Cadernos de Linguística's Avatar

Cadernos de Linguística

@cadlin.bsky.social

A #DiamondOA journal sponsored by the Brazilian Linguistics Association (Abralin), promoting responsible research practices, collaboration, diversity, inclusion, and openness in academia. 🌐 cadernos.abralin.org 🌐 linktr.ee/cadlin

2,069 Followers  |  6,028 Following  |  209 Posts  |  Joined: 08.11.2024  |  1.6021

Latest posts by cadlin.bsky.social on Bluesky

Image with a solid light blue background. At the top, a thin horizontal line separates the small uppercase word “EDITORIA.” Large bold uppercase text in the center reads: “CALL FOR PAPERS.” Below it, smaller text says: “Reproducibility in Linguistics.” In the lower-left corner, there is a small abstract icon of short radiating lines, and in the lower-right corner, a rounded rectangular button with the text “READ THE CAPTION.”

Image with a solid light blue background. At the top, a thin horizontal line separates the small uppercase word “EDITORIA.” Large bold uppercase text in the center reads: “CALL FOR PAPERS.” Below it, smaller text says: “Reproducibility in Linguistics.” In the lower-left corner, there is a small abstract icon of short radiating lines, and in the lower-right corner, a rounded rectangular button with the text “READ THE CAPTION.”

Reproducibility is central to credible science — yet rare in linguistics.
Our Cadernos de Linguística Special Issue invites Registered Reports (research plans, no data yet) to change this.
Deadline: Oct 31, 2025
abral.in/reproducibil...

10.08.2025 12:12 — 👍 0    🔁 0    💬 0    📌 0
Beige graphic with the heading “NEW ARTICLE | THEORETICAL ESSAY” in small uppercase letters. Below, the title reads “Individual Contributions to the Documentation and Expansion of the Colonial Linguistic Landscape of 19th Century North and West Africa” in large dark brown text. Underneath, a small turquoise dot precedes the author’s name, “Joanna Nolan,” followed by “SOAS University of London.” In the bottom left corner, there’s a minimalist black logo of radiating lines.

Beige graphic with the heading “NEW ARTICLE | THEORETICAL ESSAY” in small uppercase letters. Below, the title reads “Individual Contributions to the Documentation and Expansion of the Colonial Linguistic Landscape of 19th Century North and West Africa” in large dark brown text. Underneath, a small turquoise dot precedes the author’s name, “Joanna Nolan,” followed by “SOAS University of London.” In the bottom left corner, there’s a minimalist black logo of radiating lines.

How did a sailors’ pidgin from the Mediterranean end up in the commands of Senegal’s colonial troops? This study follows the unexpected journey from sea jargon to Français Tirailleur.
doi.org/10.25189/267...
#langsky #linguistics

09.08.2025 12:36 — 👍 2    🔁 2    💬 0    📌 0
Card with the title "COMMUNITIES | Cadernos de Linguística". Below, a grey icon with the Crossmark logo and the text “Check for updates”. The text explains that Crossmark allows readers to verify if an article has been updated, corrected or retracted, even after download. It also gives access to metadata like submission and peer review info. Bottom left corner features the visual mark of the journal.

Card with the title "COMMUNITIES | Cadernos de Linguística". Below, a grey icon with the Crossmark logo and the text “Check for updates”. The text explains that Crossmark allows readers to verify if an article has been updated, corrected or retracted, even after download. It also gives access to metadata like submission and peer review info. Bottom left corner features the visual mark of the journal.

Cadernos de Linguística uses Crossmark on every publication — so you always know if the article you’re reading has been updated, corrected, or retracted. Trusted metadata, even after download. Transparent, responsible publishing.

08.08.2025 12:52 — 👍 0    🔁 0    💬 0    📌 0
Card introducing Paulo Osório as a member of the editorial team of Cadernos de Linguística. The background is light mint green. At the top, it says “MEET THE EDITORIAL TEAM”. Below is a circular portrait of Paulo Osório, a smiling bald man with glasses and a short beard, wearing a red shirt and standing in front of bookshelves. His name is written in large font with "PAULO" in uppercase and "OSÓRIO" in italics. The accompanying text reads: “Full Professor at UBI, he is one of the leading specialists in medieval Portuguese and in the variation of European, Brazilian, and African Portuguese. He served as president of the International Association of Portuguese Linguistics and is a corresponding member of the Brazilian Academy of Philology.” In the bottom left corner, there is a small icon resembling radiating lines or a stylized fan.

Card introducing Paulo Osório as a member of the editorial team of Cadernos de Linguística. The background is light mint green. At the top, it says “MEET THE EDITORIAL TEAM”. Below is a circular portrait of Paulo Osório, a smiling bald man with glasses and a short beard, wearing a red shirt and standing in front of bookshelves. His name is written in large font with "PAULO" in uppercase and "OSÓRIO" in italics. The accompanying text reads: “Full Professor at UBI, he is one of the leading specialists in medieval Portuguese and in the variation of European, Brazilian, and African Portuguese. He served as president of the International Association of Portuguese Linguistics and is a corresponding member of the Brazilian Academy of Philology.” In the bottom left corner, there is a small icon resembling radiating lines or a stylized fan.

