Maxance Vincent

‘The Little Sister’ Film Review: A Strong Directorial Effort from Hafsia Herzi The introductory section of Hafsia Herzi’s The Little Sister (La petite dernière) is slightly alienating, as it swiftly moves from one scene to the next, without an anchor point for the audience to la...

Hafsia Herzi returns behind the camera with the profoundly affecting THE LITTLE SISTER, and positions Nadia Melliti as an actor to watch after the staggering breakout turn that garnered her the Best Actress win at last year's Cannes.

My review:

‘Primate’ Review: Ring In the New Year with a Nasty Creature Feature Who would’ve thought that the first studio production of the year would be a genuine heater, especially given that the January slate doesn’t usually promise a good time at the movies? Who would’ve als...

#PrimateMovie rips (literally) -- the nastiest studio horror feature I've seen in ages, inching (very) close to being considered an exploitation film. Biggest compliment it could get. A genuine genre heater.

My review:

movieswetextedabout.com/primate-revi...

Movie Review: ‘Young Mothers’ is Another Deeply Affecting Piece of Work from the Dardenne Brothers | InSession Film YOUNG MOTHERS shows the rewards of facing life's biggest challenges

Jean-Pierre and Luc Dardenne return to the screen with the deeply affecting YOUNG MOTHERS, a portrait of four resilient women who yearn for a more hopeful life away from the harrowing challenges they currently face.

My review for @insessionfilm.bsky.social:

insessionfilm.com/movie-review...

Dog 51 Film Review: A Real Dog While Dog 51 contains stunning cinematography and solid performances, its grab-bag of underdeveloped ideas sinks its ambitious proposition.

Cédric Jimenez brings some intriguing ideas to the table with an adaptation of Laurent Gaudé's #Dog51, but this dystopian sci-fi thriller seems more like a grab-bag of interesting stuff than an actual film with meat around the bone.

My review:

the burner harassment in action

Alessio Pasquali AKA Al Patrickson, Lonely Abandoned Beagle, Gold Searcher, Star Catcher, Frog Eater, ElioHypeGuy, blackcat32, Tough Luck, Soup Eater, Shiny LightBulb, and other burner accounts I don't know about lol

I wouldn't be proud of telling people to kill themselves over not seeing a film, but that's just me

You block him, two more burner accounts will suddenly pop up on your notifications in perpetuity. Guy is unstoppable (and in serious need of professional help)

Jeff

You don't even know the half of it with this fucking guy lol

I never said that at all. I never thought that at all.

The Mandalorian and Grogu looks like total dogshit, but that's a story for another time.

No it's not. Then again, I don't expect people who don't possess any analytical skills to comprehend my writing.

Mr. Stalker over here

I also never claimed Mando & Grogu used the volume.

As you can see, I said the volume AND The Mandalorian and Grogu.

Can you read, JEFF?

I didn't say he was "the killer of cinema"

I was correct :)

No I didn't lol

You must be confusing me with JEFF Zhang

i never said that.

Jeff

Who gives a shit?

Jeff

I'm not the one creating endless burners to harass/threaten people and tell them to kill themselves over a movie, Jeff.

Jesus Christ, Alessio, don't you have anything better to do than create endless burner accounts to harass people?

You seriously need to seek professional help. I wonder what your parents will think of this...

Also, Jeff.

any plans to expand the IMAX release?

#BlackPhone2 fucking rules. The kind of sequel that, on paper, shouldn't really work, but actively pulls you into its thrilling Super 8 nightmares with a formal edge over the first installment that quickly made everything *far more* exciting. Surprisingly very funny, too. Give me five more.

Radu Jude filme un long dialogue entre une huissière de justice et son amie dans Kontinental'25, qui dévie de l'état du climat politique de la Roumanie pour parler caca, odeurs et incommodations tout en glissant une vanne sur A perfect day de Wenders. Est-ce que ce ne serait pas ça le "peak cinema"?

All my memories are movies

Are people here or is this another one of those "mass exodus, but not really" phases we've seen far too often? lol

Plus grand album québécois de l'histoire. Rien ne va le battre. Sujet clos.

#SergeFiori

«F1: The Movie» de Joseph Kosinski: un pur spectacle pour les adeptes de course automobile | Bible urbaine Après plusieurs essais de sorties exclusives en salle qui ont tous été des échecs commerciaux, et malgré le lot de nominations aux Oscars pour «Killers of the Flower Moon», Apple tente un ultime essai...

[Critique ⭐⭐⭐⭐⭐] «F1: The Movie 🎞️» de Joseph Kosinski: un pur spectacle pour les adeptes de course automobile. Le meilleur film de l'année jusqu'à présent selon notre journaliste @maxfromquebec.bsky.social 🏎️ labibleurbaine.com/cinema/f1-th... #bibleurbaine #f1movie #cinema @f1tv.bsky.social

a race car is driving down a track and the year 2005 is on the bottom ALT: a race car is driving down a track and the year 2005 is on the bottom

#F1Movie is the year's best film. A leap forward in digital filmmaking through its 155-minute succession of slack-jawed, "How in the fuck did they do that?" moments with a self-reflexive turn from Brad Pitt that immediatly recalls Old Hollywood stars we no longer get. Kosinski is a real talent.

Movie Review: ’28 Years Later’ Sets The Stage For Possible Greatness | InSession Film 28 YEARS LATER shows the artifice of film and a beautiful beginning.

For @insessionfilm.bsky.social I reviewed Danny Boyle's #28YearsLater, a piece of post-digital filmmaking so inventive it must be seen to be believed. It also contains Alex Garland's best script since 2015, even if he can get a bit bizarre at times.

Read it here: