Historically writers have not done great with the quotation marks in the David Bowie song "Heroes".
07.02.2026 01:29 β π 10 π 0 π¬ 1 π 0@dfan.bsky.social
Co-creator of Ultima Underworld, Guitar Hero, Rock Band, et al. Lead singer & songwriter of Honest Bob and the Factory-to-Dealer-Incentives. These days I mostly play the piano and Go.
Historically writers have not done great with the quotation marks in the David Bowie song "Heroes".
07.02.2026 01:29 β π 10 π 0 π¬ 1 π 0Someday I will write a movement marked Allegro con troppo,
27.01.2026 23:48 β π 5 π 0 π¬ 1 π 0Basically we got them through two distinct paths (not an excuse, just an explanation). -able is the default; there's a finite list of -ible words and they all have Latin roots because that was the route they took to English.
21.01.2026 02:17 β π 4 π 1 π¬ 1 π 0Wow, never heard of him but this looks right up my alley. Too bad we'll never know what W words he'd have gotten to if he needed another hundred.
16.01.2026 19:49 β π 3 π 0 π¬ 0 π 0Frohwalt bin ich!
16.01.2026 19:37 β π 2 π 0 π¬ 0 π 0About twenty contenders, but today it's The Goldheart Mountaintop Queen Directory.
23.12.2025 01:38 β π 3 π 0 π¬ 0 π 0It's also worth noting that we tonicized the heck out of iii just a few measures ago! (I zoomed in on the passage in question and forgot all about how we got there.)
14.12.2025 02:52 β π 0 π 0 π¬ 1 π 0...just to illustrate to myself how we can reasonably be hearing the pull of iii there. (Of course the melody has to change too.)
14.12.2025 02:20 β π 0 π 0 π¬ 0 π 0Oh, I totally misread, you're talking about the v/vi, not the vi (my bad, I got thrown off by i-v-iv-i). Yeah, it totally feels like iv-i in iii for a moment. For fun I just tried iv/iii - iii - V/iii - iii - V7 (last two half a measure each) to tonicize it even more and it's not ridiculous...
14.12.2025 02:19 β π 1 π 0 π¬ 2 π 0I think part of it (for me) is that the melody is going 1-7-2-1 (with a 6 in between, granted) so the original tonic is being emphasized melodically at the same time that vi is tonicized harmonically. Some deceptive-cadence-like vibes but expanded out to four measures.
14.12.2025 01:23 β π 0 π 0 π¬ 1 π 0Pretty! My process:
a) I can't really prevent 2.Ka2.
b) So what will my second move be? Knight checks won't work. I guess it's going to be 2...Ra4#.
c) Fill in the blank for 1..., then verify.
There is more music in the pipe, although it's an open question when and if it ever gets out of the pipe and into the world. Comments like yours are motivational!
23.11.2025 14:39 β π 2 π 0 π¬ 1 π 0Yeah, as a listener I hate feeling like the writer came up with a great first line and then had to tread water for the second (I have totally been guilty of this myself of course). Often I'll rewrite a first line so that it can naturally come second instead.
23.11.2025 02:19 β π 3 π 0 π¬ 1 π 0A songwriting tip I haven't seen elsewhere: in a rhyming couplet, put the more interesting word in the second line. The reaction you want is "Whoa, I didn't see that rhyme coming!", not "Cool word, but will they just use a generic word to complete the rhyme?... yep."
23.11.2025 01:14 β π 11 π 1 π¬ 1 π 0Any DM can tell that Mamdani just cast Charm Person.
21.11.2025 21:31 β π 9 π 0 π¬ 0 π 0This was lovely, thank you. I've enjoyed his work but didn't know anything about the man.
20.11.2025 19:59 β π 1 π 0 π¬ 0 π 0...so I wanted to note for any historians out there that we were actively thinking about just about all of these things (maybe some more obviously than others).
20.11.2025 02:36 β π 4 π 0 π¬ 0 π 0Yes, which I appreciate! I made the comment because often works that are seminal to a genre actually did many of those genre-defining things by accident to some degree, and then succeeding works used those elements more intentionally...
20.11.2025 02:35 β π 5 π 0 π¬ 1 π 0I don't mind you excluding Ultima Underworld, but as a historical data point, I'd say that every one of your bullet points was explicitly on our minds as we made it (maybe not the linear structure but I may be misinterpreting what you mean by it; embodiment/physicality we did what we could).
20.11.2025 02:08 β π 9 π 0 π¬ 1 π 0Barth.
17.11.2025 03:33 β π 2 π 0 π¬ 0 π 017 years is how long I stayed at Harmonix! Iβm glad I moved on eventually and I bet youβll be too.
15.11.2025 12:57 β π 3 π 0 π¬ 0 π 0It totally depends on the pulse of the surrounding measures, but in the absence of any context, #1.
05.11.2025 21:11 β π 1 π 0 π¬ 0 π 0For what I paid for this Scotch, you'd think they might bother to use more than just a single malt.
03.11.2025 02:12 β π 7 π 0 π¬ 1 π 0Tonight marks the transition from everyone incorrectly writing EST to incorrectly writing EDT.
02.11.2025 00:49 β π 9 π 0 π¬ 2 π 0I can't believe there hasn't been a single mention of Drums and Wires.
01.11.2025 21:56 β π 1 π 0 π¬ 0 π 0Did you guys know there's another "Tapeworm of Love"?? Of all the titles to be a duplicate. I swear I had no idea when I wrote mine. www.youtube.com/watch?v=RHrF...
29.10.2025 16:27 β π 2 π 0 π¬ 2 π 0If we did I've suppressed the memory.
29.10.2025 15:44 β π 1 π 0 π¬ 1 π 0I think Doug did!
29.10.2025 15:38 β π 2 π 0 π¬ 1 π 0Looking forward to the Schulhoff selection, there are some bangers!
29.10.2025 01:57 β π 2 π 0 π¬ 0 π 0but of course if Clara was actually playing the Db in front of Robert, thatβs hard to argue with. Anyway, thereβs probably a dissertation on this note somewhere, Iβd love to read it!
29.10.2025 01:52 β π 1 π 0 π¬ 1 π 0