Paulo Osório brings decades of experience in historical linguistics and language variation to the editorial board of Cadernos de Linguística. A respected scholar and academic leader, he supports our mission of open, community-driven research in all languages.

07.08.2025 13:02 — 👍 3    🔁 0    💬 0    📌 0
The image is a graphic card formatted for social media, likely Instagram, promoting a quote from an academic article published in Cadernos de Linguística. It features a beige background with minimalist design elements.
At the top, it reads in small caps:
"READ IN CADERNOS DE LINGUÍSTICA".

Below, a highlighted excerpt in English says:

"Over nearly three decades, international education declarations have reflected a commitment to prioritizing diverse geoeducational, cultural, linguistic, and economic realities, with a growing focus on girls, young women, and those facing greater learning challenges."
The phrase "international education declarations" is highlighted in mint green.
At the bottom of the quote, the citation is given as:
BERG, R. DA S.; VOTRE, S. J., 2020.

In the lower left corner, there's a small decorative semi-circular icon resembling rays or sound waves.

The overall design is clean, with a modern academic aesthetic.

The image is a graphic card formatted for social media, likely Instagram, promoting a quote from an academic article published in Cadernos de Linguística. It features a beige background with minimalist design elements. At the top, it reads in small caps: "READ IN CADERNOS DE LINGUÍSTICA". Below, a highlighted excerpt in English says: "Over nearly three decades, international education declarations have reflected a commitment to prioritizing diverse geoeducational, cultural, linguistic, and economic realities, with a growing focus on girls, young women, and those facing greater learning challenges." The phrase "international education declarations" is highlighted in mint green. At the bottom of the quote, the citation is given as: BERG, R. DA S.; VOTRE, S. J., 2020. In the lower left corner, there's a small decorative semi-circular icon resembling rays or sound waves. The overall design is clean, with a modern academic aesthetic.

Education for all—but in whose language?
This paper examines how international declarations embrace inclusion while national policies continue to erase linguistic and cultural diversity.
doi.org/10.25189/267...
#langsky #linguistics

05.08.2025 21:49 — 👍 2    🔁 2    💬 0    📌 0
A mint green social media graphic with minimalist design. At the top, it reads: “COMMUNITIES | CADERNOS DE LINGUÍSTICA.” In the center, large bold text says “THE HONG KONG PRINCIPLES,” with the word “PRINCIPLES” in italics. In the bottom left corner, there is a decorative loading-style icon. At the bottom right, a white button reads “READ THE CAPTION.”

A mint green social media graphic with minimalist design. At the top, it reads: “COMMUNITIES | CADERNOS DE LINGUÍSTICA.” In the center, large bold text says “THE HONG KONG PRINCIPLES,” with the word “PRINCIPLES” in italics. In the bottom left corner, there is a decorative loading-style icon. At the bottom right, a white button reads “READ THE CAPTION.”

Cadernos de Linguística endorses the Hong Kong Principles since its foundation. The journal promotes methodological integrity, open access, data transparency, diverse research outputs, and open peer review—a system that recognizes the work of the community.
www.wcrif.org/endorsing-in...

04.08.2025 13:34 — 👍 2    🔁 0    💬 0    📌 0
A visual announcement in beige and dark gray tones. At the top, it reads “Indexing | Cadernos de Linguística” in bold. Centered below is the logo “ERIH PLUS” in large black stylized font. Underneath, the text says:
"EUROPEAN REFERENCE INDEX FOR THE HUMANITIES AND THE SOCIAL SCIENCES" (bolded),

followed by a description:
“Index of peer-reviewed journals in Humanities and Social Sciences, with strict criteria for transparency, ethics, and diversity of authorship. Promotes visibility, open access, and responsible academic publishing.”

A small abstract graphic resembling radiating lines appears in the bottom left corner.

A visual announcement in beige and dark gray tones. At the top, it reads “Indexing | Cadernos de Linguística” in bold. Centered below is the logo “ERIH PLUS” in large black stylized font. Underneath, the text says: "EUROPEAN REFERENCE INDEX FOR THE HUMANITIES AND THE SOCIAL SCIENCES" (bolded), followed by a description: “Index of peer-reviewed journals in Humanities and Social Sciences, with strict criteria for transparency, ethics, and diversity of authorship. Promotes visibility, open access, and responsible academic publishing.” A small abstract graphic resembling radiating lines appears in the bottom left corner.

Cadernos de Linguística is indexed in ERIH PLUS — a trusted reference for Humanities & Social Sciences. Publish where your research is visible, accessible, and valued.
🔗 cadernos.abralin.org
#Linguistics #OpenAccess #ERIHPLUS

03.08.2025 14:17 — 👍 2    🔁 0    💬 0    📌 0
A light green square graphic featuring a quote in dark text. At the top, it says “READ IN Cadernos de Linguística” in small capital letters. Below, the main quote reads: “It is possible to design language lessons that start from students’ real-life expressions and gradually move toward the formal linguistic system — through a reflective approach to text and grammar.” At the bottom, the citation appears: “Andrade, P.; Santos, M.; Silva, V., 2020.” In the lower-left corner, there is a minimalist black logo with radiating lines.

A light green square graphic featuring a quote in dark text. At the top, it says “READ IN Cadernos de Linguística” in small capital letters. Below, the main quote reads: “It is possible to design language lessons that start from students’ real-life expressions and gradually move toward the formal linguistic system — through a reflective approach to text and grammar.” At the bottom, the citation appears: “Andrade, P.; Santos, M.; Silva, V., 2020.” In the lower-left corner, there is a minimalist black logo with radiating lines.

