New development, Leeds
Everyday Utopias (a work in progress)
12.11.2025 08:38 — 👍 2 🔁 0 💬 0 📌 0@simonford.bsky.social
I see capital, nature and history as antagonistically entwined. My practice considers art / photo not only as expression, but as critical tools for social analysis—a method for uniting diverse knowledges in shaping transformative social understanding.
New development, Leeds
Everyday Utopias (a work in progress)
12.11.2025 08:38 — 👍 2 🔁 0 💬 0 📌 0The Aire Calder Navigation at Leeds
Everyday Utopias (a work in progress)
09.11.2025 13:10 — 👍 2 🔁 0 💬 0 📌 0Distribution Hub, former location of Glasshoughton Colliery
Everday Utopias (a work in progress)
09.11.2025 13:09 — 👍 2 🔁 0 💬 0 📌 0A short reflection on photographing absence, loss, and lack, or photography as a mode of reasoning in the negative—a praxis of revealing truth and meaning through what is missing (in the landscape). landscapeasdissection.wordpress.com/2025/11/08/p...
08.11.2025 13:23 — 👍 0 🔁 0 💬 0 📌 0I often reflect on Theodor Adorno’s theory of negative reasoning, which locates meaning in what is absent or lost rather than in instrumental value. As he notes, when one learns to fear a knock at the door as the Gestapo’s arrival, one comes to truly understand the meaning of freedom.
07.11.2025 08:14 — 👍 4 🔁 1 💬 0 📌 0Raymond Williams’ The Country and the City comes to mind here. In essence, his argument is a dialectical one: you can’t have one without the other.
05.11.2025 10:15 — 👍 1 🔁 0 💬 0 📌 0See Theodor W Adorno / Frankfurt School, particularly The Authoritarian Personality and Dialectic of Enlightenment. It’s kind of all there, the answer to your question.
21.10.2025 17:14 — 👍 0 🔁 0 💬 0 📌 0New project / work in progress: Everyday Utopias
landscapeasdissection.wordpress.com/everyday-uto...
A photo / writing fragment about Llanwern steelworks, Newport, an Amazon distribution hub, Jeremy Deller and the 1984-85 miners’ strike.
landscapeasdissection.wordpress.com/2025/10/01/a...
A photo and writing fragment about Marine Colliery and the picket-line during the 1984-85 miners’ strike.
landscapeasdissection.wordpress.com/2025/10/01/f...
“…you can't make much of an alliance out of negatives; the only real basis of alliances is agreement on positive proposals for transcending the negatives.”
Raymond Williams, Decentralisation and the Politics of Place, 1984
A photo / writing fragment about Pillgwenlly library, Newport, the mantra “knowledge is power” and Walter Benjamin’s theory of redemption (or how to make history active).
landscapeasdissection.wordpress.com/2025/09/25/t...
Armley House, Leeds
My practice uses landscape and photography to examine power, and to dissolve theory/practice divides in seeking alternative ways of knowing. Reclaiming what endures to reimagine futures beyond the logic of profit. Adorno / Benjamin—capital as natural-history.
landscapeasdissection.wordpress.com
A photo / writing fragment about my shortcut home, nature and Adorno's theory of the non-identical.
landscapeasdissection.wordpress.com/2025/09/24/m...
It is the kind of question I ask myself constantly and is my fascination and trust in history. I believe capitalist history, as ongoing catastrophe, may demand new barbarism before opening a horizon of possibility. Pessimistic, I know, but such is the trajectory of human existence.
24.09.2025 09:50 — 👍 0 🔁 0 💬 0 📌 0A photo and writing fragment about a council estate in Halifax, "Operation Raise the Flag" and Walter Benjamin's notion of "profane illumination".
landscapeasdissection.wordpress.com/2025/09/23/a...
I have ‘the brick’ for you.
14.09.2025 20:17 — 👍 1 🔁 0 💬 1 📌 0Penarth, South Wales, yesterday.
14.09.2025 19:28 — 👍 5 🔁 0 💬 0 📌 0@stevehanson.bsky.social, last week - the old clay quarry, Summit Brick Works, nr. Littleborough, from the Calderbrook Road.
14.09.2025 19:27 — 👍 3 🔁 0 💬 1 📌 0A photo / writing fragment about instrumental time, natural time and inequality.
landscapeasdissection.wordpress.com/2025/09/02/c...
A photo / writing fragment about history, the materiality of language and landscape.
landscapeasdissection.wordpress.com/2025/09/01/b...
A photo / writing fragment about Theodor W. Adorno’s visit to a colliery and my own experience working as a miner.
landscapeasdissection.wordpress.com/2025/08/15/t...
A photo / writing fragment about history, landscape and popular culture.
landscapeasdissection.wordpress.com/2025/08/12/d...
A photo / writing fragment about
architectural embellishment, high modernism and lost optimism.
landscapeasdissection.wordpress.com/2025/08/05/t...
A photo / writing fragment about pit-head baths, my own experience as a miner and the co-opting of community by the far-right.
landscapeasdissection.wordpress.com/2025/08/01/p...
A photo / writing fragment about the Liverpool dockworkers’ strike and art schools.
landscapeasdissection.wordpress.com/2025/07/30/a...
Talking like we are now, as citizens, means the non-identical / utopian is not easily lost, and will continue to be the case, as it has been throughout the barbarism of history.
02.09.2025 07:53 — 👍 1 🔁 0 💬 0 📌 0Adorno's point, as you know, is that the non-identical must be rediscovered at every stage of humanity, his project of negation—or thinking, if you like. But like you say, the present is lost and, in a generational sense, so is the future.
02.09.2025 07:52 — 👍 1 🔁 0 💬 0 📌 0That is: all that the present disregards as irrelevant / dangerous, which the future will desperately need. All wrapped-up dialectically. The parting shots in Toward a New Manifesto I don’t think have lost their acuity.
01.09.2025 21:13 — 👍 1 🔁 0 💬 2 📌 0the message / content = the non-identical, the bottle / form = the Utopian. TWA
01.09.2025 21:00 — 👍 1 🔁 0 💬 2 📌 0