spell it CHAMOIS cowards
06.08.2025 12:41 — 👍 0 🔁 0 💬 0 📌 0
So you’re telling me the Wizard of Oz presented itself as a towering force of overwhelming technology, only to be unmasked as just some guy, off-screen?
05.08.2025 15:02 — 👍 10786 🔁 3940 💬 74 📌 35
well if THAT isn't ironic
05.08.2025 19:14 — 👍 2 🔁 0 💬 1 📌 0
we watching PHOENICIAN SCHEME
05.08.2025 00:45 — 👍 1 🔁 0 💬 0 📌 0
FINAL DESTINATION 5 is by far the most prudish of the series
04.08.2025 20:13 — 👍 1 🔁 0 💬 0 📌 0
Also it would have been safer had he not put his arms around her
04.08.2025 02:23 — 👍 1 🔁 0 💬 1 📌 0
why would they knock the car into the lake
04.08.2025 02:20 — 👍 1 🔁 0 💬 1 📌 0
what in the horadric rune knowledge
04.08.2025 02:15 — 👍 1 🔁 0 💬 1 📌 0
(the costume designer hooked tea leoni uuup)
04.08.2025 02:08 — 👍 1 🔁 0 💬 1 📌 0
back in my day you would have got a couple of Clydesdales and strapped on some foam horns and called it a day
04.08.2025 01:56 — 👍 1 🔁 0 💬 1 📌 0
Oh right!! And why did she take her hoodie off
04.08.2025 01:50 — 👍 1 🔁 0 💬 1 📌 0
she keeps calling looking at some photos of tapestries "research" and it's making my eye twitch
04.08.2025 01:36 — 👍 2 🔁 0 💬 1 📌 0
Let's goooooooo
(*Guy who's only ever seen ALIENS*: It's giving ALIENS)
04.08.2025 01:31 — 👍 1 🔁 0 💬 1 📌 0
*guy who's only ever seen E.T: The Extra-Terrestrial*:
This is reminding me a lot of ET: The Extra-Terrestrial
04.08.2025 01:19 — 👍 1 🔁 0 💬 2 📌 0
No it's just that she's in the "doing research" part of the plot but instead of a montage of computer screen or library microfiche or visiting the author trope it's a website voiceover (?) setting up backstory and "recreating" an unfinished tapestry.
04.08.2025 01:17 — 👍 1 🔁 0 💬 0 📌 0
I've seen these tapestries!
04.08.2025 01:11 — 👍 1 🔁 0 💬 1 📌 0
This part feels like AI nonsense
04.08.2025 01:09 — 👍 1 🔁 0 💬 1 📌 0
Ooooh hmm
04.08.2025 01:07 — 👍 0 🔁 0 💬 2 📌 0
Ok this looks fun. I like the cast
04.08.2025 00:53 — 👍 1 🔁 0 💬 1 📌 0
am I going to have dad-daughter feelings
04.08.2025 00:41 — 👍 2 🔁 0 💬 1 📌 0
Monday Movie with Biscuit: DEATH OF A UNICORN
04.08.2025 00:40 — 👍 2 🔁 0 💬 1 📌 0
THAT'S WHAT I'M SAYING! I thought I was going nuts but... I feel the marquee answer should be correct.
03.08.2025 15:18 — 👍 1 🔁 0 💬 1 📌 0
90-across makes it worse. i'm not that big of a nerd to complain, but
03.08.2025 14:52 — 👍 0 🔁 0 💬 1 📌 0
12 seconds into the xword there is no way they fucked up 4-across!
03.08.2025 14:22 — 👍 1 🔁 0 💬 1 📌 0
ok but . . . that's the joke i made
03.08.2025 14:05 — 👍 0 🔁 0 💬 1 📌 0
@melisser3.bsky.social (more like the sins of yourmomadrim amirite)
02.08.2025 22:15 — 👍 0 🔁 0 💬 1 📌 0
idk the giraffes know that
02.08.2025 17:22 — 👍 2 🔁 0 💬 0 📌 0
A fat orange cat, looking scornfully over his left shoulder at someone off-camera in front of a TV displaying an image of Garfield. Someone had placed a pan of lasagna next to him.