When public school teachers speak openly about grammar, textbooks, and language diversity, the gap between academic discourse and classroom experience becomes impossible to ignore.
doi.org/10.25189/267...
#langsky #linguistics

02.08.2025 13:44 — 👍 3    🔁 0    💬 0    📌 0
Promotional image from the journal Cadernos de Linguística, with a two-tone background: light purple on top and light beige on the bottom. At the top, it reads "STATS | Cadernos de Linguística". Below that, the number 655 is prominently displayed in large dark font, followed by the caption "Reads in July". Underneath, the title of the article is shown: "Russian Immigrants in Brazil: to Understand, to be Understood". The authors are listed below: Henriques, A. S.; Fontes, M. A. de S.; Skrelin, P. A.; Kachkovskaia, T. V.; Ruseishvili, S.; Borrego, M. C.; Zuleta, P. P. B.; Ferreira, L. P.; Madureira, S., 2020. In the bottom-left corner, there's a stylized icon with lines radiating from a point, suggesting dissemination or communication.

Promotional image from the journal Cadernos de Linguística, with a two-tone background: light purple on top and light beige on the bottom. At the top, it reads "STATS | Cadernos de Linguística". Below that, the number 655 is prominently displayed in large dark font, followed by the caption "Reads in July". Underneath, the title of the article is shown: "Russian Immigrants in Brazil: to Understand, to be Understood". The authors are listed below: Henriques, A. S.; Fontes, M. A. de S.; Skrelin, P. A.; Kachkovskaia, T. V.; Ruseishvili, S.; Borrego, M. C.; Zuleta, P. P. B.; Ferreira, L. P.; Madureira, S., 2020. In the bottom-left corner, there's a stylized icon with lines radiating from a point, suggesting dissemination or communication.

What does your accent say about you? Russian immigrants in Brazil report that their accent in Portuguese can lead to both prejudice and perks. Some are mistaken for arrogant; others say it helps get better prices. Study was July’s most read.
doi.org/10.25189/267...
#langsky #linguistics

01.08.2025 12:31 — 👍 5    🔁 0    💬 0    📌 0
A graphic card from Cadernos de Linguística titled “Helsinki Initiative on Multilingualism in Scholarly Communication.” It includes a blue speech bubble with the text “Helsinki Initiative on Multilingualism” and a smaller bubble saying “Hi!”. Below, a paragraph reads: “Research matters in all languages. This initiative defends local publishing, access to knowledge for society, and fair evaluation of work regardless of language. Multilingual communication strengthens science and its social impact.”

A graphic card from Cadernos de Linguística titled “Helsinki Initiative on Multilingualism in Scholarly Communication.” It includes a blue speech bubble with the text “Helsinki Initiative on Multilingualism” and a smaller bubble saying “Hi!”. Below, a paragraph reads: “Research matters in all languages. This initiative defends local publishing, access to knowledge for society, and fair evaluation of work regardless of language. Multilingual communication strengthens science and its social impact.”

Cadernos de Linguística proudly supports the Helsinki Initiative.
We publish in all languages — because using local languages is essential to expressing valid scientific ideas on their own terms.
We ensure great visibility and fair evaluation for research #InAllLanguages.

31.07.2025 16:06 — 👍 3    🔁 0    💬 0    📌 1
Image with a light lilac background introducing a member of the editorial team of Cadernos de Linguística.

At the top, in small uppercase letters:
MEET THE EDITORIAL TEAM

Below that, there is a circular portrait of María Alejandra Vitale, a woman with long brown hair and glasses, wearing a white and lavender sweater, standing outdoors.

Her name appears prominently:
MARÍA ALEJANDRA VITALE, with VITALE in italics.

The accompanying text reads:
“Professor at UBA, works in discourse analysis, rhetoric, and semiology, with a focus on authoritarian discourse, repression archives, oral testimonies, and memory. Her research explores ethos construction and enunciative identity through a rhetorical approach.”

In the bottom-left corner, there's a small stylized icon resembling a visual or communicative symbol, part of the visual identity of the journal.

Image with a light lilac background introducing a member of the editorial team of Cadernos de Linguística. At the top, in small uppercase letters: MEET THE EDITORIAL TEAM Below that, there is a circular portrait of María Alejandra Vitale, a woman with long brown hair and glasses, wearing a white and lavender sweater, standing outdoors. Her name appears prominently: MARÍA ALEJANDRA VITALE, with VITALE in italics. The accompanying text reads: “Professor at UBA, works in discourse analysis, rhetoric, and semiology, with a focus on authoritarian discourse, repression archives, oral testimonies, and memory. Her research explores ethos construction and enunciative identity through a rhetorical approach.” In the bottom-left corner, there's a small stylized icon resembling a visual or communicative symbol, part of the visual identity of the journal.

María Alejandra Vitale brings to Cadernos de Linguística extensive work on political discourse, memory, and repression in South America. Her presence on the editorial board reflects the journal’s commitment to diverse perspectives and critical approaches to language.

