dramaturgical surfeit

Sarajevo on my mind

deliberate underachievement

adieu à l'été

a man with long hair is sitting at a table/desk in a room with a book case, windows and crossed swords on the wall. he is saying: the rich are getting richer and the poor are getting poorer.

vandal hearts, magazine screenshot, playstation (1997) archive.org/details/p.-s...

productive altercations of presents meshing with pasts

yeah

Home - Visual Poetry of Japan: 1684-2023 “Sometimes a book drops through the letter box that turns out to be just the one you never knew you needed. Taylor Mignon’s Visual Poetry of Japan: 1684–2023 is, it turns out, just such a book.” Billy...

TIL

visualpoetryjapan.com

thanks to @roaming.bsky.social

and the vernacularity of it all

axis thinking -> a cultural address

plan on failing; but when you do, don't dwell on it

O\/3R — RW I’ve always thought that our love will end with a monumental, overly dramatic gesture. How could it be otherwise, we couldn’t possibly let her wane in some syntactic ambiguity. A giant,…

I wrote something, and it so happened that @minorliteratures.bsky.social published it
minorliteratures.com/2025/07/01/o...

O\/3R — RW I’ve always thought that our love will end with a monumental, overly dramatic gesture. How could it be otherwise, we couldn’t possibly let her wane in some syntactic ambiguity. A giant,…

“Doodling them, contemplating on them, drawing them on both sides of the page, then holding the page against the light, admiring how both sides intertwine. My last sketchbook would be like ->

|_O\/3 O\/3R \/33R Я/-\DIC/-\|_ ⊬$<>a≡%∴∄”

❤️ @roaming.bsky.social

O\/3R — RW I’ve always thought that our love will end with a monumental, overly dramatic gesture. How could it be otherwise, we couldn’t possibly let her wane in some syntactic ambiguity. A giant,…

"I’ve always thought that our love will end with a monumental, overly dramatic gesture. How could it be otherwise, we couldn’t possibly let her wane in some syntactic ambiguity ..."

O\/3R — @roaming.bsky.social

minorliteratures.com/2025/07/01/o...

last day of spring

daisies as utterance

exile from immanence

sentimental admonishment

radical insecurity

snug in the void between pixels

Uncle Vanya's final monologue but everyone's a hopeful fish

wanna come over and try to be normal together till dementia do us part?

little fluffy clouds

like pixels off a duck's back

let them eat solitaire

sold to the loudest giggler

isn't it marvelous that we can re-live the XIX century with more drugs, a very different class structure, and Paris no longer the capital

structural choices and local utterances

YouTube video by gustavothomasteatro Biomecanica de Meyerhold Film original

But can Kieran Culkin do this?