corners slightly, drawing the viewer’s eye inward toward the subject and the light-filled rectangular void. The overall mood is one of architectural harmony, where the human figure and the grand modern space coexist in a peaceful, artistic balance.

A cinematic and evocative vertical film photograph that captures a moment of quiet contemplation within the vast, minimalist architecture of the Museum of Modern Art (MSN) in Warsaw. The composition is a masterclass in the use of negative space and geometric symmetry. In the center of the frame, a woman is positioned within a towering, narrow rectangular opening in a massive, neutral-toned wall. She is perfectly framed by this architectural "window," which creates a secondary frame within the photograph itself. She stands behind a thin, vertical metal railing that runs across the lower third of the image, adding a rhythmic, grid-like texture to the foreground. The woman has long brown hair and is dressed in a dark, knee-length coat or dress paired with dark boots. She is leaning slightly, with one hand raised to her chin in a pensive, "Thinker"-like pose, looking toward the camera with a soft, calm expression. The scale of the architecture is immense; the cream-colored walls extend far above and to the sides of the woman, emphasizing the "negative space" of the museum. The lighting is soft and diffused, casting gentle shadows that define the clean lines of the museum’s geometry. Technically, the image carries the unmistakable soul of analog photography. Shot on Kodak Gold 200, the entire scene is bathed in a warm, golden-amber hue that softens the modern edges of the building. There is a beautiful, organic film grain visible throughout, especially in the large expanses of the walls, giving the image a tactile, nostalgic quality. A subtle natural vignette darkens the corners slightly, drawing the viewer’s eye inward toward the subject and the light-filled rectangular void. The overall mood is one of architectural harmony, where the human figure and the grand modern space coexist in a peaceful, artistic balance.

I admire the architecture of modern museums a lot. I love how the vast spaces work as negative space, exposing the art and allowing us to stay focused. #Warsaw #MSN reminds me of #Barcelona #MACBA a lot.

🎞️ Kodak Gold 200
πŸ“· Canon AE-1 + FD 50mm f/1.4

#FilmPhotography #BelieveInFilm #Photography

20.01.2026 18:36 β€” πŸ‘ 45    πŸ” 5    πŸ’¬ 0    πŸ“Œ 0
A striking, close-up architectural study of the curved faΓ§ade of the University of Warsaw Library (BUW). The image is dominated by a massive, rhythmic grid of glass and oxidized copper. The metal framework holding the glass panes features a distinct verdigris patinaβ€”a chalky, pale sage greenβ€”which has become the visual signature of the building.
The wall curves gently horizontally, creating a sense of volume and enclosure, resembling a massive, modern greenhouse. The glass panes are tall, rectangular, and arranged in a strict geometric repetition. The glass itself acts as a semi-transparent membrane; it catches the soft, diffused light of the overcast sky, creating a silvery, milky reflection on the surface that blends with the view of what lies behind it.
Visible through the windows is a dense, lush layer of indoor vegetation. Dark ivy, climbing vines, and botanical growth press up against the interior of the glass, contrasting the rigid, man-made industrial grid with the chaotic, organic shapes of nature. The visual effect is a layering of textures: the smooth, cold hardness of the glass, the weathered, matte finish of the copper mullions, and the deep, shadowy complexity of the leaves inside.
The composition is cropped tightly to focus entirely on the pattern and the curve, excluding the ground and the roofline to create an abstract field of green tones. The image captures the unique "nature-meets-structure" philosophy of the library, evoking a mood of quiet preservation and eco-modernism.

A striking, close-up architectural study of the curved faΓ§ade of the University of Warsaw Library (BUW). The image is dominated by a massive, rhythmic grid of glass and oxidized copper. The metal framework holding the glass panes features a distinct verdigris patinaβ€”a chalky, pale sage greenβ€”which has become the visual signature of the building. The wall curves gently horizontally, creating a sense of volume and enclosure, resembling a massive, modern greenhouse. The glass panes are tall, rectangular, and arranged in a strict geometric repetition. The glass itself acts as a semi-transparent membrane; it catches the soft, diffused light of the overcast sky, creating a silvery, milky reflection on the surface that blends with the view of what lies behind it. Visible through the windows is a dense, lush layer of indoor vegetation. Dark ivy, climbing vines, and botanical growth press up against the interior of the glass, contrasting the rigid, man-made industrial grid with the chaotic, organic shapes of nature. The visual effect is a layering of textures: the smooth, cold hardness of the glass, the weathered, matte finish of the copper mullions, and the deep, shadowy complexity of the leaves inside. The composition is cropped tightly to focus entirely on the pattern and the curve, excluding the ground and the roofline to create an abstract field of green tones. The image captures the unique "nature-meets-structure" philosophy of the library, evoking a mood of quiet preservation and eco-modernism.