30.07.2025 18:02 — 👍 2    🔁 0    💬 0    📌 0
A square visual card with a beige background. At the top, it reads “READ IN Cadernos de Linguística” in uppercase letters. Below, a bold purple quote says: “SP WILL EXPLODE JUST LIKE MILAN”. The main text follows:

“Placed at the top of a newspaper page, this headline doesn’t report a fact — it provokes, pressures, anticipates disaster. By presenting the quote without embedding it in a larger sentence, it amplifies its impact and leaves the reader to judge its meaning.”

In the bottom left corner, there is a minimalist decorative symbol resembling radiating lines.

A square visual card with a beige background. At the top, it reads “READ IN Cadernos de Linguística” in uppercase letters. Below, a bold purple quote says: “SP WILL EXPLODE JUST LIKE MILAN”. The main text follows: “Placed at the top of a newspaper page, this headline doesn’t report a fact — it provokes, pressures, anticipates disaster. By presenting the quote without embedding it in a larger sentence, it amplifies its impact and leaves the reader to judge its meaning.” In the bottom left corner, there is a minimalist decorative symbol resembling radiating lines.

How do headlines blend speech acts and viewpoints?
This study shows how reported speech compresses meanings, adjusts agency, and marks different levels of epistemic commitment in news headlines.
doi.org/10.25189/267...
#linguistics #langsky

18.07.2025 18:05 — 👍 0    🔁 0    💬 0    📌 0
Light purple background. At the top, in small uppercase letters:
"WHY PUBLISH IN CADERNOS DE LINGUÍSTICA?"

Centered in large text:
"YOUR ARTICLE WAS PUBLISHED!" — with PUBLISHED in italics.

In the bottom left corner, a small icon resembling a broadcast or notification signal.

The image conveys that Cadernos de Linguística notifies authors when their article is published.

Light purple background. At the top, in small uppercase letters: "WHY PUBLISH IN CADERNOS DE LINGUÍSTICA?" Centered in large text: "YOUR ARTICLE WAS PUBLISHED!" — with PUBLISHED in italics. In the bottom left corner, a small icon resembling a broadcast or notification signal. The image conveys that Cadernos de Linguística notifies authors when their article is published.

Not all journals notify you when your article is published.
At Cadernos de Linguística, we do — and we go further.

We send the DOI and ready-to-share suggestions for reaching readers across platforms. Because we believe publishing is just the beginning.

17.07.2025 18:40 — 👍 3    🔁 0    💬 0    📌 0
A beige-toned social media card features a quote in English from an academic article, framed by a vertical black line on the left. At the top, it reads “LEIA EM CADERNOS DE LINGUÍSTICA” in uppercase black letters. The main text says:

“The identification of irony depends on extralinguistic and social factors, whose absence in written texts makes automatic detection difficult. Since ironic meaning can be conveyed through pragmatic information, developing sentiment lexicons for opinion mining appears to be a promising path.”
The words irony and automatic detection are highlighted in lavender. Below the quote, the citation appears in small capital letters:
WICK-PEDRO, G.; VALE, O. A., 2020

In the bottom left corner, there's a small minimalist sunburst-style icon made of short black lines, symbolizing publication or insight.

A beige-toned social media card features a quote in English from an academic article, framed by a vertical black line on the left. At the top, it reads “LEIA EM CADERNOS DE LINGUÍSTICA” in uppercase black letters. The main text says: “The identification of irony depends on extralinguistic and social factors, whose absence in written texts makes automatic detection difficult. Since ironic meaning can be conveyed through pragmatic information, developing sentiment lexicons for opinion mining appears to be a promising path.” The words irony and automatic detection are highlighted in lavender. Below the quote, the citation appears in small capital letters: WICK-PEDRO, G.; VALE, O. A., 2020 In the bottom left corner, there's a small minimalist sunburst-style icon made of short black lines, symbolizing publication or insight.

“A beautiful model of ethics and morality.” Sincere? Not quite. Irony in opinion texts flips meaning—misleading both readers and machines. This study shows how irony works and what it takes to detect it.
doi.org/10.25189/267...
#langsky #linguistics

16.07.2025 18:00 — 👍 1    🔁 1    💬 0    📌 0
Light yellow background with minimalist design.
At the top, bold small text reads: “WHY PUBLISH CADERNOS DE LINGUÍSTICA”.
Centered in large capital letters: “CURATION”.
Bottom left shows a stylized loading or radiating icon.
Bottom right features a rounded button with the text: “READ THE CAPTION”.

Light yellow background with minimalist design. At the top, bold small text reads: “WHY PUBLISH CADERNOS DE LINGUÍSTICA”. Centered in large capital letters: “CURATION”. Bottom left shows a stylized loading or radiating icon. Bottom right features a rounded button with the text: “READ THE CAPTION”.

Cadernos de Linguística isn’t your typical journal.
We don’t decide what gets published.
We select and review preprints — with open, signed reports and thoughtful editorial curation.
Let’s flip the script on academic publishing!

15.07.2025 12:57 — 👍 1    🔁 0    💬 0    📌 0
A social media graphic promoting a linguistics article. At the top, it says "Read in Cadernos de Linguística". Below are four yellow tags with black text: “ESCRITA”, “SINAIS DE PONTUAÇÃO”, “PEÇAS PUBLICITÁRIAS”, and “MUDANÇA”. The central quote reads:
"Punctuation isn't just about following rules or marking syntax — it's a way of expressing your stance as a writer."
At the bottom, the citation appears: Kleppa, L.-A., 2021. A small black logo resembling radiating lines is in the bottom left corner. The background is a soft beige.

