Cristín Leach

It’s been very cool to be one of the collaborators on this short-story and craft of short fiction book with @lindzmcleod.bsky.social and gang. Can’t wait to get my hands on a physical copy. Available to order now 🎁

A turquoise cassette in a turquoise shell on a matching Peruvian window sill.

The other side of the tape, this time not in its case

Side perspective the j card saying can you hear the interim with clare archibald/applicable tenses below

On Monday I released a limited edition tape, can you hear the interim. The first side is the sound to my 2020 artist film of the same name and is mastered by @room40.bsky.social. I explain at idiosyncratic length in the link below

I went to the Jardín Botánico in Trujillo yesterday to choose the trees and test the volume and range etc using audio from 2021 contributors. The Peruvian iteration of 'if trees were lone women what would they sound like' is happening this Sunday as part of the Munanqui Festival de Mujeres Artistas

A snippet of my Forest Memories, “I am walking on moss…” here at the start.

experimental trash: the podcast for #noise #ambient #foundsounds #fieldrecording #noise.

field notes and a replay of episode 063.
a conversation with @billorcutt.bsky.social Steve Shelley @silvercurrent.bsky.social. New @gregnieuws.bsky.social / Anton Perfetto, @katesattler.bsky.social, Brian Leach, @sarnmusic.bsky.social.
only on @campradio.bsky.social
experimentaltrash.com

Excellent, honest thread on the reality of being a writer today.

A snippet of my Forest Memories, “I am walking on moss…” here at the start.

If you are in Trujillo, Peru, please go and listen! 🔊 How wonderful to hear my voice with others among the leaves 6,000 miles from home 💚

I've had some great contributions from Perú and think it's all going to sound so good together. One of the things I especially love is the pieces interacting with each other, as here with @cristinleach.bsky.social and unidentified others from 2021 (there are too many for me to remember at random)

I got to be part of this incredible, truly magical project and am thrilled to see it grow. Here's more info
sanctuarylab.org/artists-2021...

Agreed! Me too 🤍

Yep, that’s there. There’s no lack of public engagement or craft sharing. The CV is very long 😄

Thanks for sharing @janesuit.bsky.social 🙏

Thank you! I’m looking for analysis of how or why I wrote what I wrote - as opposed to being cited as a reference that a show was reviewed with these words (if that makes sense). Writing about my practice as a practice!

Thank you for sharing @gronya.bsky.social and @ronanhession.bsky.social ☺️

Meant to tag you too @ellenmcwilliams.bsky.social. Looking for academic writing by others about my work. See first and second post. All pointers appreciated. 🙏

Any pointers @niamhroisin.bsky.social ? 🙏

Referring here to my cnf, essays, memoir but -relevant to Ch1- also including my art criticism or any of my radio, tv, digital or other outputs as a journalist, which analyse my work as writing or as criticism (rather than use a quote from a review to illustrate, as context or as a ref). Any help 😇

You'll read marvelous stories, then conversations between @lindzmcleod.bsky.social & her co-authors discussing how they collaborated to create something from whole cloth. There's never been a craft writing book like this!

STILL ON PRE-ORDER SALE!
NOW SHIPPING!

www.stanchionzine.com/product-page...

Help 🙏 I’m moving into Ch2 of my PhD by PP, which focuses on the shift in practice embodied by my memoir Negative Space. If you know of any academic writing which references my work, I’d be very grateful to be pointed in its direction. @lilydunn.bsky.social @minxmarple.bsky.social please share? #phd

Eeee! I'm in this #Writing craft book along with AMAZING authors like The Handmaid's Tale screenwriter Lynn Renee Maxcy, Sunday Times bestseller Thomas D. Lee, and Nebula/WFA finalist Eugenia Triantafyllou, order here!

If you're a writer, I'd go so far as to say it's essential reading to develop your craft, to dig deep into your characters and their emotions (as well as your own), and to go eyeball-close with your line edits!

Cover of the book. Mostly rusty orange ish with text only: AN HONOUR & A PRIVILEGE A CRAFT OF WRITING COLLABORATION with Lindz McLeod

Contents page: TABLE OF CONTENTS Introduction Lindz McLeod Foreword Dr. Graham Robert Scott Say Their Names with Sara Hills The Son Ablaze, the Sun Buried with E.A. Petricone The Darkness System for Young Birds with Sage Tyrtle Fishfinger with Thomas D. Lee The Hunter's Blind with Cristín Leach Time Flies Like a Banana with Eugenia Triantafyllou By Which Flesh Is Crost with Jonathan Duckworth A Body Unclouded with Lynn Maxcy Trees in Voice with Pegah Ouji Content First with Melissa Ren Devil Take the Hindmost with Z. K. Abraham

Back of book with description and endorsements: A CRAFT WRITING BOOK UNLIKE ANY OTHER In collaboration with eleven writers, including The Handmaid's Tale screenwriter Lynn Renee Maxcy, Sunday Times bestseller Thomas D! Lee, and Nebula/WFA finalist Eugenia Triantafyllou. award-winning author Lindz McLeod delivers original works of fiction and accompanying pieces of non-fiction, demystifying the craft techniques used in each story, as well as discussing the many facets of collaborative work. "Equal parts engaging and instructive, An Honour & A Privilege presents a theory and practice of collaborative fictión writing that will inspire deeper craft and community in your own work. A must read for any writer interested in the creative process." - Michael Wheaton, publisher of Autofocus Books The best way to think of An Honour & A Privilege may be to regard it as a genre all its own, one which depends significantly on its many interconnections, one which marks both an occasion and an invitation, one which offers us both a testimony as to what can be done together and a guide on how to do it." - Dr. Graham Robert Scott STANCHION / BOOKS StanchionZine.com

“I would have KILLED for a book like this at university!” Lynn Renee Maxcy

Order now from @stanchion.bsky.social

www.stanchionzine.com/product-page...

“The best way to think of An Honour & A Privilege may be to regard it as a genre all its own… one which marks both an occasion and an invitation, one which offers us both a testimony as to what can be done together and a guide on how to do it." Dr. Graham Robert Scott #writing #collaboration

"Equal parts engaging and instructive, An Honour & A Privilege presents a theory and practice of collaborative fiction writing that will inspire deeper craft and community in your own work. A must read for any writer interested in the creative process." Michael Wheaton, publisher of Autofocus Books

“A craft writing book unlike any other. In collaboration with 11 writers, including The Handmaid's Tale screenwriter @lynnreneemaxcy.bsky.social, author @lindzmcleod.bsky.social delivers original works of fiction and accompanying non-fiction, demystifying the craft techniques used in each story.”

An Honour & A Privilege | Stanchion In collaboration with eleven writers, including The Handmaid's Tale screenwriter Lynn Renee Maxcy, Sunday Times bestseller Thomas D. Lee, and Nebula/WFA finalist Eugenia Triantafyllou, award-winning a...

One of the best collaboration projects I’ve been involved in is now a BRILLIANT BOOK. For anyone interested in the craft of #writing, what we learn from #collaboration, or who just wants to read some damn good #shortstories! I’m 1 of 11 writers. Order now for 🎄 www.stanchionzine.com/product-page...

Yes that’s what I read! No fee then.

Can’t see a publication fee/rate on the website Liz?

This is out on 2 December. Pre-orders are open now @stanchion.bsky.social