Warsaw, BUW, Biblioteka Uniwersytetu Warszawskiego

🎞️ Kodak Gold 200
πŸ“· Nikon AD3

#Fensterfreitag #WindowFriday #FilmPhotography #BelieveInFilm #FilmIsNotDead #Analog
#Warsaw #Warszawa #BUW #PowiΕ›le #UniversityOfWarsaw #PhotoGraphy #StreetPhotography

23.01.2026 14:30 β€” πŸ‘ 42    πŸ” 6    πŸ’¬ 0    πŸ“Œ 1

Thats amazing!

23.01.2026 14:48 β€” πŸ‘ 2    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
A striking, close-up architectural study of the curved faΓ§ade of the University of Warsaw Library (BUW). The image is dominated by a massive, rhythmic grid of glass and oxidized copper. The metal framework holding the glass panes features a distinct verdigris patinaβ€”a chalky, pale sage greenβ€”which has become the visual signature of the building.
The wall curves gently horizontally, creating a sense of volume and enclosure, resembling a massive, modern greenhouse. The glass panes are tall, rectangular, and arranged in a strict geometric repetition. The glass itself acts as a semi-transparent membrane; it catches the soft, diffused light of the overcast sky, creating a silvery, milky reflection on the surface that blends with the view of what lies behind it.
Visible through the windows is a dense, lush layer of indoor vegetation. Dark ivy, climbing vines, and botanical growth press up against the interior of the glass, contrasting the rigid, man-made industrial grid with the chaotic, organic shapes of nature. The visual effect is a layering of textures: the smooth, cold hardness of the glass, the weathered, matte finish of the copper mullions, and the deep, shadowy complexity of the leaves inside.
The composition is cropped tightly to focus entirely on the pattern and the curve, excluding the ground and the roofline to create an abstract field of green tones. The image captures the unique "nature-meets-structure" philosophy of the library, evoking a mood of quiet preservation and eco-modernism.

A striking, close-up architectural study of the curved faΓ§ade of the University of Warsaw Library (BUW). The image is dominated by a massive, rhythmic grid of glass and oxidized copper. The metal framework holding the glass panes features a distinct verdigris patinaβ€”a chalky, pale sage greenβ€”which has become the visual signature of the building. The wall curves gently horizontally, creating a sense of volume and enclosure, resembling a massive, modern greenhouse. The glass panes are tall, rectangular, and arranged in a strict geometric repetition. The glass itself acts as a semi-transparent membrane; it catches the soft, diffused light of the overcast sky, creating a silvery, milky reflection on the surface that blends with the view of what lies behind it. Visible through the windows is a dense, lush layer of indoor vegetation. Dark ivy, climbing vines, and botanical growth press up against the interior of the glass, contrasting the rigid, man-made industrial grid with the chaotic, organic shapes of nature. The visual effect is a layering of textures: the smooth, cold hardness of the glass, the weathered, matte finish of the copper mullions, and the deep, shadowy complexity of the leaves inside. The composition is cropped tightly to focus entirely on the pattern and the curve, excluding the ground and the roofline to create an abstract field of green tones. The image captures the unique "nature-meets-structure" philosophy of the library, evoking a mood of quiet preservation and eco-modernism.

Warsaw, BUW, Biblioteka Uniwersytetu Warszawskiego

🎞️ Kodak Gold 200
πŸ“· Nikon AD3

#Fensterfreitag #WindowFriday #FilmPhotography #BelieveInFilm #FilmIsNotDead #Analog
#Warsaw #Warszawa #BUW #PowiΕ›le #UniversityOfWarsaw #PhotoGraphy #StreetPhotography

23.01.2026 14:30 β€” πŸ‘ 42    πŸ” 6    πŸ’¬ 0    πŸ“Œ 1

Nice, have a fun!

23.01.2026 09:49 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0

Thank you sir! πŸ«‘πŸ™‡πŸΌβ€β™‚οΈ

22.01.2026 21:53 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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I left home to take some pictures, but I had so many thoughts about myself that I couldn't focus on anything else than myself.

