Chris Harrigan

'i don't know who needs to hear this but' – okay well, do your audience research. pisses me off.

they should make a raw, contemplative biopic about the making of 'deliver me from nowhere'

a gentle reminder: always make sure to tell your parents which version of The Fence you want a subscription to. (the correct answer, obviously, is both.) @thefence.bsky.social

i am once again asking The Age to stop its rolling coverage of the existence of suburbs

kinda vibe i be bringing lately

kicking down your door while you're having dinner with your family to ask why you unsubscribed from my newsletter

Thanks! Have emailed :)

@christopherlhall.bsky.social Hi Christopher, my name's Chris and I'm a writer and editor from Australia. Really love your photography! Would love to chat about possibly licensing some of your images for a tiny indie mag I'm making. What's the best way to get in touch? Yours, Chris

never clicked on an email so quickly

incorrect

begging Sia to weigh in on the Trump/Musk feud. how long can she remain silent.

when i say i am pronking this is what i mean

sir these words are ungodly please let beauty into your heart

"want to jump on a quick slack huddle?"

if radiohead formed today they’d probably be called, um *realises i don’t know where i’m going with this nor why i interrupted my partner’s phd confirmation* spotifyears. what with the technology these days.

Dad is unlocking previously uncharted levels of Dad Mode with his holiday reading

royal commission into what exactly is going on with the boomers

@alexiskg.bsky.social Hey Alexis, I'm the editor of a new print magazine (coming out this September) about storytelling. Would love to run some ideas by you, to see if you might be interested in contributing. What's the best way to get in touch?

imagining a type of liberal who fantasises about Musk walking up to Trump and saying 'Mr President... you're fired!' and getting mad

we are so back

me and my friends would’ve killed Benson Boone with hammers i can tell you that much

kind of vibe i rock these days

but this makes some level of sense, thank you!

i am tired of large companies with complex competing interests not catering to my whims

trying to fathom why you wouldn’t capitalise on the US word of mouth / tweet cycle. takes the pressure off your local marketing team?

it’s called Rejection and it’s by this Tony Tulathimutte fellow. the cool lit twitter / New Yorker / N+1 set can’t seem to get enough and i honestly could reaaaaally go a loosely interconnected short story anthology rn but supposedly have to wait until winter?

can someone who understands book publishing help me understand why australians have to wait like eight months for the local release of a book widely billed as the hottest thing to happen to loosely interconnected short story anthologies when it came out in the US in like, december?

today is a sad day for me, the only 30-45-year-old white guy to really “get” David Lynch

i could fix president yoon