Associate professor of music and sound in Asia/anthropology. Crossword puzzle editor; TNG watcher.
Digital & narrative trainings @NewMediaMentors.
Host of Graphic Policy Radio: a podcast on genre media & movements for social change. 🤘🏻 🏳️🌈 🖖🏻 Public Health, unions, NYC, comic books, music history & DS9. https://graphicpolicy.com/radio/
boston-based writer and journalism instructor at @bostoncollege.bsky.social who has probably been online longer than you. Sign up for maura.ghost.io today.
yells in the band daddy’s boy // part of flaming hydra // member: tja, iww fju, opeiu l1010 // union YES // another world is possible if we can get it together
Hi! I write about music at various spots (@thequietus.com, @thewiremagazine.bsky.social, Shfl and my Patreon, also in the past @allmusic.com, @pitchfork.com, @bandcamp.com etc. etc.). Plus podcasting about #Tolkien with friends at @bythebywater.bsky.social
I write about music things and things music at NPR and elsewhere. Latest book: TRAVELING: ON THE PATH OF JONI MITCHELL.
anthropology, algorithms, attention | he/him | The conversation is characterized by Nick's use of language, but the content of the discussion remains unknown.
Historian & writer. Britain, Ireland, empire, music. Latest book is on John Cale's Paris 1919 for 33 1/3. Next: histories of African people/music in Ireland. “Pipe-sucking radical”-Mail on Sunday. Views here are my own, not my employer's.
Independent music journalism. No algorithms. We promise.
Director of documentaries (Other Music, Syl Johnson: Any Way The Wind Blows) and Producer of things like the Elephant 6 doc & the comedy Micro Budget.
writing music, making podcasts (song exploder, home cooking, west wing weekly), eating desserts
linktr.ee/hrishihirway
editor & scholar. Pop music, gender, philosophy. Books: GOOD VIBES ONLY; THE FUTURE OF ROCK & ROLL; THE SONIC EPISTEME; RESILIENCE & MELANCHOLY. Writing a 33 1/3 on The Breeders. Bylines Jezebel, Guardian, LARB, Real Life, etc. its-her-factory.com
prof ∙ critic ∙ music and media ∙ Hoosier in Michigan ∙ award-losing author of WHO GOT THE CAMERA?, which Rolling Stone called "approachably erudite" ∙ ericdharvey.com
Michaelangelo Matos
Author, historian, critic, journalist
St. Paul
he/him
The Underground Is Massive (Dey Street, 2015); Can't Slow Down (Hachette, 2020)
I edit books - inquire within
Beat Connection: DJ mixes newsletter - http://michaelangelo.substack.com
The freeform station of the nation! Independent, creative, rocking radio. Skeeter behind the curtain: @dmandl.bsky.social. Submit music via http://wfmu.org/sendmusic.html. Sorry, but we're too busy shopping for records to respond to DMs. Listen: wfmu.org
Dusted editor, Aquarium Drunkard, Bandcamp contributor, Knicks fan, sci fi writer
BOOK: https://www.dukeupress.edu/together-somehow
I party so you don't have to. He/him, with notable exceptions. Gay affinity animal: capybara. Opinions are epiphenomena of discourse and power—and also my own.
theluisgarcia.Carrd.co
Music, writing, teaching: http://linktr.ee/franznicolay ||| PianoFighter.substack.com ||| To us, the beautiful!
Professor, UMN American Studies// I study race, sex(uality), & pop music // Author of *Sounds from the Other Side* (winner of the IASPM-US Guthrie & AMS Brett awards) // he/him
