Alessi Schreiber

Bringing the Mediterranea Publishing Fellowship to Bluesky - a space where we explore Mediterranean literature beyond markets.

Join us for reflections on literary connections, cultural mediation, and glimpses into our fellowship experience in Cagliari.

#MediterraneanLiterature

Fatto! 😊

La disinformazione nell'era dei social media: dal consenso al tribalismo - Valigia Blu La difesa della “verità” appare stantia. Forse stiamo guardando dalla parte sbagliata? Il vero nodo non sono le bugie, ma la performatività con cui social e TV riscrivono la realtà. I media non si lim...

🧵 La disinformazione nell’era dei social media: dal consenso al tribalismo | @brunosaetta.bsky.social www.valigiablu.it/disinformazi... via @valigiablu.it

School book belonging to a 12-year-old. Village near Tolosa, Basque Country, 1966. "In school I must not speak Basque" 1,000 (one thousand) lines.

La prima stagione di “Una mattina” - Il Post È uscito il nuovo podcast di Luca Misculin che cerca di raccontare per bene la Resistenza italiana: sono disponibili le prime cinque puntate

Un podcast [...] che prova a raccontare la Resistenza italiana a fascisti e nazisti nell’ultima fase della Seconda guerra mondiale.

www.ilpost.it/2025/04/25/u...

Wir zählen Vergewaltigungen, wir zählen Taten, wir zählen Täter.

Niemand zählt die Jahre, die die betroffenen Frauen und Mädchen brauchen, um wieder ins Leben zu finden.

Niemand zählt die Beziehungen, die deshalb zerbrechen, oder die Traumata, die ganze Familien belasten.

1 Un padre dice al figlio: “Ricorda, figlio.” 2 Il padre, emozionato, esclama: “Non importa quanto la società ti derida o ignori… Tu segui sempre i tuoi sogni! Non importa quali siano… Solo così sarai veramente felice!” Il figlio guarda il padre confuso. 3 Dopo questo discorso, il figlio risponde: “Da grande voglio fare lo youtuber fascista!” Il padre prende un secchio dell’umido, lo apre e dice al figlio: “Entra subito qui dentro.” 4 FINE

Buon 25 aprile ma senza esagerare eh non vorrei offendere il papa

Ciao Anna, ma certo. Ora ci sei anche tu 🙂
Ci vediamo a Torino?

I just finished translating Lily Hoang’s A Bestiary. A book I’ve wanted to publish since 2018. I first came across it by chance, near a book swap, as happens with the best reads. It’s a book that turns pain into a poetic meditation on the complexity of modern life. Can’t wait to see it out in Italy.

Parece que me había perdido algunas respuestas 🫣 Ahora sí te agregué 😊

Back from the Chennai Book Fair, and what a revelation the Tamil language has been, where letters are soul and body (uyir and mei), forming "embodied letters" (uyirmei). It was a beautiful encounter with a different way of dwelling in words.

☺️ I just added you

Italian newspaper urges Iran to free journalist held in notorious jail Cecilia Sala, who works for Il Foglio, was arrested in Tehran before Christmas while on a reporting trip and is now being held in Evin prison.

Italian newspaper urges Iran to free journalist held in notorious jail

A news article titled "Cecilia Sala was arrested in Tehran" details the circumstances of Cecilia Sala's arrest on December 19. It explains that she is being held in Evin prison and has been in solitary confinement for a week. The article highlights her valid journalistic visa and previous work in Iran, including podcast episodes for Chora News. It recounts the distressing timeline of her disappearance and the efforts made by her partner and Italian authorities to locate her. The article emphasizes the urgency of her situation and calls for her immediate release, featuring the hashtag #FreeCecilia.

#FreeCecilia

Gracias querido 💜

👋

Don‘t post on X.

Don‘t be on X.

Don‘t share from X.

Hey there. Sorry I missed this comment. I just added you to the list 🙂

Narrative voice oscillates between intimate interiority and expansive collective consciousness, suggesting alternative modes of perceiving individual experience as fundamentally interconnected and permeable. Theoretical intervention: reimagining subjectivity as ecological process.

Landscape functions not as backdrop but active phenomenological agent. Ecological intimacy becomes an epistemological method, deconstructing colonial subject/object binaries through immersive, sensorial narrative techniques that privilege processual becoming.

Performative textuality emerges through embedded musical/sonic metaphors. Piano preparation scenes literalize narrative's hybrid ontological mode - inserting external materialities into structured systems, generating unexpected resonances and transformative potentials.

Day's novel destabilizes linear subjectivity through Sarah Hutchinson's metamorphic consciousness, deploying a narrative structure that mirrors psychological fragmentation. Spatial transitions become metaphysical passages, challenging Western epistemological boundaries.

Gregory Day's "The Bell of the World" (Transit Lounge, 2023) interrogates spatial phenomenology through a polyvocal narrative, mapping embodied consciousness against the Australian landscape's transitional topographies. Formal fragmentation enacts phenomenological rupture and regeneration.

In the past two years alone I have translated 13 novels, all by terrific authors. But while completing Carolina Bello's El resto del mundo rima, I truly felt like a literary translator for the first time. I focused entirely on the text, setting aside concerns about my or the author's (amazing) voice

Hey @supernotes.app, are there any plans to include widgets in the macOS/iOS apps?

Just found out about Bookfusion, and I'm wondering how I missed it until now!

Poets & Writers is now on Bluesky! Announcing our new issue, featuring eight authors’ insights into the sources of illumination in their creative lives, our 20th annual debut poets spotlight, a retrospective celebrating the debut poets we’ve featured since 2005, and more. at.pw.org/JanFeb2025

Nadie se vio venir que al final serían las inteligencias artificiales las que se dedicarían a los trabajos creativos y las personas las que nos encargaríamos de los curros físicos pochos y mal pagados 🤙

By refusing traditional narrative cohesion, Unnikrishnan performs a decolonial methodology, challenging not just representational politics but the very epistemological structures through which migrant experiences are conventionally understood and narrated.