🌟ほし🌠🌌

#しずまり ⑦ - RofoINGのイラスト - pixiv 跨度大

www.pixiv.net/artworks/123...
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スマホでパシャパシャ取ってたし曇りも多かったから結局24枚どり一本しか消費しなかったんだけど、整理してるともつちょいフィルムで撮っとけば良かったなと思った。

twitter.com/bcuvhino/sta...
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24巻、本日発売でございます〜！よろしくおねがいします〜

namori's hidasketch 😇😇🙏🙏🙏

but it's thanks to them sharing that experience with one another that they can accept that fact and try for a new one, and maybe one day be happy with what they have now instead of pining for something that was taken from them long ago. to accept their trauma but not be consumed by it.

it's not the innocence that they lost, it can *never* be. some things will truly never be fixed.

an understanding innocence only able to be made through talking and communication, to have a caring perspective outside of their own to see their lives from, when they know and have lived through the alternative of having No One.

the way they leave us, having replaced the symbol of takopi—that stolen innocence that has become irreversibly corrupted—with this new, familiar, but different kind of innocence. not the naive kind that takopi was, but one of understanding. (2/?

i just want to appreciate this final bit of symbolism in takopi. that lasting connection into adulthood, of something that *looks* like takopi, but isn't. they dont make the connection that it looks like takopi, or even that one weird random drawing shizuka made as a kid (1/?)

twitter.com/Yuyucow/stat...
ok the tweet i was thinking of did not call it that, he was just referring to the similar approach they had to their layouts (which is CRAZY FOR REIWA, NO??? like genuinely how is this show real)

it's only right that after watching takopi i choose to watch the work that that show was a (apparently(sorta)) spiritual successor to. will hopefully make watching alien 9 a top priority but idk!!! im always so overwhelmed with choice of what kino to watch 😭😭😭

thank you random twitter user, i've been searching for a good image of this for ages 🙏🙏🙏 twitter.com/birds9328/st...

also, finally these ones in good quality!!!! Naoya Nakayama(!!!), and Takeshi Osame

(the new BTR charadesigner, for those not in the know)

rare dgkb-era Keito Oda art spotted 😇😇🙏🙏🙏🙏
#koias

i got it fully implemented now--and thanks to the wonders of 11ty, the sidebar only appears on pages that actually need the table of contents. i also added a lil music player filled with soothing songs that will hopefully soften the blow of suffering through my horrible writing 😌

Speculated about Momoka Hase being the art director because she worked in the novel. The secret artboards did look Liz-ish which fit the bill, but the painterly style is something I'd associate with Mao Takayama and she's also available for a debut

That or Yamasaki since she's the big weirdo--

Staff-wise: Hell yeah Ota. Again, no need to say that he's proven to be incredibly ambitious and innovative as an episode director. Okamura feinted everyone by becoming an enshutsu out of nowhere, and then one project later he's debuting as sole character designer. Bro could do anything in Denmoku

Shame people don't get to see the cool artboards they screened after the public stream, because they were very illustrative of Ota's talk about the setting. Rather than a steampunk filter over Kyoto, they wanted to imagine how Kyotoites would shape the world back if they lived in such time & place

The interconnection between themes & aesthetic, especially the art direction, is something he has emphasized in the live stage & interviews. Connecting the pollution with the abstract, unclean BGs is neat... and if CITY #05 wasn't enough of a hint, Ota loves coming up with new forms of expression

But of course, it has changed a lot, and you only need to check the key visuals for that. The new premise and addition of steampunk elements have given it a much punchier feeling, with which Ota hopes to underline the themes already present in the source material

It's also not a change from that one sheet of production materials that made the rounds over being saved from the arson, because that was never from the animation project. That was from the internal contest in 2018 to decide on the designer. (Source: me, I've seen them all privately. It was Sawa's)

YouTube video by 京アニチャンネル 京都アニメーション CM「明治編」

That said: it's not a "change" from this commercial, because it was never even technically about the book - despite obviously being inspired by it, and featuring staff like Ishihara who were originally slated to lead the project. This was a studio ad to train newbies www.youtube.com/watch?v=N7HV...

Stuff about Denmoku now that it's real & public: this is Not the project that was initially conceived, it has been rebooted. Some aspects make it quite obvious, like the fact that it's Minoru Ota's series direction debut, the shift in the setting, and the new subtitle. Fortunately, it looks great!

(no i dont know why OBS put a black bar at the top and no im too lazy to fix it)

prototype of a sidebar and auto-generated table of contents 👀 was a pain to get working (for once the tutorial didn't just work ootb 😭), but i got it working in the end!!!

this kumirei illustration is gonna be living rent-free in my head for the next week

im too lazy to record a video showing it off, but did i mention it's lightning fast too? !!! like my site isnt huge by any stretch but searches are INSTANT!!! it was shockingly easy to do as well, adding the little search icon in the navbar was way harder