A social media graphic promoting a linguistics article. At the top, it says "Read in Cadernos de Linguística". Below are four yellow tags with black text: “ESCRITA”, “SINAIS DE PONTUAÇÃO”, “PEÇAS PUBLICITÁRIAS”, and “MUDANÇA”. The central quote reads: "Punctuation isn't just about following rules or marking syntax — it's a way of expressing your stance as a writer." At the bottom, the citation appears: Kleppa, L.-A., 2021. A small black logo resembling radiating lines is in the bottom left corner. The background is a soft beige.

Ads from the 1950s relied on punctuation — ellipses, exclamations, dashes — to create rhythm and convey emotion.
Lou-Ann Kleppa shows how these marks echoed radio voices, guiding reading and simulating speech in print.
doi.org/10.25189/267...
#langsky #linguistics

14.07.2025 19:46 — 👍 1    🔁 0    💬 0    📌 0
Image with a light yellow background. At the top, in small uppercase letters, it reads: “READ IN CADERNOS DE LINGUÍSTICA”. Centered in large dark text: “CHILD ARGUMENTATION EMERGES IN THE VERY FIRST MONTHS OF LIFE, THROUGH GESTURES AND INTONATION.” In the bottom left corner, there is a stylized semicircle logo made of curved lines, representing the journal Cadernos de Linguística.

Image with a light yellow background. At the top, in small uppercase letters, it reads: “READ IN CADERNOS DE LINGUÍSTICA”. Centered in large dark text: “CHILD ARGUMENTATION EMERGES IN THE VERY FIRST MONTHS OF LIFE, THROUGH GESTURES AND INTONATION.” In the bottom left corner, there is a stylized semicircle logo made of curved lines, representing the journal Cadernos de Linguística.

They question, resist, negotiate—and do it all with humor, irony, and clever reframing.
This article tracks how a child uses subtle strategies to hold their ground in everyday arguments with adults.
doi.org/10.25189/267...
#langsky #linguistics

13.07.2025 12:44 — 👍 7    🔁 1    💬 0    📌 0
A beige-toned informational card announcing the indexation of Cadernos de Linguística in Latindex Catalog 2.0. At the top, it reads: “INDEXING | CADERNOS DE LINGUÍSTICA”. At the center, there is the Latindex logo with the words “catálogo 2.0” and a red ribbon graphic. Below, a bold title says “IBERO-AMERICAN EXCELLENCE”. The text underneath states: “Latindex is a regional indexer dedicated to the evaluation and dissemination of scholarly journals from Ibero-America. Its Catalog 2.0 includes only electronic journals that meet rigorous editorial quality standards recognized internationally.” In the bottom left corner, there is a small decorative icon resembling radiating lines.

A beige-toned informational card announcing the indexation of Cadernos de Linguística in Latindex Catalog 2.0. At the top, it reads: “INDEXING | CADERNOS DE LINGUÍSTICA”. At the center, there is the Latindex logo with the words “catálogo 2.0” and a red ribbon graphic. Below, a bold title says “IBERO-AMERICAN EXCELLENCE”. The text underneath states: “Latindex is a regional indexer dedicated to the evaluation and dissemination of scholarly journals from Ibero-America. Its Catalog 2.0 includes only electronic journals that meet rigorous editorial quality standards recognized internationally.” In the bottom left corner, there is a small decorative icon resembling radiating lines.

Cadernos de Linguística is indexed in Latindex Catalog 2.0, meeting all its editorial standards. A recognition of our commitment to open science and editorial autonomy in Ibero-America.
latindex.org/latindex/fic...
#OpenAccess #Latindex #EditorialIntegrity

12.07.2025 11:51 — 👍 5    🔁 0    💬 0    📌 0
Image with a light yellow background, designed in a clean and modern style.

At the top, in small uppercase letters, it reads:
MEET THE EDITORIAL TEAM

Below, there is a circular portrait of Jair Barbosa da Silva, a light-skinned man with short hair, wearing glasses and a dark jacket, smiling outdoors.

His name is displayed prominently:
JAIR BARBOSA DA SILVA, with SILVA in italics.

The bio text reads:
“Professor at UFAL, holds a PhD in Linguistics from the same institution and completed a postdoctoral fellowship at UFSC. His work focuses on the documentation and description of Libras, including research on grammar, literature in Libras, specialized glossaries, and bilingual education. He coordinates a national project developing an accessible multilingual portal.”

In the lower-left corner, there is a small stylized icon resembling a signal or visual mark.

This image is part of a social media series from the journal Cadernos de Linguística, introducing members of its editorial team.

Image with a light yellow background, designed in a clean and modern style. At the top, in small uppercase letters, it reads: MEET THE EDITORIAL TEAM Below, there is a circular portrait of Jair Barbosa da Silva, a light-skinned man with short hair, wearing glasses and a dark jacket, smiling outdoors. His name is displayed prominently: JAIR BARBOSA DA SILVA, with SILVA in italics. The bio text reads: “Professor at UFAL, holds a PhD in Linguistics from the same institution and completed a postdoctoral fellowship at UFSC. His work focuses on the documentation and description of Libras, including research on grammar, literature in Libras, specialized glossaries, and bilingual education. He coordinates a national project developing an accessible multilingual portal.” In the lower-left corner, there is a small stylized icon resembling a signal or visual mark. This image is part of a social media series from the journal Cadernos de Linguística, introducing members of its editorial team.

