Table of contents for Discourse 46.3. Georges Didi-Huberman and Heath Valentine, "Why Obey?"; Basil Bababneh, "Negotiating Queer Arab Formalism," Jamie Chambers, "Fabulation, Magical Transformation and Montage," Christopher Peterson, "The Beekeeper's Ghost," Travis Alexander, "Those things you see through," and Matthew Hubbell, "Revolutionary Postures," plus more!
Discourse 46.3 is live! It features an absolutely essential piece reflecting on fascist times by Georges Didi-Huberman: "Why Obey?," skillfully translated by Heath Valentine from the short book Pour Quoi ObΓ©ir. Every piece in this issue is fantastic.
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(in Jump Cut, issue 17)
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I'm so here for this.
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#lastfourwatched (second one is Takashi Ito's "Wall" [1987])
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Thank you for articulating this!
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Congratulations! No small feat in today's higher ed landscape
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Starring Lotta Cigs
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#lastfourwatched
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(They changed the marquee while we were in there.)
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Spent the long weekend up in Portland for Margaret Honda's screening at the Hollywood Theater with Cinema Project. My first official dissertation research trip!
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it is a funny byproduct of logging films. i suspect the devs hoped to gamify this somehow (in concert w the "top 100 films of all time" etc lists)
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According to Letterboxd, I've seen 6% of films connected to Chayefsky (ie, only Marty). π¬
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"Office mixer" vibes over here.
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Caught a Saturday morning classics screening of Marty (1955) while visiting Portland. Good turnout, bigger than the audience for Friendship later that day. According to Letterboxd, I've now seen 1% of films by Delbert Mann.
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Looking forward to it!
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Could have fooled me!
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This is in contrast w mirror stage and "organization of the organism" as a priori vs a posteriori. It seems the a priori form is neither tactile nor visual, but affective? Might be misunderstanding this but you've made me interested in reading Simondon! Will this be part of your talk Tues?
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This is super interesting! But couldn't anticipatory imagination be said to be formless, while mental images depend on form?
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my contribution to the grad lounge fridge, 4 years going strong
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Looks great! Fun color palette :)
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I think of this as the new alienation of labor βΒ if you respond earnestly, you are giving your sincere feedback to machines, with the student as an audience
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Amazing line-up! And so fun to be at CalArts!
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neat!
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Inspired by @jamesleocahill.bsky.social's mobile cinema posts, I offer these (not-great) photos of a (very great) festival held in Frankfurt last September. These are from the Pupille Kino screenings at the uni student center (the rest took place in the plush filmmuseum). exff.de/en
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π± Good news π£
The 2nd part of the call for entries to the Rencontres Internationales Paris/Berlin to be held in Paris in November 2025 is open until 15 May 2025.
New cinema and contemporary art β‘οΈ film, video, multimedia
All info π₯ art-action.org/call
Please share!
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"This question can lead to really fun discussions and projects." π¬
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β€οΈβ€οΈβ€οΈ I love this so much. Aura off the charts.
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Chicago-based interdisciplinary media scholar writing about color, technocapitalism, and the senses π π¨ ποΈ π π
| Assistant Prof at Notre Dame
Dublin choreographer. Aosdana member,he/him. Bessie Nominated Begin Anywhere Performance Film, Cunningham Solos, MusΓ©e de lβOrangerie, Paris. Strategically funded by the Arts Council, Dublin City Council and Culture Ireland
Film historian, author MOVIE-STRUCK GIRLS & LOIS WEBER IN EARLY HYWD, curator PIONEERS: FIRST WOMEN FMKRS, editor Feminist Media Histories book series. Quoted NPR, NY Times, LA Times, Guardian & more.
writer, translator, and researcher whose work unfolds at the crossroads of literature, philosophy, and critical theory (currently writing about relics and time)
Associate Professor in the Faculty of Information and Cinema Studies Institute at the University of Toronto. π³οΈβπ π π₯ π₯οΈ π http://patrickkeilty.com/
Writer working across fiction, life writing, essays, non-fiction & poetry. Director @FaberAcademy β’ Founder #VanguardEditions β’ Editor #14magazine.
Most recent publication: βUndercurrentsβ (Essays) (Broken Sleep Books, 2025).
The Historical Group of the Royal Photographic Society.
Promoting the history of photography through talks, visits and our journal, The PhotoHistorian.
https://rps.org/groups/historical/
Philosopher, phenomenologist, and cognitive scientist at
UC Merced. Interested in neural networks and dynamical systems theory. Builder of simbrain.net and husserl.net. Website: https://jeffyoshimi.net/
PhD Candidate @ CornellCIS
https://mutua.nyc
https://zangsmicha.love
https://michalove.studio
Substack: https://thelastwave.substack.com/
About: https://micha.love
The BAFTSS Special Interest Group on Colour and Film, connecting scholars, filmmakers, archivists and film conservation specialists: http://colourandfilm.com
your pal | writer | associate editor at Protean Mag | sometimes lawyer
let me write for you: jakeromm@icloud.com
Professor of Philosophy and Aesthetics at the Stuttgart State Academy of Art and Design. I work on topics in philosophical aesthetics and philosophical anthropology.
phd student @tu darmstadt
texts mainly on aesthetics/politics/digital stuff
CTO of Technology & Society at Google, working on fundamental AI research and exploring the nature and origins of intelligence.
The premier research center for #ComplexSystems #science.
santafe.edu
linktr.ee/sfiscience
BIDS is a space for Open Scholarship, Open Source, and interdisciplinary collaboration on AI in science and society. It is part of the UC Berkeley College of Computing, Data Science, and Society.
https://bids.berkeley.edu/
Founded in 1974, Critical Inquiry is an interdisciplinary, peer-reviewed journal devoted to the best critical thought in the arts and humanities.
Critical Media Theory + Science and Technology Studies + Literature + CS.
Associate Prof. of DH, AI, and Media somewhere.
VP, @litsciarts.org
π: Computation, Political Economy, Infrastructures, History, Games, Design, SF.
β.
Not a professional account.
Urban geographer and digital media scholar | Postdoc @META_PoliMi | Visiting Fellow in AI, Data & Society @oxford_brookes