Tony

The image shows a close-up view of a cat's face. The cat appears to be sleeping or resting, with its eyes closed and its fur covering most of the visible areas. The cat's fur has a textured, almost fuzzy appearance, indicating it is a short-haired breed. The cat's nose and part of its mouth are visible in the center of the frame.

Bo goes close up for #caturday

Older black cat sleeping away another Saturday afternoon.

Elder cat celebrating #caturday with typical aplomb

tabby cat under a duvet

#caturday is made for staying under the radar

Could there be a worse idea?

A sleeping tabby cat looking very content and peaceful. The cat has a distinctive tabby pattern with mixed browns and grays in its fur, which appears quite fluffy and thick.

#caturday mornings are made for sleeping on the human…

Pie always wins.

A close-up photo of a sleeping black cat. The cat appears to be very peaceful, with its eyes closed and resting on what looks like a light-colored textile or fabric surface,

napping on a #caturday afternoon

Picture of current vice presidential candidate Tim Walz wearing a blue suit, red tie and a smile.

Black and white picture of Clarence angel second class from the film “It’s a Wonderful Life”.

so it’s not an exact body double but close enough if you take attitude into consideration?

a close-up photo of a tabby cat's face peeking over a cat tree platform

Sometimes an uneventful #caturday is just necessary

The album cover for "Messenger" by reggae singer Luciano.The design features a vibrant gradient background moving from deep red/orange to yellow. The text "LUCIANO" is displayed in large letters, with "MESSENGER" in smaller text. The cover also includes a black and white portrait photograph of Luciano.

The challenge is to choose 20 albums that greatly influenced you. One cover per day, for 20 days. No explanation, no reviews.
Just covers.
#20AlbumCovers
20/20

The album cover Santana’The album title shown is "Moonflower". The cover art features a striking landscape view, likely from a high vantage point above the clouds. The foreground shows mountain peaks poking through a vast sea of clouds that stretches to the horizon. The clouds have a textured, billowing appearance that gives the impression of a rolling ocean. In the background, there's a sunset or sunrise, with warm golden light illuminating the sky and casting a glow on the distant clouds. This creates a dramatic contrast with the cooler blue tones of the closer cloud cover. At the top of the image, the band name "SANTANA" is displayed in a stylized blue font. At the bottom, the album title "MOONFLOWER" is written in a smaller, fantasy-style font.

The challenge is to choose 20 albums that greatly influenced you. One cover per day, for 20 days. No explanation, no reviews.
Just covers.
#20AlbumCovers
19/20

The album cover for "Countdown: The Savoy Sessions" by John Coltrane and Wilbur Harden. The cover design is simple and elegant. The top half features large black text against a light background, stating the artists' names "JOHN COLTRANE-WILBUR HARDEN" and the album title "COUNTDOWN THE SAVOY SESSIONS" below. The bottom half of the cover contains a colorful, abstract illustration that appears to depict a jazz musician playing a saxophone. The illustration is vibrant, using splashes of red, green, and yellow colors in an expressive, painterly style.

The challenge is to choose 20 albums that greatly influenced you. One cover per day, for 20 days. No explanation, no reviews.
Just covers.
#20AlbumCovers
18/20

The album cover for "Ella Fitzgerald Sings the Cole Porter Song Book" released on Verve Records. The cover features a portrait of Ella Fitzgerald against a background divided into vertical color blocks of pink, brown, blue, and turquoise. The woman is shown from the shoulders up, wearing a dark turtleneck sweater and holding what appears to be sheet music or papers. She has short, dark, curly hair and is looking slightly to the side with an expressive face. The text on the cover is in a simple, elegant font. "ella fitzgerald sings" is in lowercase gold letters, while "the cole porter song book" is in white. The Verve Records logo is visible at the bottom of the cover.

The challenge is to choose 20 albums that greatly influenced you. One cover per day, for 20 days. No explanation, no reviews.
Just covers.
#20AlbumCovers
17/20

The album cover for "Light as a Feather" by Chick Corea and Return to Forever. The cover has a dark background that transitions from black at the top to a deep blue at the bottom. The album title and artist names are written in white text at the top of the cover. The main visual element is a single feather floating in the center of the cover. The feather appears to be illuminated, with its quill appearing bright white and the vane (the soft part) having a pinkish-red hue.

The challenge is to choose 20 albums that greatly influenced you. One cover per day, for 20 days. No explanation, no reviews.
Just covers.
#20AlbumCovers
16/20

dreaming of #caturday past and future

The album cover for Traffic’s album "The low spark of high heeled boys". The cover art features a surreal, dreamlike composition. The majority of the image is dominated by a cloudy sky with soft, billowing clouds against a pale blue background. This sky seems to be within a room or space, as there are visible corners and edges. At the bottom of the image, there's a striking black and white checkered pattern, reminiscent of a chessboard or racing flag. This pattern creates a strong contrast with the ethereal sky above. The band name "TRAFFIC" is displayed at the top in a stylized, somewhat futuristic font. Below it, the album title "The low spark of high heeled boys" is written in a similar style, with the text following a wavy, undulating line.

The challenge is to choose 20 albums that greatly influenced you. One cover per day, for 20 days. No explanation, no reviews.
Just covers.
#20AlbumCovers
15/20

The album cover for the band Kraftwerk's album "The Man-Machine" (also written as "Die Mensch-Maschine" in German on the cover). The design is striking and iconic, featuring a red and black color scheme that's reminiscent of Soviet constructivist art. The top left corner has "KRAFTWERK" written diagonally, while "THE MAN-MACHINE" is written below it, also diagonally but in the opposite direction. The main visual element shows four figures in a stylized, almost robotic pose. They are dressed identically in red shirts and black ties, facing slightly to the right. Their images are arranged in a stepped formation, with each figure slightly behind and to the right of the one in front, creating a sense of depth and uniformity.

The challenge is to choose 20 albums that greatly influenced you. One cover per day, for 20 days. No explanation, no reviews.
Just covers.
#20AlbumCovers
14/20

The album cover Cannonball Adderley’s "Beginnings" which is part of "The EmArcy Jazz Series." The cover features a sepia-toned sketch or illustration of Cannonball Adderley, playing a saxophone. The illustration shows him from the shoulders up, with his hands on the instrument and his cheeks puffed out as he plays. The text at the top of the image reads "CANNONBALL ADDERLEY" in large, stylized letters that appear to be three-dimensional. Below this, "Beginnings" is written in a smaller, simpler font.

The challenge is to choose 20 albums that greatly influenced you. One cover per day, for 20 days. No explanation, no reviews.
Just covers.
#20AlbumCovers
13/20

The album cover for Red by Black Uhuru. The cover features three people posed against an orange background: 1. On the left is a man wearing a leather jacket, a dark shirt, and an unusual hat that looks like a small drum or tambourine on his head. 2. In the center is a woman with dreadlocks, smiling and wearing a yellow top. She has one arm raised. 3. On the right is another man with long dreadlocks and a beard. He's wearing a denim jacket and a colorful headband. The band's name "BLACK UHURU" is prominently displayed at the top of the image in large black letters.

The challenge is to choose 20 albums that greatly influenced you. One cover per day, for 20 days. No explanation, no reviews.
Just covers.
#20AlbumCovers
12/20

The album cover for a Columbia Records LP featuring Louis Armstrong and Earl Hines. The cover is divided into two main sections: The upper part has a light background with the text "LOUIS ARMSTRONG AND EARL HINES" in large letters. "LOUIS ARMSTRONG" is in gray, while "EARL HINES" is in blue. The lower part of the cover features a blue-tinted photograph of Louis Armstrong and Earl Hines. They appear to be laughing or smiling widely. Both are wearing suits with bow ties.

The challenge is to choose 20 albums that greatly influenced you. One cover per day, for 20 days. No explanation, no reviews.
Just covers.
#20AlbumCovers
11/20

The album cover for "The Specials" by The Specials. The design features a black and white color scheme with a distinctive checkerboard pattern bordering the top and bottom. The band name "THE SPECIALS" is prominently displayed at the top in large, bold white letters. To the left of the text is a small silhouette of a man in a suit and hat. Below the text is a black and white photograph of the band members.