Jair Barbosa da Silva (UFAL) is a leading researcher on Libras, Brazil’s sign language. He serves on the editorial board of Cadernos de Linguística, a community-governed, open-access journal dedicated to diverse approaches to language and open science.

11.07.2025 13:49 — 👍 1    🔁 0    💬 0    📌 0
Graphic with the heading “COMMUNITIES | CADERNOS DE LINGUÍSTICA” at the top. Below, the logo of LingOA appears, showing a stylized tree with multicolored leaves and the words “LingOA – Linguistics in Open Access.” Underneath, the title reads: “FAIR OPEN ACCESS IN LINGUISTICS.” The paragraph explains that LingOA is a nonprofit foundation supporting scholar-led, Diamond Open Access journals in linguistics, promoting Fair Open Access by eliminating fees for authors and readers, and ensuring transparent, community-based editorial governance. The background is beige with minimalist lines in the corners for visual balance.

Graphic with the heading “COMMUNITIES | CADERNOS DE LINGUÍSTICA” at the top. Below, the logo of LingOA appears, showing a stylized tree with multicolored leaves and the words “LingOA – Linguistics in Open Access.” Underneath, the title reads: “FAIR OPEN ACCESS IN LINGUISTICS.” The paragraph explains that LingOA is a nonprofit foundation supporting scholar-led, Diamond Open Access journals in linguistics, promoting Fair Open Access by eliminating fees for authors and readers, and ensuring transparent, community-based editorial governance. The background is beige with minimalist lines in the corners for visual balance.

Cadernos de Linguística is listed in LingOA, a foundation that brings together linguistics journals owned and run by scholars, with no paywalls and no mandatory publication fees.

Being part of LingOA means meeting strict criteria for Fair Open Access.

lingoa.eu

10.07.2025 17:31 — 👍 4    🔁 1    💬 0    📌 0
A soft pink poster with the header "READ IN CADERNOS DE LINGUÍSTICA" in small uppercase text. Below, there's an image of a toucan perched on a branch with its large orange beak and black feathers. Under the image, the word "YAATTE" appears in bold. The text describes it as a bird that flies, has a long beak and black feathers, feeds on fruit (especially bacaba and açaí), sings before the rain, and lives in the forest. A sentence in Koripako reads: Yaatte paapa maawhikai iiñhakaapa manakhe. Below, the English translation: "The toucan is an animal that eats açaí." A small sunburst-style icon appears in the lower-left corner.

A soft pink poster with the header "READ IN CADERNOS DE LINGUÍSTICA" in small uppercase text. Below, there's an image of a toucan perched on a branch with its large orange beak and black feathers. Under the image, the word "YAATTE" appears in bold. The text describes it as a bird that flies, has a long beak and black feathers, feeds on fruit (especially bacaba and açaí), sings before the rain, and lives in the forest. A sentence in Koripako reads: Yaatte paapa maawhikai iiñhakaapa manakhe. Below, the English translation: "The toucan is an animal that eats açaí." A small sunburst-style icon appears in the lower-left corner.

A bird with black feathers and a long beak has one name in Koripako, and another—more expansive—in Baniwa. This bilingual dictionary, created with the Medzeniakonai community, shows how languages map the world differently.
doi.org/10.25189/267...
#langsky #CitizenScience #linguistics

09.07.2025 13:17 — 👍 4    🔁 0    💬 0    📌 0
Card from Cadernos de Linguística titled "Meet the Author". At the top, there is a circular photo of Artur Garcia Gonçalves, an Indigenous Baniwa-Koripako linguist, holding a sign that reads "BANIWA". Below the photo, his name appears in bold: "ARTUR GARCIA GONÇALVES". The description reads: "PhD in Linguistics from the University of Brasília and postdoctoral fellow at the Museu Paraense Emílio Goeldi. He coordinated a language documentation project focused on his native language, Medzeniakonai (Baniwa-Koripako), carried out in the Amazon region through a partnership between UNESCO and the Museu do Índio." The background is light beige with a minimalist sunburst icon in the bottom left corner.

Card from Cadernos de Linguística titled "Meet the Author". At the top, there is a circular photo of Artur Garcia Gonçalves, an Indigenous Baniwa-Koripako linguist, holding a sign that reads "BANIWA". Below the photo, his name appears in bold: "ARTUR GARCIA GONÇALVES". The description reads: "PhD in Linguistics from the University of Brasília and postdoctoral fellow at the Museu Paraense Emílio Goeldi. He coordinated a language documentation project focused on his native language, Medzeniakonai (Baniwa-Koripako), carried out in the Amazon region through a partnership between UNESCO and the Museu do Índio." The background is light beige with a minimalist sunburst icon in the bottom left corner.

