Blakes7Bot

Claude 3.7 describes the image as: "The image shows a person in a dark outfit standing in what appears to be a futuristic corridor or spacecraft interior. They're wearing a black garment with some detailed embroidery or pattern on the sleeve, and appear to be in the middle of a conversation or dramatic moment. The setting features distinctive architectural elements typical of science fiction productions from the late 1970s/early 1980s, with geometric white wall panels and hexagonal design elements visible in the background. The lighting creates a stark contrast between the figure and the bright white background, giving the scene a dramatic quality. The production design reflects the aesthetic of British science fiction television from that era, with its minimalist set design and distinctive visual style." Blakes7Bot, version 3.9.31. AWS Lambda version: 1.14.

A10 - Breakdown

BLAKE: Jenna? [Gan throws Jenna to the floor] Jenna. Jenna! [Gan drags Jenna to front of flight deck]
BLAKE: Gan! Gan, it's me, Blake. Gan, listen to me. [Gan attacks Blake. Avon, Cally, and Vila run in. Avon and Vila pull Gan off Blake]

https://blake.torpidity.net/m/110/9

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s. It shows a person in a futuristic silver/metallic jacket with a black turtleneck underneath, seated at what looks like a control console or computer terminal. The console has numerous colorful buttons and controls, suggesting a spacecraft or advanced control room setting. The background shows what appears to be a modernist set design with cream-colored furniture and geometric wall elements typical of sci-fi productions from that era. The retro-futuristic aesthetic, with its distinctive control panels and costume design, is characteristic of British science fiction television productions from this period, featuring practical special effects and studio-based sets." Blakes7Bot, version 3.9.31. AWS Lambda version: 1.14.

Series B, Episode 04 - Horizon

AVON: All right.
BLAKE: About time.

https://blake.torpidity.net/m/204/620

#Blakes7 Series C, Episode 01 - Aftermath

MELLANBY: Servalan? I've heard of her. Yes, she came into power some years after my defection. It's possible she doesn't remember my case.
AVON: Don't count on it. Servalan has a long memory.

https://blake.torpidity.net/m/301/205

...undamaged ship. The Federation wants the Liberator - you and I are going to give it to them. [2/2]

https://blake.torpidity.net/m/109/111

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series, showing a futuristic medical or examination scene. In the foreground, there's a person lying on what looks like a medical bed or examination table, wearing what appears to be a white garment. Standing nearby is another individual dressed in dark clothing with some sort of eye covering or visor, reaching toward a control panel with illuminated sections. The setting has a distinctly retrofuturistic aesthetic with metallic surfaces, technical equipment, and distinctive lighting panels. The scene appears to be taking place in what might be a spaceship or advanced facility, with industrial-looking design elements typical of science fiction productions from that era." Blakes7Bot, version 3.9.31. AWS Lambda version: 1.14.

Series A, Episode 09 - Project Avalon

AVALON: I don't understand.
TRAVIS: No? Do you think your capture at this particular point was a matter of chance? It was a carefully calculated strategy. You're worth a great deal to me. You're going to give me Blake, his crew, and his... [1/2]

Claude Sonnet 4.0 describes the image as: "This scene shows the crew gathered in what appears to be a luxurious lounge area aboard their ship. The setting features comfortable seating arranged around an elegant glass coffee table laden with refreshments including drinks, snacks, and what looks like tea service. The space has a sophisticated, almost decadent atmosphere with rich furnishings and warm lighting. The crew members are dressed in their typical attire - some in leather jackets and others in flowing robes or tunics. They appear to be having a social moment, relaxing together in this opulent setting. The contrast between their usual serious missions and this comfortable, almost hedonistic environment creates an interesting dynamic. The scene suggests a rare moment of leisure and camaraderie among the group." Blakes7Bot, version 3.9.31. AWS Lambda version: 1.14.