“Am I a joke to you, Susan?”
02.08.2025 05:48 — 👍 946 🔁 227 💬 13 📌 15
wandering academic, currently teaching film/media/theory at Portland State
cinejourneys guide @cinejourneys.bsky.social
writing www.historiesofthepresent.com
podcast @tpnwicmfp.bsky.social
Film & Theatre scholar - Livecasting, remediation, intermediality, medium identity.
Thesis: Both Grand and Intimate - UK Livecasting From 2009 to Now
Actually autistic, sometimes writer, cat person. (She/Her)
Writing about violence and care. Memoir in 2026: A Guide to Open Water Lifesaving (FSG). Oral histories of welfare tech also IP: Not A Number (Voice of Witness/Haymarket). https://virginia-eubanks.com/ Most recent writing: https://link.tr/@virginiaeeubanks
A tremendous urge to keep breathing.
Early modernist at KCL / based in Cambridge
Working on women, exile, gender, Huguenots, Francophonie, queer libertines ~ she/her
https://www.kcl.ac.uk/people/annalisa-nicholson
PGH. Movie guy, library guy, movie library guy.
cohost Box Office GROSS
https://open.spotify.com/show/30HWgT2vsbVUtgKokSkvNE
videos on YouTube
http://www.youtube.com/@dunsonmovies
writing at THE ART OF ILLITERATES
https://artofilliterates.substack.com/
Serious intellectual. Gentleman of substance.
Movie doctor: Trinity College Dublin
Women and New Hollywood, Polly Platt, Hal Ashby
he/him, dad, drummer
Associate Prof. in Film Studies & IRC Laureate, Trinity College Dublin. Digital theory, screen voices, sound, immersive tech and synthetic media. And cats.
global media professor at @asc.upenn.edu
associate directing at @annenbergcargc.bsky.social
author of Border Tunnels https://tinyurl.com/tnnls and Y Tu Mamá También https://tinyurl.com/ytmt01
español incluído.
Filmmaker and PhD candidate @ Stanford. Avant-garde cinema, critical AI, and philosophy of perception.
Ignore my late night posts.
Award winning author!
I study Black Twitter: goo.gl/Wc98bf
…and digital methods: goo.gl/0njUPf
Openly Black.
Still on The Bird App as *thot leedurr*
andrebrock.academia.edu
TV Historian. she/her
Out now from University of Texas Press:
Gold Dust on the Air: Television Anthology Drama & Midcentury American Culture
https://utpress.utexas.edu/9781477329276/
future Minnesota PhD student fall 2025 // feminist media studies // see also: horror film, pop culture, & identity // neurodiverse & dis/ability queen // she/her 🌈🍿🐕🦴🏈👾📚🎗️
Associate professor Media Studies, University of Amsterdam, Academic director ASCA (Amsterdam School for Cultural Analysis), author of Fabricating the Absolute Fake and De muziekfabriek, co-editor of The Richard Dyer Reader. www.absolutefake.com
Sociology Professor. Author Digital Feudalism, Getting Signed, Streaming Culture and more. Editor Fast Capitalism
Film historian and cultural critic. Movie theaters, cinema spaces, and filmgoing cultures. Radically optimistic. Writing about why we watch movies at www.howtoreadmovies.com. Cohosting @ColdWarCinema.com. He/Him/His.
formerly @markboynz on Twits. Media and Comms academic. Pinko leftie socialist. Queer rights. Tangata tiriti. #Landback.
Independent scholar, occasional writer, always looking for a new project. I wrote a book on Mamoru Oshii’s films.
LGBTQ+ Film & Media Historian. Media Studies Assistant Professor. PhD in Visual Studies. Research Areas: Film Studies & Film History; Media Industries; Bisexual, Trans, Gay, & Queer History; Distribution & Exhibition; Archives; Horror Studies. She/Her.