What does it mean for a community to write its own dictionary?
Artur Garcia Gonçalves, Baniwa-Koripako linguist, reports on a 3-year collective effort to document his language — across dialects, politics, and schoolrooms in the Amazon.
doi.org/10.25189/267...
#linguistics #langsky

08.07.2025 12:23 — 👍 6    🔁 3    💬 0    📌 0
A pink poster with dark gray text. At the top, it reads “READ IN CADERNOS DE LINGUÍSTICA”. Below, there is a quotation: “As an Indigenous linguist, it is a great accomplishment to work with teachers, parents, students, and the communities along the Içana River. This collective effort strengthens education and promotes the value of the Baniwa-Koripako language and culture.” Below the quote, it says: “Garcia Gonçalves, A., 2025.” In the bottom left corner, there is a small sunburst-like icon made of short lines.

A pink poster with dark gray text. At the top, it reads “READ IN CADERNOS DE LINGUÍSTICA”. Below, there is a quotation: “As an Indigenous linguist, it is a great accomplishment to work with teachers, parents, students, and the communities along the Içana River. This collective effort strengthens education and promotes the value of the Baniwa-Koripako language and culture.” Below the quote, it says: “Garcia Gonçalves, A., 2025.” In the bottom left corner, there is a small sunburst-like icon made of short lines.

Citizen science led by Indigenous researchers shows how language documentation can support education and cultural vitality. Cadernos de Linguística publishes work that values diversity in knowledge production. #CitizenScience #langsky #linguistics doi.org/10.25189/267...

07.07.2025 16:33 — 👍 2    🔁 0    💬 0    📌 0
Graphic announcement for Cadernos de Linguística's call for theme issue proposals at INTERAB 14, the 14th International Congress of Abralin. The text states: “The deadline for submitting proposals for theme issues for INTERAB 14 (March 2–6, 2026, Recife) has been extended: submit yours by July 20 and join us! Selected proposals will be part of the event program as Symposia.” The design is minimalist, with black and dark gray text on a light background and a small abstract icon resembling radiating lines in the bottom corner.

Graphic announcement for Cadernos de Linguística's call for theme issue proposals at INTERAB 14, the 14th International Congress of Abralin. The text states: “The deadline for submitting proposals for theme issues for INTERAB 14 (March 2–6, 2026, Recife) has been extended: submit yours by July 20 and join us! Selected proposals will be part of the event program as Symposia.” The design is minimalist, with black and dark gray text on a light background and a small abstract icon resembling radiating lines in the bottom corner.

Set the agenda in your field: guest edit a Cadernos de Linguística theme issue and organize a symposium at Abralin’s INTERAB, Brazil’s largest linguistics congress. Diamond Open Access, worldwide reach from the Global South. abral.in/interab14

06.07.2025 16:08 — 👍 0    🔁 0    💬 0    📌 0
A minimalist pink poster with dark gray text. At the top, it says: “READ IN CADERNOS DE LINGUÍSTICA”. Below, in large capital letters, it reads: “CITIZEN SCIENCE”. In the bottom left corner, there is a small icon that looks like a partial sunburst or sound wave made of short lines.

A minimalist pink poster with dark gray text. At the top, it says: “READ IN CADERNOS DE LINGUÍSTICA”. Below, in large capital letters, it reads: “CITIZEN SCIENCE”. In the bottom left corner, there is a small icon that looks like a partial sunburst or sound wave made of short lines.

🌿 Citizen science in action: The Medzeniakonai (Baniwa-Koripako) community built the first bilingual and bidialectal Baniwa-Koripako–Portuguese dictionary through collective workshops. 600 entries, 1400 examples, multimedia. A model for Indigenous language preservation.
doi.org/10.25189/267...

05.07.2025 13:17 — 👍 1    🔁 1    💬 0    📌 0
A minimalist poster with a light beige background. At the top, in small uppercase letters, it reads: “NEW ARTICLE | RESEARCH REPORT”. Below, the main title appears in large dark gray letters: “The Development of a Bilingual and Bidialectal Dictionary for the Medzeniakonai Language (Baniwa – Koripako)”. Under the title, the author’s name is listed: “ARTUR GARCIA GONÇALVES”, followed by “Museu Paraense Emílio Goeldi” in smaller letters. At the bottom left corner, there’s a simple line icon resembling a partial sunburst or sound wave, and next to it a small pink circle.

A minimalist poster with a light beige background. At the top, in small uppercase letters, it reads: “NEW ARTICLE | RESEARCH REPORT”. Below, the main title appears in large dark gray letters: “The Development of a Bilingual and Bidialectal Dictionary for the Medzeniakonai Language (Baniwa – Koripako)”. Under the title, the author’s name is listed: “ARTUR GARCIA GONÇALVES”, followed by “Museu Paraense Emílio Goeldi” in smaller letters. At the bottom left corner, there’s a simple line icon resembling a partial sunburst or sound wave, and next to it a small pink circle.

Artur Garcia Gonçalves and the Medzeniakonai community present the first bilingual and bidialectal Baniwa-Koripako–Portuguese dictionary. With 600 entries, 1400 examples and multimedia features, it strengthens efforts to protect linguistic diversity and indigenous knowledge.
doi.org/10.25189/267...

