Carlos Sandoval

A gem. B & W is the best.

The Black Phone 2 is just a great piece of art; that sequence in the car under the Winter storm with that music, fucking solid gold. Just for starters. Kudos to @crobertcargill.bsky.social and team.

Remembering Eva Cassidy today on the 29th anniversary of her passing (November 2, 1996)

album.ink/ECassidyRIP

Los muertos caminan
#streetphotography
#Culiacan

Watching "Homecoming" for Halloween.

The great @thejoedante.bsky.social greets his peers, one of them being JT.

Amazing to have @mickgarris.bsky.social as the captain. The best.

Sarah Vaughan performing in New York City, 1949.

Photograph by Herman Leonard.

Some people have objected to Fade In Access being presented as an Open/Save location option in the new version 5. There is now an Preferences option as of v5.0.1 to disable Fade In Access integration.

I must say that I loved this one. A gem by @conanthecontrarian.bsky.social

Guess I'm going to have to go for it again. Vivan los lobos. Salud.

A nightmarish pair of black & white horror classics! CURSE OF THE DEMON (1957) screens in 35mm tonight & tomorrow Monday & Tuesday, October 27th & 28th, at 7:30pm with BURN, WITCH, BURN (1962) at 9:35pm. Tickets: buff.ly/BleUIC0

Damn good stuff.

Alan Price's score for O Lucky Man by Lindsay Anderson is also great.

Ramsey Campbell needs no introduction, but Stephen King once called him "better than just good" and Peter Straub deemed him "the best of us all."

He really does rank among dark literature's finest. This was such an incredible honor.

tinyurl.com/5xau9djn

@ramseycampbell.bsky.social

A purple book cover with yellow lettering and an uncompromising hole in the center: the Dead Ink edition of THE CIPHER

Down in the UK! @deadinkbooks.bsky.social offers the Funhole for your amusement, edification, and emotional dismemberment :) Preorders are live right now. #funhole

@realgdt.bsky.social discussing #DavidLynch and @markfrost.bsky.social at #TIFF.

Chingonsísimo.

Really enjoyed #filmnoir Black Tuesday (1954) shown on #noiralley on @tcmtv.bsky.social. First time watching and @eddiemuller.bsky.social intro & outro with backstory on Edward G. Robinson, casting, and more was fascinating. Terrific photography work in this one! @noirfoundation.bsky.social

This. Is. It.
#MartinScorsese

What a gem. Saw it a few times on the big screen when I was a kid.

Miles is present, man. 👌🏻

The print edition of the newest issue of NOIR CITY Magazine is available now from Amazon: bit.ly/4qdNrl3
#noircity @tcmparty.bsky.social @eddiemuller.bsky.social

A story of floating life
#waterplants
#naturephotography

The great @johnaugust.bsky.social was visiting the Beautiful Australia; my dream place.

Maybe now it's a good time to bring back a past guest of Scripnotes, the man, and a great writer/director @conanthecontrarian.bsky.social

Cheers from México.

Would the 80s even exist without Struzan?? He’s the source of so much of our nostalgia. RIP.

Fragments
#contemporaryart
#adrianvillarrojas

A view
#streetphotography

The Unfading Beauty of Diane Keaton For over five decades, cinema bent itself around her profoundly original image. It had no choice.

"By the time she died at the age of 79, she had as strong a star persona as her original screen fashion idol Katharine Hepburn — the kind that made inattentive viewers assume she was just playing herself." Wherein I write about the incomparable Diane Keaton. www.vulture.com/article/the-...

She was a queen. My heart is broken.

That also means Fade In Access is available to the public at www.fadeinpro.com/access.

This year... Heart broken. She was a queen.

Goodbye, you absolute queen. #DianeKeaton