πŸ“· Sony A7II + Carl Zeiss Jena Flektogon 35mm

#BlueSkyArtShow #Photography #AbstractPhotography #FineArt #Conceptual #Bokeh #ThursdayThoughts #Flektogon #Surreal #Dreams

22.01.2026 21:40 β€” πŸ‘ 46    πŸ” 4    πŸ’¬ 0    πŸ“Œ 0

Reminds Twin Peaks mood

22.01.2026 15:52 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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Tilted Fall.

πŸ“· Sony A7II + TT Artisan 75mm Tilt

#Photography #Path #Fall #StreetPhotography #Tilt #TilPhotography #DreamReality #SilentSunday

28.09.2025 16:13 β€” πŸ‘ 14    πŸ” 1    πŸ’¬ 0    πŸ“Œ 0

πŸ€žπŸ»βŒ›οΈπŸŽžοΈ

20.01.2026 22:30 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0

Nice capture, out of curiosity what lens?

20.01.2026 22:21 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0

Thats very sweet photo <3

20.01.2026 22:20 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0

post a car picture you took

20.01.2026 22:09 β€” πŸ‘ 10    πŸ” 0    πŸ’¬ 2    πŸ“Œ 1

Thank you:)

20.01.2026 19:02 β€” πŸ‘ 1    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
A cinematic and evocative vertical film photograph that captures a moment of quiet contemplation within the vast, minimalist architecture of the Museum of Modern Art (MSN) in Warsaw. The composition is a masterclass in the use of negative space and geometric symmetry.
In the center of the frame, a woman is positioned within a towering, narrow rectangular opening in a massive, neutral-toned wall. She is perfectly framed by this architectural "window," which creates a secondary frame within the photograph itself. She stands behind a thin, vertical metal railing that runs across the lower third of the image, adding a rhythmic, grid-like texture to the foreground. The woman has long brown hair and is dressed in a dark, knee-length coat or dress paired with dark boots. She is leaning slightly, with one hand raised to her chin in a pensive, "Thinker"-like pose, looking toward the camera with a soft, calm expression.
The scale of the architecture is immense; the cream-colored walls extend far above and to the sides of the woman, emphasizing the "negative space" of the museum. The lighting is soft and diffused, casting gentle shadows that define the clean lines of the museum’s geometry.
Technically, the image carries the unmistakable soul of analog photography. Shot on Kodak Gold 200, the entire scene is bathed in a warm, golden-amber hue that softens the modern edges of the building. There is a beautiful, organic film grain visible throughout, especially in the large expanses of the walls, giving the image a tactile, nostalgic quality. A subtle natural vignette darkens the corners slightly, drawing the viewer’s eye inward toward the subject and the light-filled rectangular void. The overall mood is one of architectural harmony, where the human figure and the grand modern space coexist in a peaceful, artistic balance.

A cinematic and evocative vertical film photograph that captures a moment of quiet contemplation within the vast, minimalist architecture of the Museum of Modern Art (MSN) in Warsaw. The composition is a masterclass in the use of negative space and geometric symmetry. In the center of the frame, a woman is positioned within a towering, narrow rectangular opening in a massive, neutral-toned wall. She is perfectly framed by this architectural "window," which creates a secondary frame within the photograph itself. She stands behind a thin, vertical metal railing that runs across the lower third of the image, adding a rhythmic, grid-like texture to the foreground. The woman has long brown hair and is dressed in a dark, knee-length coat or dress paired with dark boots. She is leaning slightly, with one hand raised to her chin in a pensive, "Thinker"-like pose, looking toward the camera with a soft, calm expression. The scale of the architecture is immense; the cream-colored walls extend far above and to the sides of the woman, emphasizing the "negative space" of the museum. The lighting is soft and diffused, casting gentle shadows that define the clean lines of the museum’s geometry. Technically, the image carries the unmistakable soul of analog photography. Shot on Kodak Gold 200, the entire scene is bathed in a warm, golden-amber hue that softens the modern edges of the building. There is a beautiful, organic film grain visible throughout, especially in the large expanses of the walls, giving the image a tactile, nostalgic quality. A subtle natural vignette darkens the corners slightly, drawing the viewer’s eye inward toward the subject and the light-filled rectangular void. The overall mood is one of architectural harmony, where the human figure and the grand modern space coexist in a peaceful, artistic balance.

I admire the architecture of modern museums a lot. I love how the vast spaces work as negative space, exposing the art and allowing us to stay focused. #Warsaw #MSN reminds me of #Barcelona #MACBA a lot.