03.07.2025 15:51 — 👍 3    🔁 0    💬 0    📌 1
A square digital card with a light turquoise background and a rounded beige box in the center. At the top, bold text reads: “READ IN CADERNOS DE LINGUÍSTICA”. Inside the beige box, the title appears in bold uppercase: “LETTERS OFFERING QUARTER IN TUPI BY POTIGUARA LEADERS (1645)”. Below is a line in italicized Tupi language: Çaçig-ete ã ixe-ue mae aiba pe-remimonhag-oéra reçe co marana porauçúba reigma. Under this, an English translation in smaller font: “It saddens [pains] me greatly, the evil things you have done in this miserable [loveless] war.” In the bottom left corner is a minimalist decorative graphic with short black lines forming a partial sunburst shape.

A square digital card with a light turquoise background and a rounded beige box in the center. At the top, bold text reads: “READ IN CADERNOS DE LINGUÍSTICA”. Inside the beige box, the title appears in bold uppercase: “LETTERS OFFERING QUARTER IN TUPI BY POTIGUARA LEADERS (1645)”. Below is a line in italicized Tupi language: Çaçig-ete ã ixe-ue mae aiba pe-remimonhag-oéra reçe co marana porauçúba reigma. Under this, an English translation in smaller font: “It saddens [pains] me greatly, the evil things you have done in this miserable [loveless] war.” In the bottom left corner is a minimalist decorative graphic with short black lines forming a partial sunburst shape.

In 1645, Potiguara leaders wrote letters in Tupi offering quarter under European military customs, but filled with kinship terms and indigenous oratory. Cândida Barros and Ruth Monserrat document this hybrid diplomacy during the Luso-Dutch War. Read: doi.org/10.25189/267... #langsky #linguistics

02.07.2025 17:51 — 👍 2    🔁 0    💬 0    📌 0
Image with a light background and centered text. At the top, in uppercase gray letters: "READ IN CADERNOS DE LINGUÍSTICA". Below, the question in bold: "Why do candidates attack their opponents in political debates?". The text explains that in political debates, persuasion happens by promoting one’s own image and discrediting the opponent’s. The attack aims to weaken the opponent and create an unconscious agreement with the audience, using arguments like bad examples and turning the opponent’s words against them. This way, candidates try to align their ideas with values accepted by the audience. The words "persuasion" and "unconscious agreement" are highlighted with a light blue background. In the bottom left corner, there is a small stylized lightning icon.

Image with a light background and centered text. At the top, in uppercase gray letters: "READ IN CADERNOS DE LINGUÍSTICA". Below, the question in bold: "Why do candidates attack their opponents in political debates?". The text explains that in political debates, persuasion happens by promoting one’s own image and discrediting the opponent’s. The attack aims to weaken the opponent and create an unconscious agreement with the audience, using arguments like bad examples and turning the opponent’s words against them. This way, candidates try to align their ideas with values accepted by the audience. The words "persuasion" and "unconscious agreement" are highlighted with a light blue background. In the bottom left corner, there is a small stylized lightning icon.

How do candidates use language to persuade in political debates? This study analyzes strategies that promote a positive image and discredit opponents through argument patterns that seek to win audience trust. #PoliticalDebate #Persuasion #Rhetoric
👉 doi.org/10.25189/267...

01.07.2025 15:36 — 👍 4    🔁 1    💬 0    📌 0
A square social media card with a clean blue background. Centered is the logo of Cadernos de Linguística in white, using a geometric, modern font. Below the logo, the journal’s website “cadernos.abralin.org” appears in smaller white text. The design is minimalist, emphasizing clarity and readability.

A square social media card with a clean blue background. Centered is the logo of Cadernos de Linguística in white, using a geometric, modern font. Below the logo, the journal’s website “cadernos.abralin.org” appears in smaller white text. The design is minimalist, emphasizing clarity and readability.

Cadernos de Linguística values linguistic diversity. We accept submissions in any language to ensure local research thrives, knowledge reaches society, and science connects with culture. #InAllLanguages

30.06.2025 11:13 — 👍 3    🔁 0    💬 0    📌 0
 A card with a light beige background. At the top, in small uppercase text: “INDEXING | CADERNOS DE LINGUÍSTICA”. Below, the Diadorim logo: the word “DIADORIM” in bright orange with a small green circle on the right containing two circular arrows. Underneath, bold text reads: “TRANSPARENCY IN OPENNESS”. The main text says: “A service that provides information on the editorial policies of Brazilian scientific journals regarding the storage and open access of articles in institutional repositories, promoting greater transparency and visibility for authors, editors, and repository managers.” At the bottom left, there is a small graphic of curved lines forming a semicircle, resembling a loading or refresh icon.

A card with a light beige background. At the top, in small uppercase text: “INDEXING | CADERNOS DE LINGUÍSTICA”. Below, the Diadorim logo: the word “DIADORIM” in bright orange with a small green circle on the right containing two circular arrows. Underneath, bold text reads: “TRANSPARENCY IN OPENNESS”. The main text says: “A service that provides information on the editorial policies of Brazilian scientific journals regarding the storage and open access of articles in institutional repositories, promoting greater transparency and visibility for authors, editors, and repository managers.” At the bottom left, there is a small graphic of curved lines forming a semicircle, resembling a loading or refresh icon.

Cadernos de Linguística is indexed with green status in Diadorim! This means full transparency: we allow both preprint and postprint open access in institutional repositories.

29.06.2025 12:30 — 👍 3    🔁 0    💬 0    📌 0

@cadlin is following 20 prominent accounts