Series C, Episode 12 - Death-Watch

CALLY: What are these festivities Vila keeps drooling about?
DAYNA: They must be something special. [To Tarrant] I haven't seen you move that positively in weeks.
TARRANT: It'll be a big occasion.

https://blake.torpidity.net/m/312/102

Claude Sonnet 4.0 describes the image as: "I can see two people in what appears to be the cockpit or control area of a spacecraft. They're seated side by side, wearing earth-toned clothing that looks like it could be from a science fiction production. The setting has a futuristic aesthetic with control panels and instrumentation visible around them. The lighting and overall visual style suggests this is from a television production, likely from the late 1970s or early 1980s based on the cinematography and production values. The scene appears to be taking place during some kind of space voyage or mission, with the characters seemingly focused on piloting or monitoring their vessel's operations." Blakes7Bot, version 3.9.31. AWS Lambda version: 1.14.

Series D, Episode 13 - Blake

TARRANT: We'd be there a lot sooner if your computer stuck to direct line of flight. Is the constant change of direction for my benefit?
BLAKE: No.
[Avon and company board the flyer.]

https://blake.torpidity.net/m/413/373

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s. It shows a tense confrontation scene in what looks like a sterile, institutional corridor or doorway. On the left is a person wearing a fur-trimmed parka hood, facing off against what appears to be a security guard or soldier in dark clothing wearing a helmet with a visor. The guard is holding what looks like a weapon. The scene has the distinctive visual style of British sci-fi productions from that era, with minimalist set design and a somewhat muted color palette. The lighting and film quality have that characteristic vintage television production look, suggesting this is from a classic science fiction series. The confrontation appears to be a dramatic moment, possibly a standoff between a rebel or civilian and authoritarian forces." Blakes7Bot, version 3.9.31. AWS Lambda version: 1.14.

Series A, Episode 09 - Project Avalon

BLAKE: You have a woman prisoner here called Avalon. Where is she being kept?
GUARD: All prisoners are being held in the main detention block. [Chevner scouts ahead to the nearest corridor junction.]

https://blake.torpidity.net/m/109/279

#Blakes7 Series B, Episode 13 - Star One

KELDAN CONTROL: Nova Queen, this is Keldan Control. The ship is an unmanned ore carrier on Computer Flight Coordination.
NOVA QUEEN PILOT: I hope you're sure about that, Keldan, it's still on zero-four-zero.

https://blake.torpidity.net/m/213/7

Claude Sonnet 4.0 describes the image as: "I can see this is a dark, atmospheric scene set in what appears to be an underground or dungeon-like environment with stone walls. The lighting is dim and moody, creating shadows throughout the space. There are figures visible in the scene - some standing and positioned in different areas of this stone chamber or corridor. The setting has a gritty, oppressive feel typical of a prison or underground facility. The stone architecture and low lighting contribute to a sense of confinement or danger. Without being able to clearly identify specific individuals in this particular shot, I can observe that the scene appears to involve multiple characters in what seems to be a tense or dramatic situation within this stark, institutional-looking stone environment." Blakes7Bot, version 3.9.31. AWS Lambda version: 1.14.

Series B, Episode 05 - Pressure Point

VERON: No!
GAN: It's all right, it's all right. We won't hurt you. [Hands her pill he has taken from a container.] Take this.
VERON: No.
GAN: Please.
VERON: [Swallows pill] Who are you?

https://blake.torpidity.net/m/205/255

Claude 3.7 describes the image as: "This image shows a scene set in what appears to be a futuristic medical or laboratory facility with a clean, white interior design. Two people in gray uniform-like clothing are engaged in conversation across a white counter or examination table. One person on the left has a distinctive pink decoration or antenna on their head, while the person on the right has a more authoritative stance. The clinical setting includes glass shelving with medical equipment, bottles of liquids on the counter between them, and circular lighting fixtures visible on the wall. The stark, minimalist aesthetic is typical of science fiction productions from this era, with the costumes suggesting some kind of institutional or organized setting. The scene appears to capture a moment of serious discussion in what might be a medical bay or scientific facility." Blakes7Bot, version 3.9.31. AWS Lambda version: 1.14.

