The whole 'What if...' thing is pretty well known, so you've probably seen something like this before.
Still, if you're struggling to give a familiar plot a new twist or just want a creative exercise, this might help.
Download available on the website as usual >>>Link in the Bio<<< #scriptsky
04.08.2025 09:13 β π 3 π 1 π¬ 0 π 0
When the Reader has no real knowledge or interest in the subject or setting in which your story takes place. You've still got to keep them hooked without it feeling like you're giving a boring lecture.
A little goes a long way. #scriptsky
30.07.2025 06:48 β π 5 π 0 π¬ 0 π 0
True. #scriptsky
28.07.2025 07:06 β π 6 π 3 π¬ 0 π 0
This is an easy mistake to make when you don't know any better.
Time is money in script reading, so it's always pretty gut-wrenching to discover you've wasted time reading stuff that isn't relevant and could've been cut.
Be nice to your Script Reader and they'll be nice to you π
#scriptsky
25.07.2025 08:39 β π 10 π 2 π¬ 0 π 1
Tone is you flexing your writing voice.
This is how you manipulate the audience/reader and get them to FEEL when viewing/reading your work.
That's a powerful tool, so don't scrimp on this screenwriting element.
#scriptsky
23.07.2025 06:49 β π 4 π 0 π¬ 0 π 0
I don't see this much anymore, but I do remember making the same mistake myself when first starting. Thankfully, it's an easy error to correct.
If in doubt, don't use CUT TO: at all. No one will notice if it's not there, but they will notice if it's there when it doesn't need to be. #scriptsky
21.07.2025 07:15 β π 3 π 0 π¬ 0 π 1
If there's no hook on the very first page, and yup, I encounter loads of spec scripts that don't bother to, you risk disappointing the Reader at the very point where you're supposed to be getting them excited.
There are countless different ways to hook - Learn them all! #scriptsky
16.07.2025 06:15 β π 3 π 0 π¬ 0 π 0
I still read contest submissions that do this.
Guess what? There's a place designed specifically for that info.
It's called a title page π
Don't shoot yourself in the foot by cluttering up the page with distracting stuff a Reader doesn't need. #scriptsky
15.07.2025 06:16 β π 1 π 0 π¬ 0 π 0
Try this any time you're not quite sure how to get from A to B and see if it helps.
Or use this technique once you've finished your first draft to check for any plot holes or illogical plot progression.
(Friday AGAIN! Where does the time go? π€£) #scriptsky
11.07.2025 06:24 β π 9 π 2 π¬ 0 π 0
Add to the last post. Here's how not to format your FLASHBACKS.
#scriptsky
10.07.2025 06:20 β π 2 π 0 π¬ 0 π 0
I read a LOT of scripts, sometimes with a lot of the same plots.
But no two scripts have even been the same.
Why?
The writer's individual voice is what makes each script unique.
(And why it makes it so easy to spot AI-written scripts. They all use the same style of writing.) #scriptsky
10.07.2025 06:02 β π 2 π 0 π¬ 0 π 0
If I gotta pause to figure out shit due to poor writing (we're not talking plot here), the immersion into the story has been broken and I'm doing more work than I want to.
Never forget the visuals!
Is (over phone) needed when a character is talking in voiceover? Probably not. #scriptsky
08.07.2025 06:50 β π 1 π 0 π¬ 0 π 0
Just don't.
Readers can tell.
The layouts always off.
Using free or trial pro software at least creates the impression that a writer is serious about screenwriting as a career. Using Word doesn't.
#scriptsky
07.07.2025 05:55 β π 8 π 0 π¬ 0 π 1
Cliche doesn't mean bad - it just means it's used a LOT.
If you're going to start your screenplay with one of these common opening scenes, use it as an opportunity to subvert expectations, shock, surprise, or dazzle - get creative! #scriptsky
05.07.2025 07:14 β π 8 π 1 π¬ 1 π 3
5 is my top recommendation. It's a game changer.
6-8 use sparingly!
Overlapping dialogue risks the audience missing vital info.
(beat)'s and (pause)'s are frustrating for both the Reader and actor.
And words spelled like they sound can be hard to follow, hampering the read. #scriptsky
04.07.2025 06:59 β π 2 π 0 π¬ 0 π 0
There are times when unfilmable info is useful, so this isn't a call to scrub every instance from your script.
If it enhances the read and is pivotal info that's too difficult to show on screen, go for it . But a little goes a long way! #scriptsky
03.07.2025 06:29 β π 3 π 0 π¬ 1 π 0
An arc is the effect the experience has had on the protagonist (and hopefully, the audience too), spiritual growth, physical change, emotional progress, mental resolve, etc.
If the MC doesn't change, ensure the characters around them change instead. What impact has the MC had on others? #scriptsky
02.07.2025 06:37 β π 1 π 0 π¬ 0 π 0
I love a good laugh, but am gonna be honest, most 30min comedy pilots I read really scrimp on the funnies.
Kick off with a memorable lol and keep that momentum going.
No one's ever complained that a script is too funny.
www.shortcom.org/script-competition
#scriptsky
01.07.2025 08:30 β π 4 π 0 π¬ 0 π 0
Just because you love your protagonist doesn't mean anyone else will - Make us want to keep watching them ASAP. #scriptsky
01.07.2025 06:33 β π 1 π 0 π¬ 0 π 0
When it comes to contests, yup, let your imagination go wild and throw budget out the window. But if you're trying to impress, maybe make sure your concept is marketable. If you don't know the market (what people want to watch, what's hot, what's not), you're doing yourself a disservice. #scriptsky
30.06.2025 08:59 β π 2 π 0 π¬ 0 π 0
If a track is essential to the plot, yes, keep it, but if any other similar-sounding track could be used instead, cut it!
Sorry, Readers don't have time to go look it up on YouTube. That means the track and artist are just wasted words on the page. #scriptsky
27.06.2025 08:05 β π 4 π 0 π¬ 0 π 0
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