Temporary Location

Personally? If it was up to me? The world would be collaborating to solve the very urgent and real global problem of climate change, instead of embarking on projects of ethnic cleansing and genocide.

Targeted by the right, Britain’s asylum hotels are places of fear and disorder. Bad political decisions made it so | Daniel Trilling In the frenzy of racism and culture warring, the issue of why hotels are used gets overlooked, says author Daniel Trilling

I wrote this to explain how we reached this point, in the hope it would be a resource for people arguing with friends and family, people with questions, perhaps even people thinking of joining a protest. Do share with anyone who might find it useful. www.theguardian.com/commentisfre...

Wait, where

Nicro on X: "I'M FUCKING HERE BITCH!!! 🦍🦍🦍🦍🦍🦍🦍 MONKEY SHIT 🐒 https://t.co/Y8MFnGINdj" / X I'M FUCKING HERE BITCH!!! 🦍🦍🦍🦍🦍🦍🦍 MONKEY SHIT 🐒 https://t.co/Y8MFnGINdj

It’s technical ambition is high, and it runs so smooth. Love the mechanics and design encourage you to ignore the main path and story and just go about doing whatever. People have really mastered the mechanics.

x.com/nicroveda/st...

Before the trt I assume

Ah man, the next 3d Mario, so intrigued. It’s always the game were Nintendo show off as much as possible!

Yeah tempest, I’m only 60% through the game!? Not sure I can play much more…

Oh really? Interesting…

Yeah I find the movement in the game quite slow and odd, like you’re always moving in slow motion. Wish movement was faster. Hope their new games comes to the switch 2. The world is very concentrated and well realised. The whole place feels alive.

Also the game is only for exploration and sucking. The platforming and puzzle side of the game is quite light and easy and not as inventive as the core mechanics.

Mechanics are great and intuitive. Explorations is fun and rewarding. The sub layers are ultimately all quite similar. Once you’ve destroyed and explored for 15 hours, you more or less know the game and no need to complete?

The world was still very cruel to Showgirls when I became serious about movies in the early years of the 21st century. It had a reputation like Citizen Kane, but on the opposite end of distinctions about quality, and it still remains very difficult to engage with the picture beyond its reputation as an object of scorn, or, more recently, one of rehabilitation and rescue. Call it the last great cult object, the Moby Dick of bad taste, or the masterpiece of shit. The shadow of Showgirls’s history is so enormous that it seems nearly impossible to find any new revelations about the picture on the critical front, and one must look into the specificity of a personal reaction in order to contend with what it has to offer. Many critics before me have made good arguments that it doesn’t suck, or that it’s about mirrors, or All About Eve, or a critical text within the explicit carnival creepshow of Paul Verhoeven’s America. What seems doable to me as a critic and a viewer is to be completely honest about my fascination with the picture, and how I remain charmed by Nomi Malone, and by extension Elizabeth Berkley’s performance. She goes way out there, further than actors usually do, and paid mightily in the public sphere, and within the industry for the risks she took, but it’s a performance that I love. Its closest contemporary is Isabella Adjani in Possession, another performance that audiences routinely laugh at, and with, and I have such affection for actors who go beyond reason to show us whoever it is that they are playing.

a still from SHOWGIRLS of Elizabeth Berkley in close-up as Nomi Malone

I wrote about my beloved SHOWGIRLS for my reader's choice series. It's sort of funny that this is the longest essay I've written in a little bit, and it feels like I barely scratched the surface.

www.patreon.com/posts/patron...

Loving bananza, just got the elephant power. Agreed that it’s too long. Highly addictive and fun. Paradise killer is great, need to finish it. Love the mood and art direction.

deejaygeejaygee 's collection | Bandcamp UK • Electronic • 1064 collection items • 339 followers

also if you're looking for other tips for good stuff to get here's my collection

bandcamp.com/deejaygeejay...

it is actually out but they mispelled the name as SilkDong 2

going through a bit of episode myself, explains why i listened to a 90 minute review of the shadowman remaster the other day

will start playing this when i get home today. I love the idea of the game, but my main concern is how the main game mechanic holds up after 10/15/20 hours. what i like about the idea is it feels like a mini mario game turned into a fully fledged game.

I think we now know who chooses the music

this has made me want to rewatch it, look forward to it. Maybe I'll watch colors within afterwards

their is a lot of body language, true, now i need to rewatch it. what do you mean by organically detailed?

Liz and the blue bird is so good, was not expecting to love it as much as I did. So beautiful as well. Need to watch more of her films.

you can do it

Shinya Ohira animates like nobody else. He's a maverick artist known for the raw, explosive power of his drawings.

If you've seen The Boy and the Heron, you know his work. For this issue, we've gone inside his career and spoken to him about his craft: animationobsessive.substack.com/p/the-maveri...

Nice, you have lots of nice things to watch ahead of you. Should be some YouTube playlists of his ads/music videos

Do you know about the adverts and other music videos he directed?

Gah, get better!!

Invite them over and maybe they’ll be compelled to clean for you as your so busy with a baby

fuck, poor guy
(sarcasm, just incase...)

highly recomend a vpn when using mubi, other countries have some excellent films, also mubi go is pretty good but its an extra £20...

Which one are you playing? I adored 1 and 3. Just started X. Number 2 I couldn’t quite crack…