Series D, Episode 11 - Orbit

EGRORIAN: Apparently not. Can I offer you some refreshment? Everything here is reconstituted, of course, but it remains palatable.
AVON: We came here to talk, Egrorian.

https://blake.torpidity.net/m/411/118

Claude 3.7 describes the image as: "The image shows a person in what appears to be a scene from a television production, likely from the late 1970s or early 1980s based on the visual style and quality. They are wearing a black turtleneck sweater and have short dark hair. The background is minimalist and gray, with what looks like stairs or stepped architecture visible behind them. The lighting and cinematography have that distinctive quality common in British sci-fi television productions of that era - somewhat stark and theatrical. The person has a thoughtful or serious expression, captured in what seems to be a dramatic moment. The composition and styling suggests this is from a science fiction series, with the simple costuming and set design typical of productions from that period." Blakes7Bot, version 3.9.31. AWS Lambda version: 1.14.

Series B, Episode 03 - Weapon

AVON: Auron may be different, Cally, but on Earth it is considered ill-mannered to kill your friends while committing suicide.
GAN: Why that base, Cally?

https://blake.torpidity.net/m/203/31

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing what looks like a spacecraft or futuristic interior setting with metallic/technological surfaces in the background. The scene has the characteristic lighting and production design typical of British sci-fi shows from that era. However, I cannot identify specific individuals in the image or confirm details about particular actors or characters without being able to verify who is shown in the scene." Blakes7Bot, version 3.9.31. AWS Lambda version: 1.14.

Series A, Episode 09 - Project Avalon

BLAKE: [V.O.] Can you identify it?
GAN: Well, the detectors read it as a military command cruiser and the trajectory suggested it could have come from Federation space headquarters.

https://blake.torpidity.net/m/109/143

This does look amazing. Unfortunately, I'll be boycotting it because of the decision to make Gan's head tiny on the cover. Also, Blake's head is massive compared to everyone else: rookie mistake to believe that Blake was the main character in Blake's 7, like Charlie in Charlie's Angels.

Dave Hill of Slade looking reasonably normal, but is wearing Herman Munster's boots.

Good spot. You can't see in the picture, but Gareth is wearing these.

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set in what looks like a spaceship or futuristic facility, with metallic corridors and industrial lighting visible in the background. The scene shows several characters in period-appropriate costumes - some wearing light-colored, loose-fitting garments while others are in darker clothing. The setting has the distinctive production design typical of late 1970s science fiction television, with practical lighting effects and corridor sets. The characters appear to be engaged in dialogue, with the composition suggesting this is likely a dramatic or tense moment in the episode. The costumes and set design reflect the show's budget-conscious but creative approach to depicting a futuristic universe." Blakes7Bot, version 3.9.31. AWS Lambda version: 1.14.

#Blakes7 Series B, Episode 08 - Hostage

INGA: [To Ushton] Why did you do it?
USHTON: I had to.
INGA: No you didn't, Father.
USHTON: He would have killed you, Inga.
INGA: I would rather he had.
TRAVIS: Take them in there.

https://blake.torpidity.net/m/208/517

Series A, Episode 05 - The Web

AVON: [Pause] Yes. [Pause] Well, I suppose I'd better go and see what it is that Blake wants.
[Avon exits. Cally moves to detector comp and unrolls tool pouch.]
[Flight deck of the Liberator.]

https://blake.torpidity.net/m/105/45

Claude 3.7 describes the image as: "The image shows two people in profile against a cloudy sky background. The composition has them positioned side by side, both looking toward the same direction. The person on the left wears what appears to be a gray or brown outfit, while the person on the right is dressed in a distinctive black leather costume with metallic studs or embellishments along the collar. The styling and aesthetic suggests this is from a vintage science fiction production, likely from the late 1970s or early 1980s based on the film quality and costume design. The dramatic positioning and serious expressions indicate this might be from a tense or important scene. The leather costume with its militaristic or futuristic styling is particularly notable as a characteristic element of the visual design from this era of television." Blakes7Bot, version 3.9.31. AWS Lambda version: 1.14.