🎞️ Kodak Gold 200
πŸ“· Canon AE-1 + FD 50mm f/1.4

#FilmPhotography #BelieveInFilm #Photography

20.01.2026 18:36 β€” πŸ‘ 45    πŸ” 5    πŸ’¬ 0    πŸ“Œ 0

I have some replica but used to rent some

20.01.2026 11:28 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0
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"Recursion"

Muzeum Sztuki WspΓ³Ε‚czesnej, Warszawa.

🎞️ Kodak Gold 200
πŸ” Canon FD 50mm 1.4
πŸ“· Canon AE-1

#BelieveInFilm #Photography #FIlmPhotography #Conceptual #FineArt

19.01.2026 21:49 β€” πŸ‘ 30    πŸ” 3    πŸ’¬ 1    πŸ“Œ 0
A minimalist film photograph of the Museum of Modern Art in Warsaw on a snowy day. The building consists of two massive, white geometric blocks stacked atop one another. The top block has three horizontal windows, while the middle block has a single square window, creating a subtle "face" appearance. In the center of the ground-level entrance, a tiny figure in a bright red jacket stands perfectly centered, providing a sharp contrast to the muted white and gray tones. The photo has the warm, slightly grainy aesthetic of Kodak Gold 200 film.

A minimalist film photograph of the Museum of Modern Art in Warsaw on a snowy day. The building consists of two massive, white geometric blocks stacked atop one another. The top block has three horizontal windows, while the middle block has a single square window, creating a subtle "face" appearance. In the center of the ground-level entrance, a tiny figure in a bright red jacket stands perfectly centered, providing a sharp contrast to the muted white and gray tones. The photo has the warm, slightly grainy aesthetic of Kodak Gold 200 film.

"Red human against the geometry".

Muzeum Sztuki Nowoczesnej, Warszawa.
🎞️ Kodak Gold 200
πŸ“· Canon AE-1 + FD 50mm f/1.4

18.01.2026 20:58 β€” πŸ‘ 21    πŸ” 1    πŸ’¬ 0    πŸ“Œ 0
A minimalist film photograph of the Museum of Modern Art in Warsaw on a snowy day. The building consists of two massive, white geometric blocks stacked atop one another. The top block has three horizontal windows, while the middle block has a single square window, creating a subtle "face" appearance. In the center of the ground-level entrance, a tiny figure in a bright red jacket stands perfectly centered, providing a sharp contrast to the muted white and gray tones. The photo has the warm, slightly grainy aesthetic of Kodak Gold 200 film.

A minimalist film photograph of the Museum of Modern Art in Warsaw on a snowy day. The building consists of two massive, white geometric blocks stacked atop one another. The top block has three horizontal windows, while the middle block has a single square window, creating a subtle "face" appearance. In the center of the ground-level entrance, a tiny figure in a bright red jacket stands perfectly centered, providing a sharp contrast to the muted white and gray tones. The photo has the warm, slightly grainy aesthetic of Kodak Gold 200 film.

"Red human against the geometry".

Muzeum Sztuki Nowoczesnej, Warszawa.
🎞️ Kodak Gold 200
πŸ“· Canon AE-1 + FD 50mm f/1.4

18.01.2026 20:58 β€” πŸ‘ 21    πŸ” 1    πŸ’¬ 0    πŸ“Œ 0

Very nice one

17.01.2026 19:40 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 0    πŸ“Œ 0
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I want you to shoot me like one of your french girls.

Muzeum Sztuki WspΓ³Ε‚czesnej, Warszawa.

I like how this photo came up, in terms of a palette, the pose and the composition.

#FujiX100F #Fuji #Photography #FineArt #Conceptual #Portrait #Art

17.01.2026 17:15 β€” πŸ‘ 22    πŸ” 3    πŸ’¬ 0    πŸ“Œ 0

which petzval it is?

16.01.2026 08:01 β€” πŸ‘ 0    πŸ” 0    πŸ’¬ 1    πŸ“Œ 0
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CoΕ› bardzo ujmujΔ…cego w tych zakamarkach duΕΌych miast. Fotka z restauracje "No Bones" w Krakowie.

🎞️ Kodak Gold 200

#believeinfilm #filmphotography #film #photography

15.01.2026 21:44 β€” πŸ‘ 22    πŸ” 3    πŸ’¬ 0    πŸ“Œ 0

@bluszcz is following 20 prominent accounts