The challenge is to choose 20 albums that greatly influenced you. One cover per day, for 20 days. No explanation, no reviews.
Just covers.
#20AlbumCovers
10/10

Preaching to choir! So many less deserving already in

The album cover for "London Calling" by The Clash. The cover features a black and white photograph of a musician smashing a guitar on stage. The photo captures a moment of raw energy and rebellion, with the guitarist's body bent forward in motion. The album title "London Calling" is prominently displayed, with "LONDON" in large pink letters down the left side of the cover, and "CALLING" in green letters across the bottom. "The Clash" is written in smaller white text at the top.

The challenge is to choose 20 albums that greatly influenced you. One cover per day, for 20 days. No explanation, no reviews.
Just covers.
#20AlbumCovers
9/20

Close up headshot of older black cat with serious expression

old cat thinks serious old cat thoughts, happy #Caturday

The album cover for The Firesign Theatre’s "I Think We're All Bozos on This Bus.” The title is written in a curved text at the top of the image, following the arc of a rainbow. The main part of the image shows a collage of four faces of the members in the group in a blue-tinted background. The overall aesthetic has a psychedelic, 1960s-70s feel to it. At the bottom of the image, the name "THE FIRESIGN THEATRE" is prominently displayed in bold, capitalized text.

The challenge is to choose 20 albums that greatly influenced you. One cover per day, for 20 days. No explanation, no reviews.
Just covers.
#20AlbumCovers
8/20

The album cover for "Waiting for Columbus" by Little Feat. It features a large, anthropomorphic red tomato character relaxing in a hammock. The tomato has human-like facial features including eyes and a mouth. It's lying back in a yellow or golden hammock, seemingly in a tropical or desert-like setting. The background includes palm fronds at the top, cactus-like plants, and other tropical vegetation. The sky is blue with some clouds. The title "Waiting for Columbus" and the band name "Little Feat" are written in a stylized green font on the right side.

The challenge is to choose 20 albums that greatly influenced you. One cover per day, for 20 days. No explanation, no reviews.
Just covers.
#20AlbumCovers
7/20

The album cover for Warren Zevon's "Excitable Boy". The cover features a close-up portrait of a Warren Zevon, against a bright red background. The text "Warren Zevon" is displayed at the top of the image in white letters, while "Excitable Boy" is at the bottom in orange or red letters that stand out against the black clothing.

The challenge is to choose 20 albums that greatly influenced you. One cover per day, for 20 days. No explanation, no reviews.
Just covers.
#20AlbumCovers
6/20

The album cover for Miles Davis’s "Workin' and Steamin'" double album re-release on Prestige. It’s predominantly red with a small picture of Miles wearing large sunglasses. The artist's name "Miles Davis" is prominently displayed in large white text at the top and bottom of the cover. The album title "WORKIN' AND STEAMIN'" is written in smaller white text below the photograph.

The challenge is to choose 20 albums that greatly influenced you. One cover per day, for 20 days. No explanation, no reviews.
Just covers.
#20AlbumCovers
4/20

The album cover for Joni Mitchell's "Shadows and Light". The cover features a photograph of Joni Mitchell performing on stage. She is wearing a red outfit and a wide-brimmed hat, and her face is in profile, facing towards a microphone. The text on the cover includes "JONI MITCHELL" at the top in white capital letters, and "SHADOWS AND LIGHT" at the bottom in a lighter, silver color.

The challenge is to choose 20 albums that greatly influenced you. One cover per day, for 20 days. No explanation, no reviews.
Just covers.
#20AlbumCovers
4/20

The cover for Peter Tosh's "Equal Rights" album. The design is repeated six times in a grid format, resembling a sheet of postage stamps. Each individual image shows: the text "PETER TOSH" in large, bold black letters at the top, EQUAL RIGHTS" in slightly smaller red letters below, and a profile photograph of Peter Tosh, looking upward. The background color is a warm orange or salmon tone, giving the overall image a vintage feel. The repetition of the design creates a striking visual effect, emphasizing the album title and the artist's image.

The challenge is to choose 20 albums that greatly influenced you. One cover per day, for 20 days. No explanation, no reviews.
Just covers.
#20AlbumCovers
3/20