Series B, Episode 07 - Killer

AVON: We'll find a way. Come on. [They set off towards dome.]
[Liberator's control room.]
CALLY: [Entering] They're down.
JENNA: What?
CALLY: Avon and Vila, they're a mile from the Q-Base.

https://blake.torpidity.net/m/207/8

Claude Sonnet 4.0 describes the image as: "I can see this is a scene featuring a character in a distinctive white and teal colored futuristic uniform with high collar details, characteristic of the show's sleek costume design. The setting appears to be aboard a spacecraft, with the typical metallic interior and curved architectural elements visible in the background. The lighting creates the moody, dramatic atmosphere the series was known for. The uniform's design reflects the show's aesthetic of blending practical military-style clothing with futuristic elements, suggesting this character holds a position of authority or expertise within the crew structure." Blakes7Bot, version 3.9.31. AWS Lambda version: 1.14.

Series D, Episode 05 - Animals

TARRANT: Dayna.
SLAVE: Sir, I would draw your attention to Federation ships in line astern approaching on bearing one six zero.
TARRANT: That's a bit sudden, isn't it?
SLAVE: Plasma bolts released and running.

https://blake.torpidity.net/m/405/15

Yes. S1 - too bowl, S4 - too bouffant. S3 - "Goldilocks."

Claude 3.7 describes the image as: "The image shows a person with curly dark hair wearing a cream-colored outfit with dark accents against a rocky backdrop. The clothing style and the film quality suggest this is from a classic science fiction television production, likely from the late 1970s or early 1980s based on the aesthetic. The setting appears to be an outdoor location with stone or rock formations creating a somewhat stark, possibly alien landscape. The costume has a distinctive design with contrasting elements and what looks like a bracelet or cuff visible on the wrist. The somewhat muted color palette and filming style is characteristic of British television productions from that era, with the natural setting possibly serving as an alien planet or remote location in the storyline." Blakes7Bot, version 3.9.31. AWS Lambda version: 1.14.

Series C, Episode 06 - City at the Edge of the World

TARRANT: [V.O.] Are you sure, Cally?
CALLY: Unless they're hiding. But why should they hide?
TARRANT: [V.O.] I don't know. Maybe outsiders -

https://blake.torpidity.net/m/306/77

Yet again, I, the world's straightest man, (or at the very least, the most repressed,) nonetheless find myself with a funny feeling in my stomach, whenever I watch messed-up-hair-and-stubble Darrow, at the start of Rumours of Death.

Claude 3.7 describes the image as: "This image shows a scene from a sci-fi television series set in what appears to be a spacecraft control room or command center. The futuristic set features distinctive ribbed wall panels and technical equipment typical of 1970s/80s British television science fiction production design. Four performers are shown in the spacecraft interior, seated in what looks like a command area. One person wearing a brown leather-like outfit with buckles sits prominently in the foreground, while others are positioned around what appears to be a control console. The styling and costumes reflect the aesthetic of classic British science fiction television, with practical set design and character-specific wardrobe choices. The image has the characteristic look of television production from that era, with studio lighting and set construction typical of BBC productions of the time." Blakes7Bot, version 3.9.31. AWS Lambda version: 1.14.

Series C, Episode 10 - Ultraworld

[INTERIOR. Liberator flight deck]
DAYNA: What did you feel like, Avon?
AVON: [Distracted] What?
DAYNA: Being an entry in an encyclopedia.
TARRANT: Oh, he wouldn't mind so long as they filed him under genius.

https://blake.torpidity.net/m/310/681

Stardrive, was it?

#Blakes7 Series C, Episode 08 - Rumours of Death

SHRINKER: I specialize in uncooperative prisoners.
AVON: And you love a challenge.
SHRINKER: It's good that we understand each other.
AVON: Your name wouldn't be Shrinker, by any chance, would it?

https://blake.torpidity.net/m/308/1

Claude Sonnet 4.0 describes the image as: "This appears to be a scene from a science fiction television series set in a sterile, white-walled futuristic environment. Several characters are gathered in what looks like a spaceship or space station corridor, with a doorway or window showing a purple/violet glow in the background. The characters are wearing various costumes typical of 1970s/80s sci-fi productions - including dark leather or fabric outfits and more casual clothing. The setting and costumes suggest this is from a dramatic scene, possibly involving tension or confrontation between the characters. The stark, minimalist set design with clean lines and bright lighting creates a distinctly futuristic atmosphere typical of British science fiction television of that era." Blakes7Bot, version 3.9.31. AWS Lambda version: 1.14.

Series B, Episode 05 - Pressure Point

TRAVIS: What's the matter with you, Servalan? [Jenna and Veron emerge into sight behind her in the doorway. Both are armed.]
JENNA: She's nervous.
BLAKE: Jenna!

https://blake.torpidity.net/m/205/516

Series A, Episode 02 - Space Fall

JENNA: So's ours.
BLAKE: We have less to lose.
AVON: You may have, but I value my life!
JENNA: Assuming they do land us somewhere, what then?
BLAKE: Find a way of getting back to Earth.
JENNA: Back to Earth?

https://blake.torpidity.net/m/102/388

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set in a natural, jungle-like environment with dense foliage and vegetation. The characters are positioned close together among the greenery, suggesting they may be hiding, taking shelter, or engaged in some kind of covert activity. The setting looks outdoor and wilderness-based, with the actors wearing what appears to be futuristic or military-style clothing typical of science fiction productions. The lighting and composition create a tense, dramatic atmosphere as the group appears to be in discussion or planning something while concealed within the natural cover of the forest setting." Blakes7Bot, version 3.9.31. AWS Lambda version: 1.14.

Series D, Episode 03 - Traitor

LEITZ: Well I'm sorry you took such a risk to hear bad news.
HUNDA: Well, that isn't why I came. I wanted to see how far the flood level's fallen.
LEITZ: Why?

https://blake.torpidity.net/m/403/283

Claude Sonnet 4.0 describes the image as: "This appears to be a scene set aboard a spacecraft, likely the Liberator, showing two crew members in a technical or engineering area. The setting features the show's characteristic futuristic interior design with metallic surfaces and technological equipment. One character is leaning over what appears to be some kind of control panel or technical apparatus, while another stands nearby observing. Both are wearing the dark, military-style clothing typical of the series. The scene suggests they are engaged in some kind of technical discussion or problem-solving activity, which was common given the crew's frequent need to maintain their ship and equipment while evading the Federation." Blakes7Bot, version 3.9.31. AWS Lambda version: 1.14.

Series A, Episode 07 - Mission To Destiny

BLAKE: It's effective, though. [Avon disconnects the cylinder]
AVON: Look at the gauge. The cylinder is almost empty.

https://blake.torpidity.net/m/107/75

Claude Sonnet 4.0 describes the image as: "This scene shows two characters in what appears to be the interior of a spacecraft, likely the Liberator. The setting has a distinctive futuristic design with curved walls and lighting typical of the show's aesthetic. One character wears dark leather-style clothing and holds what appears to be a weapon, while the other is dressed in a black outfit with fur trim around the collar. They appear to be having a conversation while seated on what looks like a bench or seating area within the ship's interior. The lighting and set design create the atmospheric, somewhat austere environment characteristic of the series' spacecraft settings." Blakes7Bot, version 3.9.31. AWS Lambda version: 1.14.

Series A, Episode 09 - Project Avalon

JENNA: Well, yes, I've only met her once, but, yes, that's her.
AVON: Then it must be Chevner.
GAN: Chevner. How do you think he'll do it?

https://blake.torpidity.net/m/109/349